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Susan Teller Gallery

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The image features intersecting lines and geometric shapes with numbers from 1 to 12 layered on the background. The composition resembles a blend of an architectural blueprint and a clock face, with overlapping forms suggesting interconnected gears. The numbers are placed amidst the structured background akin to puzzle pieces fitting within a design.
Fannie Hillsmith, Interior 1, 2, 3, 1961, charcoal and collage on wove paper, Gift of Jacob Kainen, 2002.98.389

Interior 1, 2, 3

Fannie Hillsmith · 1961 · charcoal and collage on wove paper ·  Accession ID  2002.98.389

This is a drawing of an urban scene featuring empty chairs and a small interior space. The image depicts several empty chairs lined up against a wall inside a room that appears to be in a commercial or public setting. The scene is captured with strong, expressive strokes that convey shadows and contrasts, creating a dimly lit atmosphere. In the foreground, there is a dog with a small sign placed in front of the chairs. The room's ceiling is visible, with a focus on the light angle emphasizing the depth and structure. On the right, there's an open doorway with a distorted face painted on the door. The drawing uses monochromatic tones to render the scene.
Nan Lurie, Subway Bootblack, c. 1937, lithograph in black on wove paper, Gift of Jacob Kainen, 2002.98.155

Subway Bootblack

Nan Lurie · c. 1937 · lithograph in black on wove paper ·  Accession ID  2002.98.155

The image features intersecting black lines and angular shapes creating an abstract design. There are bold patches of yellow and blue adding contrast to the predominantly black and white scene.
Robert Freemont Conover, Landscape, 1954, color woodcut on wove paper, Gift of Jacob Kainen, 2002.98.376

Landscape

Robert Freemont Conover · 1954 · color woodcut on wove paper ·  Accession ID  2002.98.376

The image displays intersecting lines and rectangular shapes creating an abstract pattern with a sense of depth. The overlapping forms suggest a cityscape viewed from above, with the lines resembling streets and the rectangles resembling buildings. The layering of shapes and textures adds to the abstract nature of the image, with some shapes resembling geometric objects. In the center, a series of vertical and horizontal lines interlock to evoke a complex urban grid.
Fannie Hillsmith, Abstraction of Stripes, 1946, intaglio in black on wove paper, Gift of Jacob Kainen, 2002.98.388

Abstraction of Stripes

Fannie Hillsmith · 1946 · intaglio in black on wove paper ·  Accession ID  2002.98.388

The image shows a man's neck and upper torso, reclined with his head tilted back and mouth open. His eyes are tightly closed, revealing his teeth. The man has short, curly hair. The illustration is monochromatic with strong lines and shading. The shoulder and arm musculature are emphasized with swirling lines. The figure is not wearing clothing, with an abstract background of swirling lines around him.
Nan Lurie, Early Morning, c. 1937, lithograph in black on wove paper, Gift of Jacob Kainen, 2002.98.154

Early Morning

Nan Lurie · c. 1937 · lithograph in black on wove paper ·  Accession ID  2002.98.154

The image shows a village or small town from a slightly elevated point of view. The horizon is implied by the tops of trees and rooftops. The style features a painterly brushstroke technique with an Impressionist influence. The color palette is warm, with earthy tones and lush greens dominating. The sky shows soft blues and whites. A curved path leads into the scene, bordered by a stone wall and various buildings with Mediterranean architectural features. In the background, tall cypress trees and leafy treetops add depth and texture to the composition.
Jan Matulka, The South of France [recto], c. 1930, watercolor, crayon and pencil on wove paper, Gift of Jacob Kainen, 2002.98.398.a

The South of France [recto]

Jan Matulka · c. 1930 · watercolor, crayon and pencil on wove paper ·  Accession ID  2002.98.398.a

The image is a sketch of a person seated, with their head resting on their right hand near the temple. The individual has closed eyes, a straight nose, and a slightly furrowed brow. The figure is nude, with strong, defined linework showcasing muscular features and shadows. The background is blank with some hatch marks near the head and shoulders.
Jan Matulka, Seated Male Nude [verso], c. 1930, black crayon on wove paper, Gift of Jacob Kainen, 2002.98.398.b

Seated Male Nude [verso]

Jan Matulka · c. 1930 · black crayon on wove paper ·  Accession ID  2002.98.398.b

The image features geometric shapes and lines forming an abstract pattern. The composition includes elongated shapes resembling table tops or musical instruments, creating a complex mechanism or device. Dark and light areas are formed by hatch marks and decorative motifs, giving a layered and textured appearance similar to an ornate tapestry or architectural blueprint.
Fannie Hillsmith, The Table, 1946, intaglio in black on wove paper, Gift of Jacob Kainen, 2002.98.390

The Table

Fannie Hillsmith · 1946 · intaglio in black on wove paper ·  Accession ID  2002.98.390

The image shows a cluster of buildings from an elevated position, dominating the composition. The horizon is obscured by dark tones in the background. The painting technique creates texture and depth with small, grainy dots and lines. The color palette is monochromatic, using blacks, grays, and whites. Light reflects off the roofs, highlighting the geometric forms of the structures. Two vertical elements rise above, suggesting chimneys or smoke stacks, contributing to the industrial theme.
Blanche Grambs, Mill, 1936/1939, aquatint in black on wove paper, Gift of Jacob Kainen, 2002.98.107

Mill

Blanche Grambs · 1936/1939 · aquatint in black on wove paper ·  Accession ID  2002.98.107

The image depicts a partial view of a person, capturing their head, shoulders, and upper torso. They are positioned in a three-quarter profile, facing to the right of the frame. The facial features are rendered in an expressive, abstract manner, with dark, swirling lines and shadow accents that suggest deep-set eyes and prominent lips. The hair is depicted as a textured mass on top, blending into the dark background. The clothing merges with the form. No jewelry or objects are visible. The background is dark and heavily textured, with bold, energetic lines creating movement around the individual.
Nan Lurie, Investigating Committee Broadcast, c. 1937, lithograph in black on wove paper, Gift of Jacob Kainen, 2002.98.46

Investigating Committee Broadcast

Nan Lurie · c. 1937 · lithograph in black on wove paper ·  Accession ID  2002.98.46