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Roy Lichtenstein Foundation

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This is a painting of a collage with various mixed media elements. The work involves an intricate layering of images and text. Dominating the center is a photograph of children sitting, holding flags. Around this image, there are additional visual elements; these include photographic inserts such as a sepia-toned portrait, an eagle drawing, and a textured tree trunk image. All these are juxtaposed against a vibrant backdrop featuring repeated heart shapes adorned with crosses, enveloped in warm hues of red and orange. A border of blue, textured with handwritten text in Spanish, frames the central imagery. The layered composition and vibrant color palette may convey themes of heritage, patriotism, and sacrifice.
Juan Sánchez, Robert Franklin, Brandywine Workshop and Archives, Prayer and Struggle, 1990, color offset lithograph and screenprint on wove Arches paper, Gift of Funds from the Roy Lichtenstein Foundation, 2023.22.47

Prayer and Struggle

Juan Sánchez, Robert Franklin, Brandywine Workshop and Archives · 1990 · color offset lithograph and screenprint on wove Arches paper ·  Accession ID  2023.22.47

This free-standing sculpture is made up of panels and geometric shapes of vivid yellow, crimson red, white, and slate gray, all outlined with bold, jet-black lines, to create a simplified, cartoon-like, single-story house. The sculpture sits slightly off the ground on four metal feet, and is displayed on a grassy lawn with an iron fence and trees in the background. One short end of the house faces us, to our left. The peaked wall is white and is pierced with a window divided into six empty panes, two across and three down, and flanked by red shutters. Above the window is a tall, rectangular air vent with six horizontal slats. Below the window a loose grid of three horizontal lines and four short, vertical lines suggest an abstracted brick pattern. The long side of the house moves away from us to our right. It has a red chimney at the center of the gray roof. The wall of the front of the house is canary yellow. There is a white door at the middle and two more six-paned windows with red shutters to each side. Two shallow white steps leading down from the door are suggested by staggered, narrow rectangles. A dove-gray band runs along the bottom of both walls. All of the features, including the windows, shutters, door, chimney, roof, and gray band are outlined in black.
Roy Lichtenstein, House I, model 1996, fabricated 1998, fabricated and painted aluminum, Gift of The Morris and Gwendolyn Cafritz Foundation, 1998.147.1

House I

Roy Lichtenstein · model 1996, fabricated 1998 · fabricated and painted aluminum ·  Accession ID  1998.147.1

Roy Lichtenstein, Entablature, 1974, oil, Magna, sand, Magna medium, and aluminum powder on canvas, Robert and Jane Meyerhoff Collection, 2012.84.1

Entablature

Roy Lichtenstein · 1974 · oil, Magna, sand, Magna medium, and aluminum powder on canvas ·  Accession ID  2012.84.1

The image depicts the upper body and head of a man. He is positioned with his arms crossed in front of him, tilting slightly to one side. His facial features include full lips and a contemplative expression. The man has short, textured hair and is wearing a collared shirt with a visible placket. The background shows plain with handwritten text on the right side of the man that reads, "I am a believer, I want to be a christian but right now I am in the midst of battling the fleshly side. To God be the Glory! Boy, I go take that first back!!!" The artwork appears to be a sketch with visible charcoal or pencil marks and shading.
Sedrick E. Huckaby, Brandywine Workshop and Archives, Alexander Kirillov, Gustavo Garcia, Veronica Hanssens, Brandywine Workshop and Archives, #078 from The 99% - Highland Hills, 2012, published 2013, one from series of 101 offset lithographs on wove paper, Gift of Funds from the Roy Lichtenstein Foundation, 2023.22.23.78

#078 from The 99% - Highland Hills

Sedrick E. Huckaby, Brandywine Workshop and Archives, Alexander Kirillov, Gustavo Garcia, Veronica Hanssens, Brandywine Workshop and Archives · 2012, published 2013 · one from series of 101 offset lithographs on wove paper ·  Accession ID  2023.22.23.78

The image shows a drawing of a woman sitting with her arms crossed over her lap. She is wearing a sleeveless top and has dark hair pulled back. The background includes handwritten text.
Sedrick E. Huckaby, Brandywine Workshop and Archives, Alexander Kirillov, Gustavo Garcia, Veronica Hanssens, Brandywine Workshop and Archives, #026 Untitled from The 99% - Highland Hills, 2012, published 2013, one from series of 101 offset lithographs on wove paper, Gift of Funds from the Roy Lichtenstein Foundation, 2023.22.23.26

#026 Untitled from The 99% - Highland Hills

Sedrick E. Huckaby, Brandywine Workshop and Archives, Alexander Kirillov, Gustavo Garcia, Veronica Hanssens, Brandywine Workshop and Archives · 2012, published 2013 · one from series of 101 offset lithographs on wove paper ·  Accession ID  2023.22.23.26

The image shows a sketch of a man's head and shoulders in semi-profile view. His head is turned slightly to the side and he appears to be reclining. The man has dark, closely cropped hair, a strong jawline, and bold facial features with a contemplative expression. He is wearing a collared shirt with the collar slightly open. The drawing style incorporates dynamic lines and shading. There are no visible objects in his hands. Handwritten text is present on the right side of the image.
Sedrick E. Huckaby, Brandywine Workshop and Archives, Alexander Kirillov, Gustavo Garcia, Veronica Hanssens, Brandywine Workshop and Archives, #030 Roy L from The 99% - Highland Hills, 2012, published 2013, one from series of 101 offset lithographs on wove paper, Gift of Funds from the Roy Lichtenstein Foundation, 2023.22.23.30

#030 Roy L from The 99% - Highland Hills

Sedrick E. Huckaby, Brandywine Workshop and Archives, Alexander Kirillov, Gustavo Garcia, Veronica Hanssens, Brandywine Workshop and Archives · 2012, published 2013 · one from series of 101 offset lithographs on wove paper ·  Accession ID  2023.22.23.30

The image is a sketch of a person lying down with their head turned to the side. They have a bald or closely shaved head and closed eyes. The person is wearing a light-colored garment, and the background is plain with the artist's signature at the bottom.
Sedrick E. Huckaby, Brandywine Workshop and Archives, Alexander Kirillov, Gustavo Garcia, Veronica Hanssens, Brandywine Workshop and Archives, #068 Kee-Kee from The 99% - Highland Hills, 2012, published 2013, one from series of 101 offset lithographs on wove paper, Gift of Funds from the Roy Lichtenstein Foundation, 2023.22.23.68

#068 Kee-Kee from The 99% - Highland Hills

Sedrick E. Huckaby, Brandywine Workshop and Archives, Alexander Kirillov, Gustavo Garcia, Veronica Hanssens, Brandywine Workshop and Archives · 2012, published 2013 · one from series of 101 offset lithographs on wove paper ·  Accession ID  2023.22.23.68

The image shows the upper half of a person's body, from the shoulders up. The individual is positioned in a three-quarter view with their head turned slightly to the side. They are wearing a hat that covers most of their short hair. Their facial features are depicted with a strong, shadowy texture, giving an impression of a focused expression. The clothing consists of a collared shirt or possibly a uniform, as indicated by the structured lines and folds. The person appears to be saluting, with one hand raised to their forehead touching the brim of their hat. The background is a simple, blank canvas.
Sedrick E. Huckaby, Brandywine Workshop and Archives, Alexander Kirillov, Gustavo Garcia, Veronica Hanssens, Brandywine Workshop and Archives, #093 Super Fat Man from The 99% - Highland Hills, 2012, published 2013, one from series of 101 offset lithographs on wove paper, Gift of Funds from the Roy Lichtenstein Foundation, 2023.22.23.93

#093 Super Fat Man from The 99% - Highland Hills

Sedrick E. Huckaby, Brandywine Workshop and Archives, Alexander Kirillov, Gustavo Garcia, Veronica Hanssens, Brandywine Workshop and Archives · 2012, published 2013 · one from series of 101 offset lithographs on wove paper ·  Accession ID  2023.22.23.93

The image shows a person in profile with arms folded on a surface. The individual named Katie is wearing glasses, a hat, and a light-colored top with short sleeves. The background is plain, and there is handwritten text at the bottom of the sketch containing the name "Katie" and personal statements.
Sedrick E. Huckaby, Brandywine Workshop and Archives, Alexander Kirillov, Gustavo Garcia, Veronica Hanssens, Brandywine Workshop and Archives, #005 Katie from The 99% - Highland Hills, 2012, published 2013, one from series of 101 offset lithographs on wove paper, Gift of Funds from the Roy Lichtenstein Foundation, 2023.22.23.5

#005 Katie from The 99% - Highland Hills

Sedrick E. Huckaby, Brandywine Workshop and Archives, Alexander Kirillov, Gustavo Garcia, Veronica Hanssens, Brandywine Workshop and Archives · 2012, published 2013 · one from series of 101 offset lithographs on wove paper ·  Accession ID  2023.22.23.5

The image is a black and white sketch of a person sitting on a chair. The person has short, neatly styled hair. They are wearing a striped shirt and sitting in a relaxed posture. One arm is resting on the knee, while the other arm is bent and holding a small object. The chair is simple and there are light, abstract strokes in the background.
Sedrick E. Huckaby, Brandywine Workshop and Archives, Alexander Kirillov, Gustavo Garcia, Veronica Hanssens, Brandywine Workshop and Archives, #016 Tosha from The 99% - Highland Hills, 2012, published 2013, one from series of 101 offset lithographs on wove paper, Gift of Funds from the Roy Lichtenstein Foundation, 2023.22.23.16

#016 Tosha from The 99% - Highland Hills

Sedrick E. Huckaby, Brandywine Workshop and Archives, Alexander Kirillov, Gustavo Garcia, Veronica Hanssens, Brandywine Workshop and Archives · 2012, published 2013 · one from series of 101 offset lithographs on wove paper ·  Accession ID  2023.22.23.16