Provenance

Mr. Vincent J. Buonanno

Explore selected works

See all 228 works of art
The image features an architectural scene with a grand structure viewed from a slightly elevated perspective. The focus is on the elaborate triumphal arch adorned with decorative sculptures and reliefs. The intricate details of the structure are highlighted by fine linework, creating a textured appearance. Flanking the arch are dynamic fountains. The color palette is monochromatic in various shades of sepia. Figures and horses near the arch suggest movement and beyond them are dramatic stairs leading up to the structure.
Giuseppe Vasi, The Prima Macchina for the Chinea of 1767: A Triumphal Arch with the Farnese Hercules, 1767, etching, Gift of Vincent Buonanno in Honor of Andrew Robison, 2016.121.43

The Prima Macchina for the Chinea of 1767: A Triumphal Arch with the Farnese Hercules

Giuseppe Vasi · 1767 · etching ·  Accession ID  2016.121.43

The image shows an architectural drawing viewed from a slightly elevated point. The structure is symmetrical with a central round tower decorated with statues and cloud-like elements. Flanking the central tower are square towers with flags. The background features a sky filled with detailed clouds. The drawing is in a monochromatic color palette with precise line engraving depicting textures, forms, and shadows. Figures in period attire and a carriage are in the foreground, adding a human scale. Further back, bridges and windows adorn the walls.
Giuseppe Vasi, The Prima Macchina for the Chinea of 1759: A Fortress, 1759, etching, Gift of Vincent Buonanno in Honor of Andrew Robison, 2016.121.28

The Prima Macchina for the Chinea of 1759: A Fortress

Giuseppe Vasi · 1759 · etching ·  Accession ID  2016.121.28

This is a drawing of an elaborate architectural scene with a triumphal bridge. The image depicts a grandiose structure featuring a bridge composed of multiple arches, with decorative elements like columns and statues. Atop the central arch, there are sculptures, including a figure triumphant, while on either end of the bridge, statues of elephants are perched upon pedestals, carrying flags. Below the bridge, figures are seen in small boats on the water, and a carriage is drawn by horses. The scene is set in a classical architectural style with ornate detailing and numerous flags and fine carvings. The lower section of the image contains an inscription in Italian text.
Giuseppe Vasi, The Prima Macchina for the Chinea of 1755: A Triumphal Bridge with Antiquities from Herculaneum, 1755, etching, Gift of Vincent Buonanno in Honor of Andrew Robison, 2016.121.20

The Prima Macchina for the Chinea of 1755: A Triumphal Bridge with Antiquities from Herculaneum

Giuseppe Vasi · 1755 · etching ·  Accession ID  2016.121.20

The structured landscape is depicted from an elevated point of view, showing architectural elements and a gathering. The horizon is close to the top, with trees, a canopy, symmetrical buildings with windows, flags, and a wall with an arched entrance. A horse-drawn carriage passes through the entrance. The scene is detailed with fine linework and shading, creating texture in the clouds and trees. The color palette is monochromatic, using shades of gray and sepia. People are gathered under the canopy, adding liveliness to the scene.
Giuseppe Vasi, The Seconda Macchina for the Chinea of 1759: A "Deliziosa" with a Bacchanal, 1759, etching, Gift of Vincent Buonanno in Honor of Andrew Robison, 2016.121.29

The Seconda Macchina for the Chinea of 1759: A "Deliziosa" with a Bacchanal

Giuseppe Vasi · 1759 · etching ·  Accession ID  2016.121.29

This is a drawing of an architectural structure with ornate details and classical elements. The drawing depicts a grand, classical portico with multiple columns, an elaborately detailed pediment, and several statues adorning the facade. Flanking the structure are two reclining figures integrated into the landscape. The sky above the structure is depicted using intricate line work, suggesting clouds. Figures involved in pastoral or farm work are depicted in the foreground.
Giuseppe Pozzi, The Prima Macchina for the Chinea of 1757: The Colonnade of the Athenian Lyceum, 1757, etching, Gift of Vincent Buonanno in Honor of Andrew Robison, 2016.121.24

The Prima Macchina for the Chinea of 1757: The Colonnade of the Athenian Lyceum

Giuseppe Pozzi · 1757 · etching ·  Accession ID  2016.121.24

This is a drawing featuring Neptune and Amphitrite accompanied by mythological figures and a chariot in the sky. A lighthouse with intricate detailing is positioned in the background on top of a large structure. The foreground includes deities and mythical beings engaged in various activities. The scene includes dynamic postures and symbolic elements indicative of a narrative context.
François Hutin, The Seconda Macchina for the Chinea of 1741: Neptune and Amphitrite, 1741, etching, Gift of Vincent Buonanno in Honor of Andrew Robison, 2016.121.6

The Seconda Macchina for the Chinea of 1741: Neptune and Amphitrite

François Hutin · 1741 · etching ·  Accession ID  2016.121.6

The image shows a classical building with Corinthian columns and arched openings, surrounded by vegetation. Two figures are depicted fishing near the ruins. In the background, there are hills, trees, and sky rendered in muted tones. The artwork features delicate linework with watercolor or ink washes, creating a soft, atmospheric quality. The color palette includes earthy tones, grays, soft browns, and pale greens, evoking a historical ambiance.
Antonio Zucchi, A Roman Ruin, 1788, pen and brown and gray ink with brown, gray, and red wash over black chalk on laid paper, Purchased as the Gift of Vincent J. Buonanno, 2017.28.1

A Roman Ruin

Antonio Zucchi · 1788 · pen and brown and gray ink with brown, gray, and red wash over black chalk on laid paper ·  Accession ID  2017.28.1

This drawing depicts an elaborate architectural stage set. It illustrates a grand Baroque theater scene with intricate columns, statues, and decorative reliefs. The scene features an ornate façade framing a classical landscape in the background. Two turret-like structures with balconies and sculptures are shown emitting streams of smoke. Below, there are horse-drawn carriages and figures in various poses, creating a bustling and grandiose scene. The style reflects the opulence and theatricality typical of Baroque design.
Giuseppe Vasi, The Seconda Macchina for the Chinea of 1761: A Magnificent Theater, 1761, etching, Gift of Vincent Buonanno in Honor of Andrew Robison, 2016.121.33

The Seconda Macchina for the Chinea of 1761: A Magnificent Theater

Giuseppe Vasi · 1761 · etching ·  Accession ID  2016.121.33

The image shows an architectural structure with statues and a decorated facade. People and carriages are in front of the building, while festivities seem to be happening in the background. Trees and sculptural details flank the building, and the sky above shows clouds and stylized fireworks or smoke.
Giuseppe Vasi, The Prima Macchina for the Chinea of 1770: An Roman Building for Commerce, 1770, etching, Gift of Vincent Buonanno in Honor of Andrew Robison, 2016.121.47

The Prima Macchina for the Chinea of 1770: An Roman Building for Commerce

Giuseppe Vasi · 1770 · etching ·  Accession ID  2016.121.47

The image shows a symmetrical architectural drawing of a Baroque building with multiple levels. The high horizon line provides a detailed view of the façade and activities below. The building features statues, arches, and decorations, with fine brushstrokes creating textures and shading. Figures and animals are depicted in action near the viewer, contrasting with the building's grandeur. The color palette is monochromatic, with sepia or brown tones. Wispy clouds are etched in the sky above the building.
Giuseppe Vasi, The Seconda Macchina for the Chinea of 1775: A Bull-fight, 1775, etching, Gift of Vincent Buonanno in Honor of Andrew Robison, 2016.121.57

The Seconda Macchina for the Chinea of 1775: A Bull-fight

Giuseppe Vasi · 1775 · etching ·  Accession ID  2016.121.57