Provenance

Prince Maffeo Barberini

1631 - 1685

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Sixteen men and women sit, stand, or play music at or around a table surrounded by white marble buildings in this vertical painting. All the people have pale skin, and most have round faces with small features and wear dresses or robes in canary yellow, rose pink, lavender purple, moss green, topaz blue, or golden brown. Two stone steps along the bottom of the composition lead up to the table, which is covered with a white cloth. Three people are on our side of the table and the rest are next to or on the other side of it. A young, clean-shaven man brings a glass filled with red liquid on a tray at the left end of the table. Two people sit at the table set with two silver platters and a gold, fist-sized vessel. To our left, the man leans away from the woman and looks up and to our right, toward the musicians who sit and play on a raised platform. The man at the table wears a red hat with a billowing black feather, and his brows are gathered. To our right, the woman holds her hands up in front of her chest, palms facing each other. She looks to our right at a pair of men standing on our side of the table in the bottom right quadrant of the composition. Those two men have darker toned, peachy-colored skin, long beards, straight, pointed noses, and angular features. Both look off to the left. In this pair, the man to our left holds a club in one hand and leans back. He wears a royal-blue jerkin, a muted purple, knee-length toga, and shin-high, toeless sandals over bare, muscular legs. Decorative slits are cut into his jerkin so puffs of the white linen shirt he wears underneath can be pulled through. To our right in this pair, the other man faces our left in profile. He leans heavily against a tall staff and wears tattered white and earthy-brown clothing. A white cloth is tied around his scraggly hair and another around a wound on one shin. Two dogs growl at each other at this man’s bare feet. The third person on our side of the table kneels next to a tub-sized, silver and gold wine cooler, which holds a gold urn. A dog next to the cooler crouches and growls at the table or musicians, the tail erect and ears back. The musicians sit on a shallow platform to the right. The platform is as high as the people standing in front of it, and it is covered with a forest-green cloth. The musicians play instruments resembling a horn, violin, and cello, and the fourth holds an open book and lifts one finger, conducting. A similar platform across from them, to the left of the table, is covered with a white cloth and holds a display of oversized gold urns and silver platters. White arches carved with statues and decorations rise behind the table and frame a view of thin clouds across a vivid blue sky. The sky also fills much of the top quarter of the composition, and a scarlet-red curtain has been pulled to the left and tucked behind the silver dishes.
Italian 17th Century, The Parable of Lazarus and the Rich Man, 1618/1628, oil on panel, Samuel H. Kress Collection, 1939.1.88

The Parable of Lazarus and the Rich Man

Italian 17th Century · 1618/1628 · oil on panel ·  Accession ID  1939.1.88

Shown from the waist up, an older, pale-skinned man wearing clerical robes gestures to our right with one hand and turns his head to look off to our left in this vertical portrait painting. His shoulders angle to our right, and that arm hangs by his side. His other arm is bent at the elbow, and the hand is held palm up so the fingers loosely point to our right. His gaunt face turns to our left, and he looks off with dark, deep-set eyes under heavy, curved brows. He has a high forehead, a long, thin, hooked nose, and hollow cheeks. His full, smoke-gray beard is painted with blended strokes so appears soft. His crimson-red hat comes to four rounded points over ear-length, dark gray hair. An elbow-length red cape has buttons down the front, and he wears a white garment with a red cuff around the hand we can see. The man is lit from our left in front of a brown background.
Titian, Cardinal Pietro Bembo, 1539/1540, oil on canvas, Samuel H. Kress Collection, 1952.5.28

Cardinal Pietro Bembo

Titian · 1539/1540 · oil on canvas ·  Accession ID  1952.5.28

Dosso Dossi, Saint Lucretia, c. 1520, oil on panel, Samuel H. Kress Collection, 1939.1.388

Saint Lucretia

Dosso Dossi · c. 1520 · oil on panel ·  Accession ID  1939.1.388