Provenance

Mr. A. Thompson Ellwanger III and Mr. Gregory E. Mescha

Estate of Thompson Ellwanger and Gregory Mescha

Explore selected works

See all 133 works of art
Three cherubs are depicted, interacting playfully. One is lying on its back, another on its stomach, and the third is sitting up slightly with its head resting on its arm. The cherubs have plump, youthful faces with curly hair, characteristic of cherubic figures. Small wings are visible on their backs. They are unclothed. The background consists of wispy clouds, creating a heavenly setting around the figures.
Gilles Demarteau the Elder, Three Cherubs Playing on Dolphin Like Wave, chalk manner printed in black on laid paper, Ellwanger/Mescha Collection, 2002.156.2

Three Cherubs Playing on Dolphin Like Wave

Gilles Demarteau the Elder · · chalk manner printed in black on laid paper ·  Accession ID  2002.156.2

This is a drawing of two cows and two figures in a pastoral setting. The scene depicts two cows standing in a grassy area, with one cow slightly turned towards the other. In the foreground, there is a figure kneeling down, holding a long stick or staff. Another figure stands behind the first one. The landscape is simple, with faint outlines of foliage. The drawing employs a detailed line work technique, suggesting careful attention to texture and shadow.
Francesco Londonio, Sleeping Shepherd, Two Calves, and a Peasant Woman, 1762/1763, etching with white heightening on blue laid paper, Ellwanger/Mescha Collection, 2017.19.13

Sleeping Shepherd, Two Calves, and a Peasant Woman

Francesco Londonio · 1762/1763 · etching with white heightening on blue laid paper ·  Accession ID  2017.19.13

The image shows an archway with intricate stonework, leading to an exterior scene partially illuminated. The horizon beyond the arch reveals rooftops of buildings and distant trees, creating a village atmosphere. The brushstrokes are detailed, focusing on texture and shading. The color palette is monochromatic with sepia tones. Two figures in long garments and hats converse on the right, while another figure stands near a door on the left. The composition juxtaposes shadow and light, guiding the viewer's eye into the scene.
François Bonvin, La Porte de St Malo à Dinan, 1871, etching on laid paper, Ellwanger/Mescha Collection, 2006.163.18

La Porte de St Malo à Dinan

François Bonvin · 1871 · etching on laid paper ·  Accession ID  2006.163.18

The image shows a pastoral scene featuring a group of shepherds and their flock. The horizon line is visible with a wooden fence and some leafless trees, suggesting a countryside setting. The artwork is an etching with detailed cross-hatching creating textures and shades. The color palette consists of neutral tones like brown and gray. In the foreground, there are sheep and goats with their shepherds, one woman gesturing while the others tend to the animals. In the background, rocky outcrops and foliage can be seen.
Francesco Londonio, Peasant Man with a Sack and Two Shepherdesses, after 1765, etching with white heightening on blue laid paper, Ellwanger/Mescha Collection, 2017.19.27

Peasant Man with a Sack and Two Shepherdesses

Francesco Londonio · after 1765 · etching with white heightening on blue laid paper ·  Accession ID  2017.19.27

This is a drawing of a group of figures surrounding a central figure with their hands raised. The composition includes multiple figures in close proximity, depicted in an expressive and dynamic style. The central figure is reclined, with the surrounding figures leaning in towards this focal point. The use of bold lines and contrasting shades creates a sense of depth and drama.
William Wynne Ryland, Sir Anthony van Dyck, Jacob Persuaded to Send Benjamin with His Brethren into Egypt, 1762, stipple etching and roulette on laid paper, Ellwanger/Mescha Collection, 2017.19.1

Jacob Persuaded to Send Benjamin with His Brethren into Egypt

William Wynne Ryland, Sir Anthony van Dyck · 1762 · stipple etching and roulette on laid paper ·  Accession ID  2017.19.1

The image shows a parrot perched on a wooden stand. The parrot has blue wings and tail, a red chest, and a yellow belly. The stand is brown and sits on a green patch at the bottom of the image.
Johann Teyler, Parrot (Ara), c. 1685-1697, color engraving inked à la poupée on laid paper, Gift of A. Thompson Ellwanger III and Gregory E. Mescha in memory of Arthur R. Watson, 2000.17.2

Parrot (Ara)

Johann Teyler · c. 1685-1697 · color engraving inked à la poupée on laid paper ·  Accession ID  2000.17.2

The image shows two individuals in a pastoral setting. One person is seated on the ground with their head resting on a sack. They wear a wide-brimmed hat, a loose-fitting coat, and trousers. The other person stands beside them holding a spindle in their right hand. Their face is covered with a headscarf, and they wear a long-sleeved garment with a wide apron. Nearby are three sheep and a goat, along with a small basket and a stick on the ground. The background features grassy terrain with foliage and a small hill.
Francesco Londonio, Sleeping Peasant and Standing Spinner, 1763, etching with white heightening on blue laid paper, Ellwanger/Mescha Collection, 2017.19.19

Sleeping Peasant and Standing Spinner

Francesco Londonio · 1763 · etching with white heightening on blue laid paper ·  Accession ID  2017.19.19

This image shows a waist-up portrait of a man looking forward. He has distinct facial features, including a strong nose, full lips, and arched eyebrows. His hair is styled in a classical manner with curls framing the sides, appearing grey or aged white. He wears an elaborate outfit typical of the 18th century, with a high-collared shirt with ruffles at the neckline and a sash-like garment draped over his shoulder, adorned with intricate detailing. There are no visible jewelry or objects. The background is an oval-shaped area with a textured pattern, resembling the frame of an engraved portrait.
Jean-Charles François, Louis Quinze, Roy de France (Louis XV), 1767, chalk manner, stipple, and soft-ground etching printed in red ink, Gift of A. Thompson Ellwanger III and Gregory E. Mescha in honor of Margaret Morgan Grasselli, 2003.50.1

Louis Quinze, Roy de France (Louis XV)

Jean-Charles François · 1767 · chalk manner, stipple, and soft-ground etching printed in red ink ·  Accession ID  2003.50.1

The image shows an etching of a woman seated with a child on her back. The woman is wearing a long dress and a hat, and she carries a jug. The child is dressed similarly to the woman and appears secure. In the foreground, there is a carved stone with inscriptions and foliage. The background is a detailed sky.
Francesco Londonio, Seated Peasant Woman with Sleeping Child, 1758/1759, etching with white heightening on blue laid paper, Ellwanger/Mescha Collection, 2002.156.5

Seated Peasant Woman with Sleeping Child

Francesco Londonio · 1758/1759 · etching with white heightening on blue laid paper ·  Accession ID  2002.156.5

The image shows a profile view of a person's head and neck, highlighting their facial features such as a nose, lips, and chin. The person has wavy hair styled in an updo with curls falling around the ear. The facial expression appears serene with the eye looking upwards. The lighting creates soft highlights on the face and hair. The background is a light blue color with a decorative border framing the image.
Gilles Demarteau the Elder, Head of a Young Woman Facing Left, c. 1774, chalk manner printed in black, red, and blue on laid paper, Ellwanger/Mescha Collection, 2017.19.58

Head of a Young Woman Facing Left

Gilles Demarteau the Elder · c. 1774 · chalk manner printed in black, red, and blue on laid paper ·  Accession ID  2017.19.58