Simone Breton-Collinet

Explore Selected Works

Max Ernst, Conjugal Diamonds, 1925, frottage in graphite on cream paper, Gift of Helen Porter and James T. Dyke, 2006.140.1

Conjugal Diamonds

Max Ernst · 1925 · frottage in graphite on cream paper ·  Accession ID  2006.140.1

Angular, geometric shapes in charcoal and smoke black, pewter and silver gray, white, pale pink, and coral orange pile up to form a rough pyramid shape that fills the height of this square, abstract painting. More fragmented shapes in cobalt, azure, and light blue fill the upper left and right corners to either side of the apex, and one triangular space on its middle left. The artist has inscribed, “LA PROCESSION SEVILLE” in black capital letters near the top right edge and “Picabia” in the lower right.
Francis Picabia, The Procession, Seville, 1912, oil on canvas, Chester Dale Fund and Gift of Barbara Rothschild Michaels from the Collection of Herbert and Nannette Rothschild, 1997, 1997.43.1

The Procession, Seville

Francis Picabia · 1912 · oil on canvas ·  Accession ID  1997.43.1