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    A sprig of flowering rosemary lying against an ivory-white background and the twelve insects that surround it fills this horizontal painting. Stretching nearly the length of the composition with the cut end to our left, the rosemary has blunted, needle-like, gently curling teal-green leaves and small periwinkle-blue flowers along the ash-brown stem. Several insects perch on the sprig while others are seen as if looking from overhead, resting on the white background. The three largest insects perch along the top of the sprig, with an ivory-white butterfly with moss-green and black markings to the left, a black and golden, fuzzy bumblebee near the center, and a lemon-yellow butterfly with red antennae to our right. A tiny red insect, perhaps a ladybug without spots, sits on a leaf between the bee and yellow butterfly, and a small wasp-like insect rests on a leaf in at the lower left. Another mosquito-like insect alights on the surface nearby, next to a beetle with a honey-orange body with black, almost tiger-like stripes. A large cockroach sitting near the lower right corner has six spindly legs, a mahogany-colored abdomen, a black thorax, and tiny, black head. Spaced somewhat evenly across the top of the panel are a brick-red, winged insect to the left, a mint-green, beetle-like bug near a moth patterned with bone white and black, and a black, fly-like insect to our right. Lit from the upper left, the rosemary and insects cast shadows on the surface. The artist signed and dated the work with gray in the lower left corner: “J v. kessel . . f. Ao 1653.”

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    6th and Constitution Ave NW 
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    Only have an hour to spend?

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  • Exhibitions & Events

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    • Kid-Friendly Events
    A sprig of flowering rosemary lying against an ivory-white background and the twelve insects that surround it fills this horizontal painting. Stretching nearly the length of the composition with the cut end to our left, the rosemary has blunted, needle-like, gently curling teal-green leaves and small periwinkle-blue flowers along the ash-brown stem. Several insects perch on the sprig while others are seen as if looking from overhead, resting on the white background. The three largest insects perch along the top of the sprig, with an ivory-white butterfly with moss-green and black markings to the left, a black and golden, fuzzy bumblebee near the center, and a lemon-yellow butterfly with red antennae to our right. A tiny red insect, perhaps a ladybug without spots, sits on a leaf between the bee and yellow butterfly, and a small wasp-like insect rests on a leaf in at the lower left. Another mosquito-like insect alights on the surface nearby, next to a beetle with a honey-orange body with black, almost tiger-like stripes. A large cockroach sitting near the lower right corner has six spindly legs, a mahogany-colored abdomen, a black thorax, and tiny, black head. Spaced somewhat evenly across the top of the panel are a brick-red, winged insect to the left, a mint-green, beetle-like bug near a moth patterned with bone white and black, and a black, fly-like insect to our right. Lit from the upper left, the rosemary and insects cast shadows on the surface. The artist signed and dated the work with gray in the lower left corner: “J v. kessel . . f. Ao 1653.”

    Featured exhibition:

    Little Beasts: Art, Wonder, and the Natural World

    Now on view

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    6th and Constitution Ave NW 
    Washington, DC 20565

    Only have an hour to spend?

    We've got you covered.

  • Exhibitions & Events

    • Exhibitions
    • Calendar
    • Kid-Friendly Events
    A sprig of flowering rosemary lying against an ivory-white background and the twelve insects that surround it fills this horizontal painting. Stretching nearly the length of the composition with the cut end to our left, the rosemary has blunted, needle-like, gently curling teal-green leaves and small periwinkle-blue flowers along the ash-brown stem. Several insects perch on the sprig while others are seen as if looking from overhead, resting on the white background. The three largest insects perch along the top of the sprig, with an ivory-white butterfly with moss-green and black markings to the left, a black and golden, fuzzy bumblebee near the center, and a lemon-yellow butterfly with red antennae to our right. A tiny red insect, perhaps a ladybug without spots, sits on a leaf between the bee and yellow butterfly, and a small wasp-like insect rests on a leaf in at the lower left. Another mosquito-like insect alights on the surface nearby, next to a beetle with a honey-orange body with black, almost tiger-like stripes. A large cockroach sitting near the lower right corner has six spindly legs, a mahogany-colored abdomen, a black thorax, and tiny, black head. Spaced somewhat evenly across the top of the panel are a brick-red, winged insect to the left, a mint-green, beetle-like bug near a moth patterned with bone white and black, and a black, fly-like insect to our right. Lit from the upper left, the rosemary and insects cast shadows on the surface. The artist signed and dated the work with gray in the lower left corner: “J v. kessel . . f. Ao 1653.”

    Featured exhibition:

    Little Beasts: Art, Wonder, and the Natural World

    Now on view

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    A young woman sleeps with her cheek resting on the back of one hand next to a woman holding a nude baby and two winged angels in this vertical painting. All the people have pale skin and they nearly fill the composition. The sleeping woman, Saint Catherine, rests her elbow on a stone table covered by a golden yellow cloth, which also wraps around her shoulders. Her knees are angled to our right and her face tips onto her hand to our left. Her curly, light brown hair is pulled back. She has delicately arching eyebrows, a straight nose, and her pink lips are closed. Her pale, olive-green, floor-length dress is tied at the waist with a mauve-purple sash. She wears a gold ring with a gray stone on the third finger of her left hand, which rests in her lap. To our right, the second woman, Mary, leans over Saint Catherine. Mary’s head is angled to our left, toward the sleeping saint, and she looks to our right, down past the baby. Mary’s complexion is has a faint gray cast, and her brown hair is covered by a white cloth, which is surrounded by a halo of light. A dark garment covers her shoulders over a scarlet-red dress. The baby sits on Mary’s lap with his body facing our left, toward Saint Catherine. He leans our way and looks at us with dark eyes. Light catches his brown curls and he has chubby cheeks, arms, and legs. Along the bottom edge of the canvas, a puff of gray cloud near the lower right corner seems to support Mary’s feet. A curving, charoal-gray spike in the lower left corner of the painting is partially covered by the yellow drapery. Behind Saint Catherine and over her head, next to Mary, are two winged angels with dark blond, curly hair. The angel closer to us rests one hand on the pine-green pillow behind Saint Catherine’s head and turns to look past Mary in profile, lips parted. The angel behind looks down with hands together in prayer. Light falls across the scene from our right. The upper right corner behind Mary is filled with brick-red clouds that, upon closer examination, are filled with faces looking onto the scene.
    Lodovico Carracci, The Dream of Saint Catherine of Alexandria, c. 1593, oil on canvas, Samuel H. Kress Collection, 1952.5.59

    The Dream of Saint Catherine of Alexandria

    The Dream of Saint Catherine of Alexandria

    Lodovico Carracci · c. 1593 · oil on canvas ·  Accession ID  1952.5.59

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