Provenance

Guy Ladrière

Galerie Ratton-Ladrière
Galerie Charles Ratton & Guy Ladrière

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The sculpture depicts a muscular, bearded man standing in a dynamic pose, wielding a trident in his right hand. He has a flowing, textured cloak that billows behind him as he stands with his left leg slightly forward and bent, and his right leg almost straight. The sculpture is primarily black and appears to be made of a glossy material, possibly bronze, which highlights the details of the man's defined muscles and face. Beside his legs, there is a wave-like structure that resembles water. The figure looks to the left with a focused expression.
Michel Anguier, Neptune with a Hippocamp, model 1652, cast probably 1652/1680s, bronze, Patrons' Permanent Fund, 2001.41.1

Neptune with a Hippocamp

Michel Anguier · model 1652, cast probably 1652/1680s · bronze ·  Accession ID  2001.41.1

The painting depicts a group of figures in a scene of intense action and emotion. Several male bodies are shown, with a man at the center standing partially turned to the side with his arms tied to a column. Other men are around him in various positions. One is about to strike with a raised whip, while another stands behind with a similarly fierce posture. The expressions are stern and focused, emphasizing muscular builds. A crowd gathers in the background, with some figures clothed in robes, including a helmeted soldier. Above the central group, a trio of winged angels emerges from the clouds. The scene is set in a city-like environment with architectural structures and rooftops visible in the background, against a sky filled with dramatic clouds. The color palette is dominated by brown and ochre tones, giving the image a sepia-like quality.
Claudio Ridolfi, The Flagellation of Christ, c. 1619, oil paint over pen and black ink(?) on two pieces of laid paper mounted on fabric and wood, Pepita Milmore Memorial Fund, 2016.85.1

The Flagellation of Christ

Claudio Ridolfi · c. 1619 · oil paint over pen and black ink(?) on two pieces of laid paper mounted on fabric and wood ·  Accession ID  2016.85.1

The sketch depicts a person in a seated position from the back and side. The individual is reclined against a surface, possibly a bench or low wall, with legs stretched out in front and crossed at the ankles. They are holding a book or similar object with both hands. The person's facial features are not visible due to the angle, but their head is tilted slightly forward. They are wearing voluminous, loose-fitting robes. There are no visible pieces of jewelry. The background is minimal.
Jean-Baptiste Deshays, A Man Drawing, c. 1750, black and white chalk on beige laid paper, laid down on old mount, Ailsa Mellon Bruce Fund, 2019.136.1

A Man Drawing

Jean-Baptiste Deshays · c. 1750 · black and white chalk on beige laid paper, laid down on old mount ·  Accession ID  2019.136.1

The sculpture depicts a male figure seated on a large sword, holding the handle with one hand while his other hand rests on his knee. The figure is muscular, with detailed anatomical features, and is partially draped with a cloth around his waist. At his feet lies a large head with a bearded face, eyes closed, and mouth slightly open. The sculpture is made of a dark brown material resembling bronze, giving it a polished appearance. The figure is positioned in a crouched or kneeling pose, with his head tilted slightly downward as if looking towards the large head on the ground. The details highlight the texture of the hair and fabric, as well as the curves and lines of the human form. The composition suggests balance and stability, with the sword providing a strong vertical element against the dynamic posture of the figure.
Giovanni Francesco Susini, David with the Head of Goliath, c. 1625 - 1630, bronze, Gift of Robert H. Smith/Robert H. Smith Collection, 2022.181.49

David with the Head of Goliath

Giovanni Francesco Susini · c. 1625 - 1630 · bronze ·  Accession ID  2022.181.49