Provenance

Mia N. Weiner

Explore Selected Works

Giuseppe Palmieri, Vision of the Immaculate Conception, 1732, brush with brown wash, pen and brown ink, and white heightening over black chalk on coarse laid paper, Pepita Milmore Memorial Fund and Andrea Woodner Fund, 2017.73.1

Vision of the Immaculate Conception

Giuseppe Palmieri · 1732 · brush with brown wash, pen and brown ink, and white heightening over black chalk on coarse laid paper ·  Accession ID  2017.73.1

Giuseppe Casciaro, View of the Phlegraean Island of Nisida from Posillipo, 1907, pastel and oils on wove paper, Ailsa Mellon Bruce Fund, 2017.145.1

View of the Phlegraean Island of Nisida from Posillipo

Giuseppe Casciaro · 1907 · pastel and oils on wove paper ·  Accession ID  2017.145.1

Julius Zielke, The Colosseum Seen from the Palatine Hill, 1860s(?), watercolor and gouache over traces of graphite, touched with gum arabic, on wove paper, Ailsa Mellon Bruce Fund, 2015.73.2

The Colosseum Seen from the Palatine Hill

Julius Zielke · 1860s(?) · watercolor and gouache over traces of graphite, touched with gum arabic, on wove paper ·  Accession ID  2015.73.2

Carl Wilhelm Götzloff, A Temple Ruin in Agrigento, c. 1825, watercolor with gouache on wove paper, Ailsa Mellon Bruce Fund, 2015.73.1

A Temple Ruin in Agrigento

Carl Wilhelm Götzloff · c. 1825 · watercolor with gouache on wove paper ·  Accession ID  2015.73.1

Giuseppe Nicola Nasini, The Madonna and Child Enthroned, Adored by Two Saints, c. 1709, pen and brown ink with brown washes, heightened with white, over black chalk on tinted laid paper, Ailsa Mellon Bruce Fund, 1998.48.1

The Madonna and Child Enthroned, Adored by Two Saints

Giuseppe Nicola Nasini · c. 1709 · pen and brown ink with brown washes, heightened with white, over black chalk on tinted laid paper ·  Accession ID  1998.48.1