Jean Camberlyn

Camberlyn, Joseph Guillaume Jean

Belgian, 1783 - 1861

Explore Selected Works

Robert Nanteuil, Anne of Austria, Queen of France and Navarre, 1660, engraving on laid paper, Rosenwald Collection, 1943.3.6660

Anne of Austria, Queen of France and Navarre

Robert Nanteuil · 1660 · engraving on laid paper ·  Accession ID  1943.3.6660

Dirck Stoop, Two Horses Drinking at a Trough, 1651, etching on laid paper, Ailsa Mellon Bruce Fund, 2014.56.8

Two Horses Drinking at a Trough

Dirck Stoop · 1651 · etching on laid paper ·  Accession ID  2014.56.8

Wenceslaus Hollar, Groenendael Abbey, 1647, etching on laid paper, The Ellen von Seggern Richter and Jan Paul Richter Fund, 2010.127.1

Groenendael Abbey

Wenceslaus Hollar · 1647 · etching on laid paper ·  Accession ID  2010.127.1

Jakob Binck, Michael Roting, engraving on laid paper, Rosenwald Collection, 1943.3.879

Michael Roting

Jakob Binck · · engraving on laid paper ·  Accession ID  1943.3.879

Gerard van Houten, Allegory of Sculpture, red chalk with pen and brown ink and gray wash on laid paper, Joseph F. McCrindle Collection, 2009.70.142

Allegory of Sculpture

Gerard van Houten · · red chalk with pen and brown ink and gray wash on laid paper ·  Accession ID  2009.70.142

Dirck Stoop, Two Plow Horses Standing in a Field, 1651, etching on laid paper, Ailsa Mellon Bruce Fund, 2014.56.7

Two Plow Horses Standing in a Field

Dirck Stoop · 1651 · etching on laid paper ·  Accession ID  2014.56.7

Frans Floris I, David Playing the Harp before Saul, 1555, chiaroscuro woodcut printed from 4 blocks: black line block and three tone blocks in shades of gray-green on laid paper, Pepita Milmore Memorial Fund, 1997.2.1

David Playing the Harp before Saul

Frans Floris I · 1555 · chiaroscuro woodcut printed from 4 blocks: black line block and three tone blocks in shades of gray-green on laid paper ·  Accession ID  1997.2.1

Gerard Edelinck, Nathanael Dilgerus, 1683, engraving on laid paper, Ailsa Mellon Bruce Fund, 2006.4.1

Nathanael Dilgerus

Gerard Edelinck · 1683 · engraving on laid paper ·  Accession ID  2006.4.1

Shown from the knees up, a pale-skinned woman with gray hair and wearing a scarlet-red, velvet dress looks at us in this vertical portrait painting. The woman’s shoulders and face are angled slightly to our left so she gazes out of the corners of her dark blue eyes under sloping brows. Her pink lips are closed, and jowls soften her chin line. She wears a black cap over her gray hair, and gold, jeweled earrings hang from her ears. A double strand of pearls is around her neck. The bodice of her dress is cut straight across the shoulders, and white cloth covering her decolletage is tucked into the neckline. A muted gold cloth wraps around the woman’s left shoulder, to our right, across her back, and down over her other elbow. The red dress’s sleeves split over the puffy white sleeves of her undergarment. The woman rests her right elbow, to our left, on a ledge, and her other hand hangs by her side with those fingers nestled into the fabric of her skirt. An iridescent, gold-colored cloth drapes over the ledge to our left and behind the woman. A stone column is along the left edge of the painting and a sunset sky over a grassy, tree-filled landscape is visible to the right. The artist signed and dated the lower right corner, “NMaes 1676.”
Nicolaes Maes, Portrait of a Lady, 1676, oil on canvas, Gift of Joseph F. McCrindle, 2001.138.1

Portrait of a Lady

Nicolaes Maes · 1676 · oil on canvas ·  Accession ID  2001.138.1