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The image is a monochromatic artwork depicting two stylized figures from the chest up. The larger figure is positioned closely above and behind the smaller one. Both figures have simplified, angular facial features, prominent eyes and noses, and flowing hair. They wear patterned garments and are in a protective or comforting posture. Various objects and geometric shapes are below them, possibly representing a table setting. Abstract shapes and lines fill the background. The bottom section is blank with a signature "Max Weber" on the lower right. The entire composition is framed.
Max Weber, Mother Love, 1920, woodcut in brown on laid paper mounted to paperboard, Gift of Jack and Margrit Vanderryn, 2015.114.59

Mother Love

Max Weber · 1920 · woodcut in brown on laid paper mounted to paperboard ·  Accession ID  2015.114.59

The image displays bold, angular shapes and fluid lines within a square frame. Rounded forms and straight edges intersect to create a figure that resembles a seated human. Central elements suggest a face with almond-shaped eyes and a simplified nose, alongside a rectangular arm raised near the head. The composition evokes a person sitting with knees bent and embracing legs with one arm.
Max Weber, Seated Woman, 1919-1920, woodcut in brown on laid paper mounted to paperboard, Gift of Jack and Margrit Vanderryn, 2015.114.48

Seated Woman

Max Weber · 1919-1920 · woodcut in brown on laid paper mounted to paperboard ·  Accession ID  2015.114.48

The image features fluid, curvilinear shapes forming an abstract representation of a human figure. The flowing lines and exaggerated forms suggest movement, resembling a dancer. The stylized limbs and elongated torso suggest twisting ribbon-like movement. The artwork evokes a dynamic sculpture made of soft materials, emphasizing grace and fluidity.
Max Weber, Dancer in Green, 1912, watercolor, pen and black ink, and graphite on paperboard, Director's Discretionary Fund, 1999.50.1

Dancer in Green

Max Weber · 1912 · watercolor, pen and black ink, and graphite on paperboard ·  Accession ID  1999.50.1

This image depicts a stylized representation of a person shown from the waist up. The person is positioned centrally within a rectangular frame, seated and holding a small cup in their hand. Their facial features are abstract, with long and exaggerated shapes, including a prominent nose and closed eyes. The hair appears to be long and dark, framing the face. The person's clothing is patterned with what looks like a wave or scallop design and includes long sleeves. There is an object resembling a small round fruit or ball on the table in front of them. The background features a window with green shutters divided into four sections. The entire image is framed with a rustic red border.
Max Weber, Woman Seated at Table, 1919-1920, color woodcut on wove paper, Gift of Jack and Margrit Vanderryn, 2015.114.12

Woman Seated at Table

Max Weber · 1919-1920 · color woodcut on wove paper ·  Accession ID  2015.114.12

The image portrays bold, vertical, and wavy lines, along with geometric shapes of different colors. The artwork has abstract elements resembling a stylized figure, with features that could be interpreted as a head, torso, and limbs. Various colors are used such as pink, brown, and green, combined with elongated forms that suggest a seated figure in a contemplative pose. The composition is enclosed by a colored frame that resembles the edge of a page or a window.
Max Weber, Seated Figure, 1919-1920, color woodcut on laid paper, Gift of Jack and Margrit Vanderryn, 2015.114.38

Seated Figure

Max Weber · 1919-1920 · color woodcut on laid paper ·  Accession ID  2015.114.38

The image shows an abstract figure capturing part of the upper body, with the head slightly tilted to the side. The person's facial features are simplified and stylized, showing a long face with prominent eyebrows and a long nose. The hair is dark and appears flat against the sides of the head and neck. The clothing consists of a reddish-brown garment with a lighter, textured area across the shoulders and arms. The arms are crossed or resting, with one arm having a distinct outline. The background of the image is a textured surface of light hues enclosed within irregular purple and brown borders.
Max Weber, Meditation, 1920, color linocut on laid paper mounted to paperboard, Gift of Jack and Margrit Vanderryn, 2015.114.51

Meditation

Max Weber · 1920 · color linocut on laid paper mounted to paperboard ·  Accession ID  2015.114.51

This is a print of a woodcut design featuring bold text that reads "WOOD CUTS BY MAX WEBER" enclosed within a rectangle. The background inside the rectangle is deep burgundy or dark red, while the text is white. There are small, decorative triangular shapes above and below the word "BY." A green border frames the text block.
Max Weber, Woodcuts by Max Weber, c. 1956, color woodcut on laid paper mounted to paperboard, Gift of Jack and Margrit Vanderryn, 2015.114.23

Woodcuts by Max Weber

Max Weber · c. 1956 · color woodcut on laid paper mounted to paperboard ·  Accession ID  2015.114.23

The image shows a portrait of a person depicted from the mid-torso upwards. The person is in an upright position, facing the viewer. Their facial features include wide, darkly outlined eyes, prominent eyebrows, a small nose, and red lips. They have short, dark hair that is mostly hidden under an elaborate hat. The hat is adorned with green and gray elements or feathers, and it sits on a brown band. The person is wearing a high-necked, long-sleeved garment that appears to be a muted, earth-tone color. There are no visible jewelry or objects held by the person. The background is a textured, light-colored surface with subtle gradients and variations in tone.
Max Weber, Girl with Feathered Hat, 1910, watercolor over graphite on wove paper, Corcoran Collection (Gift of Olga Hirshhorn), 2015.19.3446.a

Girl with Feathered Hat

Max Weber · 1910 · watercolor over graphite on wove paper ·  Accession ID  2015.19.3446.a

The sculpture is a bust of a classical figure. It has distinct, curly hair and strong facial features. The sculpture is white and appears to be made of smooth marble. It is positioned on a pedestal, extending upwards. Soft shadows are cast over the sculpture, accentuating its form and texture against the backdrop.
Gerardo Pita, Untitled, 1985, graphite on wove paper, Corcoran Collection (Gift of Dr. Thomas A. Mathews), 2015.19.2995

Untitled

Gerardo Pita · 1985 · graphite on wove paper ·  Accession ID  2015.19.2995

The image features intersecting lines and geometric shapes forming an abstract composition. In the center, a teardrop shape outlined in blue connects to the top corners with lines extending from its peak. Above the teardrop, a small circle sits at the top. Below, two elongated triangular shapes extend downwards. The composition is set against a background of contrasting white and brown.
Robert Motherwell, Personnage, 1945, oil on canvas board, Gift of Aaron I. Fleischman, in Honor of the 50th Anniversary of the National Gallery of Art, 1991.44.1

Personnage

Robert Motherwell · 1945 · oil on canvas board ·  Accession ID  1991.44.1