Provenance

Captain Harold R. Wright

born 1896

Explore Selected Works

Painted almost entirely in tones of golden, mustard, and pale yellows, a young woman is shown from the lap up having turned to face us while making lace on a wooden frame in this vertical portrait painting. Her body faces our left almost in profile, but she turns her face to look at us with large, hazel-gray eyes. Her skin has a yellow cast but her smooth cheeks are lightly flushed, and her coral-red lips are parted. Her cinnamon-brown hair is parted down the middle and pulled back under a slate-blue ribbon, and she wears a teardrop-shaped earring in the ear we can see. Her burnt-orange shirt has pale yellow, wide cuffs at the elbow-length sleeves and a wide collar that rests across her chest and shoulders. The cuffs and collar are textured, suggesting fur. She rests her bare forearms against the wood frame in front of her, to our left, which is about the height of a table. A parchment-yellow cloth is draped over the frame, and she holds two short, cylindrical bobbins in her hands. Two more thread-wrapped bobbins hang to one side. The woman’s tea-brown skirt is partially hidden by a table situated closer to us, in the lower right corner of the painting. The table is covered with a patterned rug in maroon red, black, and gold. On the table are a low, wide pewter-gray bowl and a dark indigo-blue pillow with gold tassels and gold stripes near the seams. The wall behind the woman is honey yellow.
Anonymous Artist, The Lacemaker, c. 1925, oil on canvas, Andrew W. Mellon Collection, 1937.1.54

The Lacemaker

Anonymous Artist · c. 1925 · oil on canvas ·  Accession ID  1937.1.54

Bibliography

1995

  • Wheelock, Arthur K., Jr. "The Story of Two Vermeer Forgeries." In Shop Talk: Studies in Honor of Seymour Slive, presented on his seventy-fifth birthday. Cambridge, Massachusetts, 1995: 273-275, note 22, 428, fig. 8.