Provenance

Arkady Nikolaevitch Alferoff

Russian, 1811 - 1872

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See all 28 works of art
Two large moths are positioned centrally in the image, one facing north at the top and the other facing south at the bottom. The color palette consists of black and white, as it is a monochrome illustration. Around the moths, there are smaller insects, including a small moth on the left, a bee below it, another small moth on the right, and beetles positioned at the top left and bottom right corners.
Wenceslaus Hollar, Two Moths and Six Insects, 1646, etching, Rosenwald Collection, 1943.3.4946

Two Moths and Six Insects

Wenceslaus Hollar · 1646 · etching ·  Accession ID  1943.3.4946

The image shows a portrait of a person with curly hair wearing a beret-style hat that covers part of their face. The person is facing the viewer with their head turned to the right. They have a mustache and wear a draped garment. The background is plain, and there is a signature that reads "Rembrandt f. 1633" at the bottom of the image.
Rembrandt van Rijn, Self-Portrait in a Cap and Scarf with the Face Dark, 1633, etching on laid paper, Rosenwald Collection, 1946.21.166

Self-Portrait in a Cap and Scarf with the Face Dark

Rembrandt van Rijn · 1633 · etching on laid paper ·  Accession ID  1946.21.166

This is a drawing of a scene in an architectural setting with arches and columns. The drawing contains intricate line work and depicts an interior scene with multiple figures. The architecture includes classical elements such as rounded arches and decorative columns. In the foreground, there is a cluttered table with items on it, and what appears to be a basket of food on the floor nearby. In the open space, various individuals stand engaged in conversation or looking on towards the center, while one figure carrying a torch stands elevated at the back, overlooking the entire scene. The space is highly detailed, suggesting a significant gathering within a grand, classical architectural setting.
Albrecht Dürer, The Presentation of the Virgin in the Temple, c. 1502/1503, woodcut on laid paper, Rosenwald Collection, 1943.3.3578

The Presentation of the Virgin in the Temple

Albrecht Dürer · c. 1502/1503 · woodcut on laid paper ·  Accession ID  1943.3.3578

The image shows four individuals from head to toe. The figure on the right is a bearded man in long robes, extending one hand as if speaking. He has long, curly hair. To the left, a seated woman leans on another standing woman. The standing woman wears a gown with a fitted bodice and wrapped headdress, looking towards the bearded man. Behind them, another person is partially obscured, also wearing garments with a head covering. The background displays a cityscape with detailed architecture, including buildings with towers and domed roofs against a hilly landscape. A large, bare tree is on the right, and a winding road or pathway adds depth to the composition.
Albrecht Dürer, Christ Taking Leave from His Mother, c. 1504/1505, woodcut on laid paper, Rosenwald Collection, 1943.3.3591

Christ Taking Leave from His Mother

Albrecht Dürer · c. 1504/1505 · woodcut on laid paper ·  Accession ID  1943.3.3591

This is a drawing of various insects including butterflies and grasshoppers. The drawing portrays an assortment of insects meticulously sketched with fine lines to represent details in their wings and body structures. At the top, there are two butterflies with distinctive patterns and differences in shading on their wings. Below them, a smaller moth-like insect is depicted with a striped pattern on its body. The lower section showcases a large grasshopper with textured legs and body, detailed enough to emphasize its exoskeleton. To the right, another long-winged insect is presented with its elongated wings spread out. The overall composition harmoniously brings together different species, emphasizing the diversity and complexity of insect anatomy.
Wenceslaus Hollar, Six Insects, 1646, etching on laid paper, Rosenwald Collection, 1943.3.4940

Six Insects

Wenceslaus Hollar · 1646 · etching on laid paper ·  Accession ID  1943.3.4940

Albrecht Dürer, The Nativity, c. 1502/1504, woodcut on laid paper, Rosenwald Collection, 1943.3.3583

The Nativity

Albrecht Dürer · c. 1502/1504 · woodcut on laid paper ·  Accession ID  1943.3.3583

The image shows an arrangement of six butterflies and two beetles. The largest butterfly is positioned centrally at the top, showcasing detailed striped wing patterns. The color palette is monochromatic, consisting solely of black and white shading. Flanking the central butterfly are two smaller butterflies on either side, each with unique patterns, and a smaller beetle is located near the top corners. Beneath the central butterfly, there is a moth with a distinctive dotted pattern and two additional butterflies on either side with different wing shapes and markings.
Wenceslaus Hollar, Five Butterflies, a Moth, a Beetle, and a Spider, 1646, etching on laid paper, Rosenwald Collection, 1943.3.4949

Five Butterflies, a Moth, a Beetle, and a Spider

Wenceslaus Hollar · 1646 · etching on laid paper ·  Accession ID  1943.3.4949

This is a drawing of an interior scene featuring detailed figures and architectural elements. The setting is grand with columns, arches, and a coffered ceiling. Various figures are present, some with wings. A central seated figure is surrounded by other figures standing or kneeling. There is a figure reading from a large book in an alcove above. The scene includes robes, musical instruments, vases, and sculptures. The drawing is finely detailed with attention to textures and patterns.
Albrecht Dürer, The Glorification of the Virgin, c. 1504, woodcut on laid paper, Rosenwald Collection, 1943.3.3592

The Glorification of the Virgin

Albrecht Dürer · c. 1504 · woodcut on laid paper ·  Accession ID  1943.3.3592

This is a drawing of a scene in a forest with rustic surroundings, distant water, and hills. The artwork features an angelic figure with large wings descending towards the ground, interacting with a robed figure with hands raised towards the angel. The setting is a dense forest with intricately drawn trees. In the background, there is a pastoral landscape with sheep grazing and a village near a body of water, with small boats and distant hills. The scene is detailed with fine lines and meticulous detailing, resembling woodcut or engraving styles. The composition conveys a sense of narrative, spiritual significance, and historical context.
Albrecht Dürer, Joachim and the Angel, c. 1504, woodcut on laid paper, Rosenwald Collection, 1943.3.3574

Joachim and the Angel

Albrecht Dürer · c. 1504 · woodcut on laid paper ·  Accession ID  1943.3.3574

This is a drawing of an outdoor scene with mountains in the background. The foreground shows an engagement at the entrance of a building, with figures positioned around the arched doorway. There are figures outside interacting, and a dog is laying on the ground near them. The background features hills, a castle, and mountain peaks under a cloudy sky, surrounded by trees to the right. The style is reminiscent of German Renaissance woodcuts.
Albrecht Dürer, The Visitation, c. 1504, woodcut on laid paper, Rosenwald Collection, 1943.3.3582

The Visitation

Albrecht Dürer · c. 1504 · woodcut on laid paper ·  Accession ID  1943.3.3582

Bibliography

1921

  • Ref Number: 1727
    Lugt, Frits. Les marques de collections de dessins & d'estampes; marques estampillees et ecrites de collections. Amsterdam: Vereenigde drukkerijen, 1921.

  • Ref Number: 1727.
    Lugt 1727.