Skip to main content
National Gallery of Art National Gallery of Art

Directions

  • Closed today
  • Directions

  • Visit

    • Plan Your Visit
    • Accessibility
    • Visiting with Kids
    • Food and Drink
    • Shops
    • Tours, Guides, and Maps

    Closed today 
    Admission is always free

    6th and Constitution Ave NW 
    Washington, DC 20565

    Only have an hour to spend?

    We've got you covered.

  • Exhibitions & Events

    • Exhibitions
    • Calendar
    • Kid-Friendly Events
    A sprig of flowering rosemary lying against an ivory-white background and the twelve insects that surround it fills this horizontal painting. Stretching nearly the length of the composition with the cut end to our left, the rosemary has blunted, needle-like, gently curling teal-green leaves and small periwinkle-blue flowers along the ash-brown stem. Several insects perch on the sprig while others are seen as if looking from overhead, resting on the white background. The three largest insects perch along the top of the sprig, with an ivory-white butterfly with moss-green and black markings to the left, a black and golden, fuzzy bumblebee near the center, and a lemon-yellow butterfly with red antennae to our right. A tiny red insect, perhaps a ladybug without spots, sits on a leaf between the bee and yellow butterfly, and a small wasp-like insect rests on a leaf in at the lower left. Another mosquito-like insect alights on the surface nearby, next to a beetle with a honey-orange body with black, almost tiger-like stripes. A large cockroach sitting near the lower right corner has six spindly legs, a mahogany-colored abdomen, a black thorax, and tiny, black head. Spaced somewhat evenly across the top of the panel are a brick-red, winged insect to the left, a mint-green, beetle-like bug near a moth patterned with bone white and black, and a black, fly-like insect to our right. Lit from the upper left, the rosemary and insects cast shadows on the surface. The artist signed and dated the work with gray in the lower left corner: “J v. kessel . . f. Ao 1653.”

    Featured exhibition:

    Little Beasts: Art, Wonder, and the Natural World

    Now on view

  • Art & Artists

    • Artworks
    • Artists
    • Stories
    • Games and Interactives
    • Educational Resources
    • Research

    Artle

    A refreshed experience for our puzzle game

    Today's puzzle

Utility

  • Shop
  • Support

Closed today

National Gallery of Art

  • Visit

    • Plan Your Visit
    • Accessibility
    • Visiting with Kids
    • Food and Drink
    • Shops
    • Tours, Guides, and Maps

    Closed today 
    Admission is always free

    6th and Constitution Ave NW 
    Washington, DC 20565

    Only have an hour to spend?

    We've got you covered.

  • Exhibitions & Events

    • Exhibitions
    • Calendar
    • Kid-Friendly Events
    A sprig of flowering rosemary lying against an ivory-white background and the twelve insects that surround it fills this horizontal painting. Stretching nearly the length of the composition with the cut end to our left, the rosemary has blunted, needle-like, gently curling teal-green leaves and small periwinkle-blue flowers along the ash-brown stem. Several insects perch on the sprig while others are seen as if looking from overhead, resting on the white background. The three largest insects perch along the top of the sprig, with an ivory-white butterfly with moss-green and black markings to the left, a black and golden, fuzzy bumblebee near the center, and a lemon-yellow butterfly with red antennae to our right. A tiny red insect, perhaps a ladybug without spots, sits on a leaf between the bee and yellow butterfly, and a small wasp-like insect rests on a leaf in at the lower left. Another mosquito-like insect alights on the surface nearby, next to a beetle with a honey-orange body with black, almost tiger-like stripes. A large cockroach sitting near the lower right corner has six spindly legs, a mahogany-colored abdomen, a black thorax, and tiny, black head. Spaced somewhat evenly across the top of the panel are a brick-red, winged insect to the left, a mint-green, beetle-like bug near a moth patterned with bone white and black, and a black, fly-like insect to our right. Lit from the upper left, the rosemary and insects cast shadows on the surface. The artist signed and dated the work with gray in the lower left corner: “J v. kessel . . f. Ao 1653.”

    Featured exhibition:

    Little Beasts: Art, Wonder, and the Natural World

    Now on view

  • Art & Artists

    • Artworks
    • Artists
    • Stories
    • Games and Interactives
    • Educational Resources
    • Research

    Artle

    A refreshed experience for our puzzle game

    Today's puzzle

Utility

  • Shop
  • Support

  • Visit

    • Plan Your Visit
    • Accessibility
    • Visiting with Kids
    • Food and Drink
    • Shops
    • Tours, Guides, and Maps

    Closed today 
    Admission is always free

    6th and Constitution Ave NW 
    Washington, DC 20565

    Only have an hour to spend?

    We've got you covered.

  • Exhibitions & Events

    • Exhibitions
    • Calendar
    • Kid-Friendly Events
    A sprig of flowering rosemary lying against an ivory-white background and the twelve insects that surround it fills this horizontal painting. Stretching nearly the length of the composition with the cut end to our left, the rosemary has blunted, needle-like, gently curling teal-green leaves and small periwinkle-blue flowers along the ash-brown stem. Several insects perch on the sprig while others are seen as if looking from overhead, resting on the white background. The three largest insects perch along the top of the sprig, with an ivory-white butterfly with moss-green and black markings to the left, a black and golden, fuzzy bumblebee near the center, and a lemon-yellow butterfly with red antennae to our right. A tiny red insect, perhaps a ladybug without spots, sits on a leaf between the bee and yellow butterfly, and a small wasp-like insect rests on a leaf in at the lower left. Another mosquito-like insect alights on the surface nearby, next to a beetle with a honey-orange body with black, almost tiger-like stripes. A large cockroach sitting near the lower right corner has six spindly legs, a mahogany-colored abdomen, a black thorax, and tiny, black head. Spaced somewhat evenly across the top of the panel are a brick-red, winged insect to the left, a mint-green, beetle-like bug near a moth patterned with bone white and black, and a black, fly-like insect to our right. Lit from the upper left, the rosemary and insects cast shadows on the surface. The artist signed and dated the work with gray in the lower left corner: “J v. kessel . . f. Ao 1653.”

    Featured exhibition:

    Little Beasts: Art, Wonder, and the Natural World

    Now on view

  • Art & Artists

    • Artworks
    • Artists
    • Stories
    • Games and Interactives
    • Educational Resources
    • Research

    Artle

    A refreshed experience for our puzzle game

    Today's puzzle

Utility

  • Shop
  • Support

Directions

  • Closed today
  • Directions

Global Search

Autocomplete Suggestions
    No Results
    Keep typing to get suggestions
    Loading Results

    Top Searches:

    • Free images
    • Van Gogh
    • Landscape
    • National Gallery Nights
    • Matisse
    Advanced Artwork Search

    Breadcrumb

    1. Home
    2. Artworks
    3. Sale, Ghent
    Provenance

    Sale, Ghent

    Explore Selected Works

    Artwork

    Two men hold the mouth of a horse open to work on its teeth as a third, short boy or man looks on in front of a building to our left, where a blacksmith works in this vertical painting. All the people have peach-colored skin. A dark horse with a white stripe down its nose stands in a small, shed-like enclosure covered with a peaked roof, which is attached to the brick blacksmith’s shop. A balding man with a white beard and fringe of white hair, and wearing glasses, a tattered crimson-red shirt, and dark pants, holds a long, rod-like instrument in the horse’s gaping mouth. A hat lies on the ground near his feet. The man next to him is cleanshaven and wears a tall hat, a dark jacket with red sleeves, and dark pants and boots. He stands facing the horse with his mouth and eyes wide open. The horse’s nose is caught in long-handled, vice-like tongs, presumably to make the horse show its teeth. A noticeably shorter man or boy stands behind the pair, to our right, and looks on. He wears a tall, floppy hat, and his dark clothes are worn. His face is deep in shadow under the hat but he might have a mustache and beard. A white horse stands with its rump angled toward us behind the trio. Almost lost in shadow, a wide-shouldered man works on a hot piece of metal, glowing orange, next to a fire just inside the doorway to the building. Charcoal-gray smoke pours from a chimney on the roof. One dog lies down in front of the door and another frolics nearby. A chicken and a rooster peck at the dirt ground to our right. The horizon of the tree-lined landscape comes about a quarter of the way up the composition, and cream-colored, puffy clouds float across a blue sky above. Two people stands near a cow in the deep distance, near the trees.
    Paulus Potter, A Farrier's Shop, 1648, oil on panel, Widener Collection, 1942.9.52

    A Farrier's Shop

    A Farrier's Shop

    Paulus Potter · 1648 · oil on panel ·  Accession ID  1942.9.52

    Artwork

    Shown from the knees up, a pale-skinned woman with gray hair and wearing a scarlet-red, velvet dress looks at us in this vertical portrait painting. The woman’s shoulders and face are angled slightly to our left so she gazes out of the corners of her dark blue eyes under sloping brows. Her pink lips are closed, and jowls soften her chin line. She wears a black cap over her gray hair, and gold, jeweled earrings hang from her ears. A double strand of pearls is around her neck. The bodice of her dress is cut straight across the shoulders, and white cloth covering her decolletage is tucked into the neckline. A muted gold cloth wraps around the woman’s left shoulder, to our right, across her back, and down over her other elbow. The red dress’s sleeves split over the puffy white sleeves of her undergarment. The woman rests her right elbow, to our left, on a ledge, and her other hand hangs by her side with those fingers nestled into the fabric of her skirt. An iridescent, gold-colored cloth drapes over the ledge to our left and behind the woman. A stone column is along the left edge of the painting and a sunset sky over a grassy, tree-filled landscape is visible to the right. The artist signed and dated the lower right corner, “NMaes 1676.”
    Nicolaes Maes, Portrait of a Lady, 1676, oil on canvas, Gift of Joseph F. McCrindle, 2001.138.1

    Portrait of a Lady

    Portrait of a Lady

    Nicolaes Maes · 1676 · oil on canvas ·  Accession ID  2001.138.1

    Site Footer

    Home National Gallery of Art

    Hours

    Admission is always free.
    Closed today

    Locations

    • West Building

      6th St and Constitution Ave NW
      Washington, DC 20565

    • East Building

      4th St and Constitution Ave NW
      Washington, DC 20565

    • Sculpture Garden

      7th St and Constitution Ave NW
      Washington, DC 20565

    Newsletter Sign Up Form

    Art news every week

    Subscribe

    * indicates required

    Follow us

    Social Media

    • Facebook
    • Instagram
    • Pinterest
    • Twitter
    • YouTube

    Footer Primary Menu

    • About
      • About Us
      • Press
      • Contact Us
    • Visit
      • Plan Your Visit
      • Calendar
      • Today's Tours
      • Accessibility
      • Exhibitions
    • Get Involved
      • Donate
      • Membership
      • Opportunities
    • Research
      • Free Images for Download
      • Artwork Search
      • The Center
      • Conservation
      • Library
      • Archives
      • Past Exhibitions
      • Publications
    © 2025 National Gallery of Art

    Legal Links

    • Notices
    • Privacy Policy