Provenance

Gary Edwards

Explore selected works

See all 16 works of art
This is a cyanotype photograph of an anatomical representation of a human torso. The image displays an internal view, showcasing various organs and structures within the torso in a monochromatic blue hue, indicative of the cyanotype process. The heart, liver, spine, and pelvic bones are prominently featured, giving a detailed view of the body's internal anatomy. The intricate details and shading provide depth and definition to the various anatomical features.
Harold Mahoney, Cryogenic Section of a Cadaver, c. 1941-1949, cyanotype, Robert B. Menschel Fund, 2002.6.1

Cryogenic Section of a Cadaver

Harold Mahoney · c. 1941-1949 · cyanotype ·  Accession ID  2002.6.1

This is a photograph of a lunar lander with an astronaut stepping onto the lunar surface. The image is in black and white and appears grainy. The main focus is on the astronaut, who is stepping onto the moon's surface, illuminated against the darkness of space. In the background, there are stark shadows and vertical lines that could resemble the steps of the lunar module.
National Aeronautics and Space Administration, United Press International, Title from caption on object: "Buzz Aldrin, Lunar Module Pilot, Becomes the Second Man to Set Foot on the Moon…", July 20, 1969, gelatin silver print, Pepita Milmore Memorial Fund, 2017.96.1

Title from caption on object: "Buzz Aldrin, Lunar Module Pilot, Becomes the Second Man to Set Foot on the Moon…"

National Aeronautics and Space Administration, United Press International · July 20, 1969 · gelatin silver print ·  Accession ID  2017.96.1

The photograph shows a close-up view of ancient ruins. The camera is situated below the structure, looking slightly upward. The horizon is not visible. The image is filled with ancient ruins and rocks, including an ancient stone building partially in ruin, with large columns and intricately carved stonework. Stairs lead up to the building, with various steps appearing uneven due to wear and scattered debris. The image has a monochromatic color palette in various shades of sepia. The surface texture of the stone is detailed, enhancing the rugged and weathered appearance of the scene.
William James Stillman, Propylaea from the Southwest, 1882, carbon print, Robert B. Menschel Fund, 2006.86.1

Propylaea from the Southwest

William James Stillman · 1882 · carbon print ·  Accession ID  2006.86.1

The image shows a bird's-eye view of a historic cityscape with fortifications, buildings, distant towers, and a horizon in the upper third of the image. A group of people is on a sloped pathway near us, leading down to the fortifications. The walls of the fortress create straight lines drawing the eye into the distance where a river flows through the city crossed by bridges. The image is sepia-toned, emphasizing the architectural features. It balances details of human activity with the grand scale of the cityscape.
Ferdinand Bureau, View of Moscow, 1850s, salted paper print, Pepita Milmore Memorial Fund, 2018.56.1

View of Moscow

Ferdinand Bureau · 1850s · salted paper print ·  Accession ID  2018.56.1

This is a photograph of an ancient architectural ruin. The image captures a large, intricately detailed stone doorway leading into the interior space of a ruinous ancient structure. The doorway is framed by stone pillars and a lintel decorated with floral motifs. Beyond the doorway, fragmented stone blocks and rubble can be seen. The lighting suggests that the photograph was taken when the sun was low, casting long shadows and highlighting the texture of the stone. In the forefront, there is a fluted column drum resting on the ground. The photograph conveys a sense of history and the passage of time through its focus on the weathered stonework and decaying structure.
William James Stillman, The Acropolis of Athens, plate 21, 1869/1870, carbon print, Robert B. Menschel Fund, 2006.86.2

The Acropolis of Athens, plate 21

William James Stillman · 1869/1870 · carbon print ·  Accession ID  2006.86.2

The image shows a grid layout with intersecting straight lines and circles forming a pattern across the upper section. Beneath this grid, overlapping dark and light rectangular shapes densely populate the space, creating a mosaic-like structure. These elements form an abstract visual with a resemblance to a jigsaw puzzle or aerial map. At the bottom right, a sequence of numbers adds to the structured complexity of the arrangement.
National Aeronautics and Space Administration, Day 320, Survey I, Sectors 3 and 4, 1967, 78 gelatin silver prints, staples, paper, Gift of Joyce and Robert B. Menschel, 2002.86.1

Day 320, Survey I, Sectors 3 and 4

National Aeronautics and Space Administration · 1967 · 78 gelatin silver prints, staples, paper ·  Accession ID  2002.86.1

This is a photograph of a skeleton viewed from the side. It is a cyanotype print showing the silhouette of a human skeleton in blue against a beige background. The skull at the top displays distinct features such as the eye socket and jawbone. The spine is prominently in the center, curving downwards with each vertebra clearly defined, leading into the rib cage, which is partially visible. Below the ribs, the pelvis and shadows hinting at internal structures are visible. The monochromatic scheme gives the image an ethereal and scientific quality, emphasizing the anatomical features of the skeleton.
Harold Mahoney, Cryogenic Section of a Cadaver, c. 1941-1949, cyanotype, Robert B. Menschel Fund, 1999.33.1

Cryogenic Section of a Cadaver

Harold Mahoney · c. 1941-1949 · cyanotype ·  Accession ID  1999.33.1

The image shows ancient ruins with a structure featuring classical columns with fluted shafts and Ionic capitals. The perspective is at ground level, allowing a direct view of the entrance. Debris and fallen stones are scattered nearby. The sky above is clear. The color palette is monochromatic with shades of sepia, emphasizing the age and texture of the stone. The lighting casts shadows and highlights that accentuate the architectural forms and details of the columns.
William James Stillman, The Acropolis of Athens, plate 20, 1869/1870, carbon print, Robert B. Menschel Fund, 2006.86.3

The Acropolis of Athens, plate 20

William James Stillman · 1869/1870 · carbon print ·  Accession ID  2006.86.3

The image showcases various lines and shapes at a tilted angle creating an abstract composition. A vertical, elongated shape on the left resembles a stair or ladder and a circular form near the center suggests a helmet or dome. The grayscale background is complemented by sporadic red marks. The overall image may evoke an astronaut or figure in space, with the darker surrounding emphasizing a sense of vastness or void.
National Aeronautics and Space Administration, Title from caption on object: "Neil Armstrong Steps on to Moon...", July 20, 1969, gelatin silver print, Pepita Milmore Memorial Fund, 2017.96.2

Title from caption on object: "Neil Armstrong Steps on to Moon..."

National Aeronautics and Space Administration · July 20, 1969 · gelatin silver print ·  Accession ID  2017.96.2

The image shows a woman seated and facing the camera. Her upper body, including her chest and head, is in focus. She has distinct facial features, dark hair styled with waves and curls, and is wearing a dark dress with ornate details and a high collar. The background is plain.
John G. Ellinwood, Portrait of a Woman, c.1870, tintype with applied color, Mary and Dan Solomon Fund, 2009.83.1

Portrait of a Woman

John G. Ellinwood · c.1870 · tintype with applied color ·  Accession ID  2009.83.1