Provenance

Oskar Hainauer

Hainauer, Oscar

German, 1840 - 1894

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The image depicts a ceramic pharmacy jar with a detailed portrayal of a man with a dark beard and a white turban, appearing to read a script. The sculpture is made from ceramics and features vivid colors such as yellows, blues, and greens. The upper and lower bands of the jar have alternating horizontal stripes of yellow and blue, while the central band showcases ornate designs including leafy wreaths and stylized floral motifs. The jar gives the impression of an elaborately decorated, traditional apothecary vessel, finely painted with intricate patterns and an illustration for historical context.
Faenza 16th Century, Albarello with black-bearded physician and trophies of arms, c. 1550/1575, tin-glazed earthenware (maiolica), Corcoran Collection (William A. Clark Collection, 1926), 2015.19.4027

Albarello with black-bearded physician and trophies of arms

Faenza 16th Century · c. 1550/1575 · tin-glazed earthenware (maiolica) ·  Accession ID  2015.19.4027

This is a photograph of a decorative ceramic plate with intricate designs. The plate features a central emblem with a shield design, displaying five red roundels on a golden field, topped by a papal tiara and crossed keys. Surrounding the emblem is an ornate pattern with a blue background and white swirling motifs. The outer border of the plate is adorned with alternating green and yellow geometric designs. The craftsmanship suggests a detailed and meticulous approach to decoration, likely intended for ornamental use.
Tuscan 16th Century, Cafaggiolo 16th Century, Footed dish with the arms of the Medici, reverse decorated "alla porcellana", c. 1513/1521, tin-glazed earthenware (maiolica), Corcoran Collection (William A. Clark Collection, 1926), 2014.136.302

Footed dish with the arms of the Medici, reverse decorated "alla porcellana"

Tuscan 16th Century, Cafaggiolo 16th Century · c. 1513/1521 · tin-glazed earthenware (maiolica) ·  Accession ID  2014.136.302

This round medallion features a relief depicting two figures in a pastoral setting. On the left side, a faun or satyr with the body of a man and the legs of a goat plays a long flute or horn. This figure has a beard, pointed ears, and horns, and his chest is bare. To the right, a reclining nude female figure with long hair looks over her shoulder at the satyr, raising one arm up. In her other arm, she holds a thin cornucopia filled with small fruit. The background features a large building with columns and several small structures resembling towers or domes surrounded by trees and grassy hills. The sculpture is crafted from a golden-brown material, with some areas of darker patina. There are small holes at the top and bottom of the medallion.
Pseudo Antonio da Brescia, Abundance and Satyr, 1505 or after, bronze, Widener Collection, 1942.9.183

Abundance and Satyr

Pseudo Antonio da Brescia · 1505 or after · bronze ·  Accession ID  1942.9.183

This is a painting of a decorative ceramic plate featuring a mythological scene. The plate is decorated with classical figures in an outdoor setting. The central figure is a person in classical attire with a blue and orange outfit, holding a spear or staff. To the left are older, bearded figures seated under a large tree. On the right, another figure sits under a tree, possibly reading from a scroll. The background shows a landscape with a walled city, turrets, and a river winding through greenery. The upper part of the plate features a heraldic shield with a yellow border. The style reflects the Italian Renaissance era.
Urbino 16th Century, Plate with Pan and Apollo, c. 1535/1540, tin-glazed earthenware (maiolica), Corcoran Collection (William A. Clark Collection, 1926), 2015.19.4019

Plate with Pan and Apollo

Urbino 16th Century · c. 1535/1540 · tin-glazed earthenware (maiolica) ·  Accession ID  2015.19.4019

This is an oval-shaped relief featuring multiple people, some standing and others seated. In the center is a standing woman who holds a tall staff with what look like flames at the top. Two bearded men stand on either side of her, facing her. In front of her, two people are sitting, one with their back to us and the other a man who is facing the left. A small child is on the ground between these two seated people, grabbing the leg of the man on the right. On the far left is another seated man who appears to be raising a large hammer. The people seem to be mostly nude, although the two standing men in the back wear draping cloaks and the seated man on the right wears a cloak and a helmet. The material of the medallion is a golden hue, with some areas that are slightly discolored.
Master IO.F.F., Assembly of Gods, second half 15th century, bronze, Widener Collection, 1942.9.210

Assembly of Gods

Master IO.F.F. · second half 15th century · bronze ·  Accession ID  1942.9.210

This is a painting of an outdoor scene with mythological figures. The artwork depicts a group of nude, winged figures relaxing in a lush landscape, with a distant view of a classical city beneath a sky tinged with sunset hues. In the foreground, trees and rock formations frame the mythological figures, who are adorned with rich colors and intricate details. The central sitting figure plays a pipe. The artist uses vivid colors like blues, greens, and earth tones. This is in the style of Giorgio Andreoli, known for his work with majolica ceramics featuring mythological and idyllic themes.
Sforza di Marcantonio, Plate with Hercules and Omphale, 1551, tin-glazed earthenware (maiolica), Corcoran Collection (William A. Clark Collection, 1926), 2015.19.4015

Plate with Hercules and Omphale

Sforza di Marcantonio · 1551 · tin-glazed earthenware (maiolica) ·  Accession ID  2015.19.4015

This oval sculpture depicts a relief carving of a person who appears to be lying on the ground with a large bird hovering above them. The bird is positioned centrally within the sculpture, its wings outstretched, showing its feathers in detail. The person beneath the bird is in a reclined position, with their limbs extended and head turned toward one side, conveying a sense of motion or struggle. They appear to be confined within a ring of stones with their feet and hands tied to large rocks. The sculpture is crafted from a reddish-brown material with hints of an aged patina visible in some areas.
Giovanni Bernardi, Prometheus, bronze, Widener Collection, 1942.9.182

Prometheus

Giovanni Bernardi · · bronze ·  Accession ID  1942.9.182

This is a photograph of a ceramic vase decorated with colorful patterns and motifs, predominantly in blue, yellow, and green hues. The center of the vase features a painted medallion with a profile portrait of a figure wearing headgear, and below it is a label with the inscription "dia-irrj" in a calligraphic style. The surface of the vase is covered with ornate designs including floral and geometric patterns.
Faenza 16th Century, Drug jar with the head of a warrior, c. 1540/1550, tin-glazed earthenware (maiolica), Corcoran Collection (William A. Clark Collection, 1926), 2014.136.327

Drug jar with the head of a warrior

Faenza 16th Century · c. 1540/1550 · tin-glazed earthenware (maiolica) ·  Accession ID  2014.136.327

This rectangular sculpture is a detailed relief depiction of a woman holding a baby within an ornate architectural setting. The woman is shown standing with the baby in her arms, surrounded by cherubs and angels. The background is filled with intricate designs including a carved arch and columns, all adorned with garlands hung by cherubs. The sculpture is crafted from a bronze-colored material, with lighter shades highlighting the raised details. The sculpture has a border with decorative motifs surrounding the main scene, and a small shape on the top edge that may be a hook.
Paduan 15th Century, Madonna and Child with Angels, c. 1475, bronze, Widener Collection, 1942.9.265

Madonna and Child with Angels

Paduan 15th Century · c. 1475 · bronze ·  Accession ID  1942.9.265

This is a photograph of an ornate decorative plate. The plate features intricate designs and vivid colors with a central image depicting a scene with pastoral elements, surrounded by elaborate patterns and stylized motifs. The plate has a circular shape and is adorned with multiple concentric rings of decoration. The innermost area captures a picturesque landscape with figures in warm tones, amidst a setting with blue skies and greenery. Encircling this scene are borders richly detailed with floral and mythical creature motifs in shades of blue, gold, and soft greens.
Fontana Family Workshop, Ewer basin with Europa and the Bull and Cadmus and the Dragon, c. 1565/1575, tin-glazed earthenware (maiolica), Corcoran Collection (William A. Clark Collection, 1926), 2014.136.310

Ewer basin with Europa and the Bull and Cadmus and the Dragon

Fontana Family Workshop · c. 1565/1575 · tin-glazed earthenware (maiolica) ·  Accession ID  2014.136.310

Bibliography

1897

  • Bode, Wilhelm von, ed. Die Die Sammlung Oscar Hainauer / The Collection of Oscar Hainauer. [bound as one volume, English and German pages interleaved in one page sequence] Berlin, 1897 and London, 1906: 1-7.

1906

  • American Art News IV (14 July 1906):1

2005

  • Kuhrau, Sven. Der Kunstsammler im Kaiserreich: Kunst und Repräsentation in der Berliner Privatsammlerkultur. Kiel, 2005:39-45, 275.