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Friedrich Jakob Gsell

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This painting depicts the upper body of a man with a fair complexion, short dark hair, a long nose, thin eyebrows, deep-set brown eyes, and thin pink lips in a neutral expression. He is facing us, wearing a black cap, a deep red cloak, and a white inner garment with a high black collar and long white sleeves. His right hand is raised to his chest, and it has two small rings on it. In the background, there is a landscape with bright green fields, green trees, and a winding blue river on the right. In the background there are distant blue hills, and some light blue structures resembling buildings or castles under a blue sky with clouds. At the bottom of the painting is a line of gold text on a black border.
Francesco Francia, Bishop Altobello Averoldo, c. 1505, oil on poplar panel, Samuel H. Kress Collection, 1952.5.64

Bishop Altobello Averoldo

Francesco Francia · c. 1505 · oil on poplar panel ·  Accession ID  1952.5.64

A cleanshaven man in a saffron-yellow cloak runs and points to a nude woman whose fingers are turning into leafy tree branches in this horizontal painting. The woman is supported by an elderly man with a long beard and a winged young child all gathered around an oversized urn. The people all have pale rosy or tanned skin. To our right, the young man runs toward the woman to our left. His cloak wraps around his hips and flies out behind him. He wears a laurel wreath nestled in his blond hair, which is surrounded by a gold glow. A quiver of arrows hangs from one hip, and he wears sandals but is otherwise nude. He points to the woman with his right hand, on our left, with that foot raised. The blond, nude woman sits on the urn and lies back on a white cloth supported by a nude boy with short white wings. Her back is to us, and she looks to our right in profile. The fingers of her raised hands morph into muted green leaves. One of her legs bends over the arm of an old man who sits next to the urn and hooks one arm over its round body. The man’s head is topped with dark green material, like reeds, and he has a long white beard. His skin is ruddy, and his body is muscular. The urn’s opening faces us, and water pours onto the scarlet-red cloth that drapes across the old man’s hips and pools on the dirt ground around him. A spade with a long, wooden handle and a long, narrow blade lies on the ground before him. Evergreen trees grow up the left side of the scene, which appears to take place at the top of a mountain, for we look down into a dense forest beyond. A hazy blue mountain in the deep distance points up to the topaz-blue sky spanned with thin layers of gray-white clouds. The artist signed the lower left, “Gio. B. Tiepolo.”
Giovanni Battista Tiepolo, Apollo Pursuing Daphne, c. 1755/1760, oil on canvas, Samuel H. Kress Collection, 1952.5.78

Apollo Pursuing Daphne

Giovanni Battista Tiepolo · c. 1755/1760 · oil on canvas ·  Accession ID  1952.5.78

The image shows a drawing of a person's upper body in a side profile view. The figure is seated and leaning forward with an elbow on a knee, supporting their chin with a hand. The facial features are partially depicted while facing away, with short, wavy hair. The person is minimally clothed with some drapery around the lower torso and legs. No jewelry or objects are shown, and the background is plain with light sketch marks.
Alessandro Allori, A Pearl Diver, c. 1570, black chalk on laid paper, Gift of David E. Rust, 2005.147.1

A Pearl Diver

Alessandro Allori · c. 1570 · black chalk on laid paper ·  Accession ID  2005.147.1