Provenance

William Hallsborough Gallery

William Hallsborough Gallery

Explore selected works

A profusion of flowers in shades of white, orange, blue, and deep pink, with earthy-green leaves, burst from the narrow opening of a glass vase in this vertical still life painting. Shown against a dark brown background, the vase sits on a caramel-brown ledge. The flowers in the center of the arrangement draw the eye. On our right two tulips are streaked with cream white and dark pink. A flower above it, perhaps an anemone, has white ruffled petals with flame-red tips around a denim-blue center. A small snail in a rust-orange shell rests on a curling green leaf nearby. On our left is a partly opened tulip with scarlet-red streaks next to an ivory-white hydrangea with clusters of tiny petals. Trumpet-shaped, sea-blue morning glories and an amber-orange bloom surround the white hydrangea. The top third of the arrangement has a tall, white peony with feathery petals at the center. Queen Anne’s lace nestles alongside small blooms in muted purples and blues, sage-green peapods, and a carrot-orange flower that resembles a daisy. A slender stalk of wheat extends off the right side while another bends to meet the ledge. The lower third of the arrangement is filled with pink roses, more green pea pods, two closed, plum-purple flowers, and another feathery peony, this one crimson red, which droops to meet the ledge near the bottom right corner of the painting. A few blackberries lie on the ledge nearby. Leaves in various sizes and shades of green fill in among the blooms. More insects and creatures are scattered throughout the composition. For example, a caterpillar clings to the underside of the white peony at the top while a brown and black butterfly flies toward it. A bee sits on the white and red anemone, and a snail, salamander, and spider gather on the ledge to the left of the vase. Stems and the water line are visible within the glass vase, which swells from a narrow opening into a wide base. Panes of a window off to our left reflects in the belly of the vase. The artist signed the front face of the ledge near the lower left: “J.D. De Heem f.”
Jan Davidsz de Heem, Vase of Flowers, c. 1660, oil on canvas, Andrew W. Mellon Fund, 1961.6.1

Vase of Flowers

Jan Davidsz de Heem · c. 1660 · oil on canvas ·  Accession ID  1961.6.1

This is a painting of multiple people and horses in a tumultuous setting. There are armored men on horseback interacting with a man in the center who seems have fallen off a horse and on to the ground. The scene conveys movement and action, with contorted forms of both humans and animals. One horse rears into the air, while another leans forward with its back legs raised. At the top of the painting, a person with long hair emerges from the clouds. Rays of white light shine down from the opening in the clouds on to the people and horses.
Abraham van Diepenbeeck, Sir Peter Paul Rubens, The Conversion of Saint Paul, 1640s, pen and ink and oil paint over black chalk on brown paper, laid down on canvas, Pepita Milmore Memorial Fund, 1999.25.1

The Conversion of Saint Paul

Abraham van Diepenbeeck, Sir Peter Paul Rubens · 1640s · pen and ink and oil paint over black chalk on brown paper, laid down on canvas ·  Accession ID  1999.25.1