Provenance

Susan Teller Gallery

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See all 13 works of art
The image displays a cityscape with tall buildings along the skyline, obscuring the horizon line. The artwork features a monochromatic color palette of black, white, and gray. Expressive brushstrokes create a dynamic atmosphere. Close by, there is a body of water with boats emitting smoke. Textured brushstrokes depict the water reflecting the surroundings. Buildings in the distance complete the urban scene.
Adolf Dehn, Lower Manhattan, 1931, lithograph in black on wove paper, Gift of Jacob Kainen, 2002.98.90

Lower Manhattan

Adolf Dehn · 1931 · lithograph in black on wove paper ·  Accession ID  2002.98.90

The image displays sharp, angular lines and jagged shapes in a grid-like pattern. Triangular and zigzag forms are present, alongside human-like profiles and fish-like shapes with pointed fins and eyes. Some shapes resemble arrows or spears.
Leonard Nelson, Dance to Jehive, 1948, lithograph in black on wove paper, Gift of Jacob Kainen, 2002.98.399

Dance to Jehive

Leonard Nelson · 1948 · lithograph in black on wove paper ·  Accession ID  2002.98.399

The image depicts a partial view of a person, capturing their head, shoulders, and upper torso. They are positioned in a three-quarter profile, facing to the right of the frame. The facial features are rendered in an expressive, abstract manner, with dark, swirling lines and shadow accents that suggest deep-set eyes and prominent lips. The hair is depicted as a textured mass on top, blending into the dark background. The clothing merges with the form. No jewelry or objects are visible. The background is dark and heavily textured, with bold, energetic lines creating movement around the individual.
Nan Lurie, Investigating Committee Broadcast, c. 1937, lithograph in black on wove paper, Gift of Jacob Kainen, 2002.98.46

Investigating Committee Broadcast

Nan Lurie · c. 1937 · lithograph in black on wove paper ·  Accession ID  2002.98.46

The image features geometric shapes and lines forming an abstract pattern. The composition includes elongated shapes resembling table tops or musical instruments, creating a complex mechanism or device. Dark and light areas are formed by hatch marks and decorative motifs, giving a layered and textured appearance similar to an ornate tapestry or architectural blueprint.
Fannie Hillsmith, The Table, 1946, intaglio in black on wove paper, Gift of Jacob Kainen, 2002.98.390

The Table

Fannie Hillsmith · 1946 · intaglio in black on wove paper ·  Accession ID  2002.98.390

The image shows a man's neck and upper torso, reclined with his head tilted back and mouth open. His eyes are tightly closed, revealing his teeth. The man has short, curly hair. The illustration is monochromatic with strong lines and shading. The shoulder and arm musculature are emphasized with swirling lines. The figure is not wearing clothing, with an abstract background of swirling lines around him.
Nan Lurie, Early Morning, c. 1937, lithograph in black on wove paper, Gift of Jacob Kainen, 2002.98.154

Early Morning

Nan Lurie · c. 1937 · lithograph in black on wove paper ·  Accession ID  2002.98.154

The image is a sketch of a person seated, with their head resting on their right hand near the temple. The individual has closed eyes, a straight nose, and a slightly furrowed brow. The figure is nude, with strong, defined linework showcasing muscular features and shadows. The background is blank with some hatch marks near the head and shoulders.
Jan Matulka, Seated Male Nude [verso], c. 1930, black crayon on wove paper, Gift of Jacob Kainen, 2002.98.398.b

Seated Male Nude [verso]

Jan Matulka · c. 1930 · black crayon on wove paper ·  Accession ID  2002.98.398.b

The image displays intersecting lines and rectangular shapes creating an abstract pattern with a sense of depth. The overlapping forms suggest a cityscape viewed from above, with the lines resembling streets and the rectangles resembling buildings. The layering of shapes and textures adds to the abstract nature of the image, with some shapes resembling geometric objects. In the center, a series of vertical and horizontal lines interlock to evoke a complex urban grid.
Fannie Hillsmith, Abstraction of Stripes, 1946, intaglio in black on wove paper, Gift of Jacob Kainen, 2002.98.388

Abstraction of Stripes

Fannie Hillsmith · 1946 · intaglio in black on wove paper ·  Accession ID  2002.98.388

The image features intersecting black lines and angular shapes creating an abstract design. There are bold patches of yellow and blue adding contrast to the predominantly black and white scene.
Robert Freemont Conover, Landscape, 1954, color woodcut on wove paper, Gift of Jacob Kainen, 2002.98.376

Landscape

Robert Freemont Conover · 1954 · color woodcut on wove paper ·  Accession ID  2002.98.376

The image features intersecting lines and geometric shapes with numbers from 1 to 12 layered on the background. The composition resembles a blend of an architectural blueprint and a clock face, with overlapping forms suggesting interconnected gears. The numbers are placed amidst the structured background akin to puzzle pieces fitting within a design.
Fannie Hillsmith, Interior 1, 2, 3, 1961, charcoal and collage on wove paper, Gift of Jacob Kainen, 2002.98.389

Interior 1, 2, 3

Fannie Hillsmith · 1961 · charcoal and collage on wove paper ·  Accession ID  2002.98.389

The painting depicts a rustic house surrounded by trees. The perspective is slightly elevated. The horizon line is not clearly visible. The composition suggests the house and trees are on a small rise. Silhouetted trees are against the sky, with a full moon glowing softly in the background. The brushwork is expressive and loose, with bold, dark strokes defining the trees and structures for texture and depth. The color palette includes deep greens, blacks, and ochres for a nighttime atmosphere, with the moon casting a subtle pale yellow light. Contrasting light and shadow emphasize the architectural elements of the house and intricate tree branches.
Leonard Pytlak, Southern Night, 1946-1947, color screenprint on laid paper, Gift of Jacob Kainen, 2002.98.400

Southern Night

Leonard Pytlak · 1946-1947 · color screenprint on laid paper ·  Accession ID  2002.98.400