Provenance

Jean Goriany

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Honoré Daumier, Fugitives (Emigrants), model c. 1850/1852, cast 1893, bronze, Rosenwald Collection, 1943.3.25

Fugitives (Emigrants)

Honoré Daumier · model c. 1850/1852, cast 1893 · bronze ·  Accession ID  1943.3.25

A woman kneels to test the water in a freestanding bathtub with one hand as she braces a nude child against her knee with the other in this vertical, colored print. The people and objects are outlined lightly with black, and both the woman and baby’s hair are incised with delicate black lines. The woman and baby’s skin are the white of the paper, and the rest of the background is smudged with smoke gray to show the texture of the paper. The woman’s hair is pulled back from a high forehead, and she has a straight nose, pursed lips, and a slight double chin. Her long-sleeved, floor-length dress has a narrow collar and is pleated across the chest and at the cuff we can see. The dress is filled in with a field of butter yellow and patterned with a floral design. The baby turns toward the woman’s body and hangs their arms over her bracing hand. The baby has short, wispy, black hair with delicate facial features, a rotund belly, and satisfyingly pudgy rolls on the legs.
Mary Cassatt, The Bath, 1890-1891, color drypoint, softground etching, and aquatint on laid paper, Rosenwald Collection, 1943.3.2740

The Bath

Mary Cassatt · 1890-1891 · color drypoint, softground etching, and aquatint on laid paper ·  Accession ID  1943.3.2740

A woman kneels to test the water in a freestanding bathtub with one hand as she braces a nude child against her knee with the other in this vertical, colored print. The skin of both the woman and baby are the white of the paper. Their facial features and bodies are outlined with light brown, and their hair drawn in with faint black lines. The woman’s hair is pulled back from a high forehead, and she has a straight nose, pursed lips, and a slight double chin. Her long-sleeved, floor-length dress is a flat area of straw yellow. A few touches of teal blue near the neckline appear to have run into the surrounding ink. The baby turns toward the woman’s body and hangs their arms over her bracing hand. The baby has short, wispy, black hair with delicate facial features, a rotund belly, and satisfyingly pudgy rolls on the legs. The tub and the corner where the floor meets the wall are drawn in with brown lines. There are some smudges across the paper, especially at the edges.
Mary Cassatt, The Bath, 1890-1891, color drypoint, softground etching, and aquatint on laid paper, Rosenwald Collection, 1943.3.2735

The Bath

Mary Cassatt · 1890-1891 · color drypoint, softground etching, and aquatint on laid paper ·  Accession ID  1943.3.2735

Pierre Bonnard, Ambroise Vollard, Boulevard, c. 1895/1896 (published 1899), color lithograph on wove paper, Rosenwald Collection, 1943.3.2078

Boulevard

Pierre Bonnard, Ambroise Vollard · c. 1895/1896 (published 1899) · color lithograph on wove paper ·  Accession ID  1943.3.2078

A woman kneels to test the water in a freestanding bathtub with one hand as she braces a nude child against her knee with the other in this vertical, colored print. The people and objects are outlined lightly with black, and both the woman and baby’s hair are incised with delicate black lines. The woman’s hair is pulled back from a high forehead, and she has a straight nose, pursed lips, and a slight double chin. Her long-sleeved, floor-length dress has a narrow collar and is pleated across the chest and at the cuff we can see. The dress is filled in with a field of light yellow and patterned with a floral design. The baby turns toward the woman’s body and hangs their arms over her bracing hand. The baby has short, wispy, black hair with delicate facial features, a rotund belly, and satisfyingly pudgy rolls on the legs. There are some smudges across the paper, especially at the edges.
Mary Cassatt, The Bath, 1890-1891, color drypoint, softground etching, and aquatint on laid paper, Rosenwald Collection, 1943.3.2739

The Bath

Mary Cassatt · 1890-1891 · color drypoint, softground etching, and aquatint on laid paper ·  Accession ID  1943.3.2739

A woman kneels to test the water in a freestanding bathtub with one hand as she braces a nude child against her knee with the other in this vertical, colored print. The skin of both the woman and baby are the white of the paper. Their facial features and bodies are outlined with light brown, and their hair drawn in with faint black lines. The woman’s hair is pulled back from a high forehead, and she has a straight nose, pursed lips, and a slight double chin. Her long-sleeved, floor-length dress is a flat area of straw yellow. The baby turns toward the woman’s body and hangs their arms over her bracing hand. The baby has short, wispy, black hair with delicate facial features, a rotund belly, and satisfyingly pudgy rolls on the legs. The tub and the corner where the floor meets the wall are drawn in with brown lines. There are some smudges across the paper, especially at the edges. The artist wrote her initials in graphite under the lower left corner, “MC.”
Mary Cassatt, The Bath, 1890-1891, color drypoint, softground etching, and aquatint on laid paper, Rosenwald Collection, 1943.3.2736

The Bath

Mary Cassatt · 1890-1891 · color drypoint, softground etching, and aquatint on laid paper ·  Accession ID  1943.3.2736

A woman kneels to test the water in a freestanding bathtub with one hand as she braces a nude child against her knee with the other in this vertical print. The people and objects are outlined with brown lines, and both the woman and baby’s hair are incised with delicate black lines. The woman’s hair is pulled back from a high forehead, and she has a straight nose, pursed lips, and a slight double chin. Her long-sleeved, floor-length dress has a narrow collar and is pleated across the chest and at the cuff we can see. The baby turns toward the woman’s body and hangs their arms over her bracing hand. The baby has short, wispy, black hair with delicate facial features, a rotund belly, and satisfyingly pudgy rolls on the legs. There are some smudges across the paper, especially at the edges.
Mary Cassatt, The Bath, 1890-1891, drypoint and softground etching on laid paper, Rosenwald Collection, 1943.3.2737

The Bath

Mary Cassatt · 1890-1891 · drypoint and softground etching on laid paper ·  Accession ID  1943.3.2737

A woman kneels to test the water in a freestanding bathtub with one hand as she braces a nude child against her knee with the other in this vertical, colored print. The people and objects are outlined with brown lines, and both the woman and baby’s hair are incised with delicate black lines. The woman’s hair is pulled back from a high forehead, and she has a straight nose, pursed lips, and a slight double chin. Her long-sleeved, floor-length dress has a narrow collar and is pleated across the chest and at the cuff we can see. The dress is filled in with a field of light yellow. The baby turns toward the woman’s body and hangs their arms over her bracing hand. The baby has short, wispy, black hair with delicate facial features, a rotund belly, and satisfyingly pudgy rolls on the legs. There are some smudges across the paper, especially at the edges.
Mary Cassatt, The Bath, 1890-1891, color drypoint, softground etching, and aquatint on Japanese paper, Rosenwald Collection, 1943.3.2738

The Bath

Mary Cassatt · 1890-1891 · color drypoint, softground etching, and aquatint on Japanese paper ·  Accession ID  1943.3.2738

A woman kneels to test the water in a freestanding bathtub with one hand as she braces a nude child against her knee with the other in this vertical, colored print. The people and objects are outlined lightly with brown for the bodies and black for the woman’s clothing. Both the woman and baby’s hair are incised with delicate black lines. The woman’s hair is pulled back from a high forehead, and she has a straight nose, pursed lips, and a slight double chin. Her long-sleeved, floor-length dress has a narrow collar and is pleated across the chest and at the cuff we can see. The dress is filled in with a field of lemon yellow and patterned with a floral design. The baby turns toward the woman’s body and hangs their arms over her bracing hand. The baby has short, wispy, black hair with delicate facial features, a rotund belly, and satisfyingly pudgy rolls on the legs. The tub and water within are pale blue. There are some smudges across the paper, especially at the edges.
Mary Cassatt, The Bath, 1890-1891, color drypoint, softground etching, and aquatint on laid paper, Rosenwald Collection, 1943.3.2741

The Bath

Mary Cassatt · 1890-1891 · color drypoint, softground etching, and aquatint on laid paper ·  Accession ID  1943.3.2741

Mary Cassatt, Mother's Kiss, 1890-1891, drypoint on Japanese paper, Rosenwald Collection, 1943.3.2751

Mother's Kiss

Mary Cassatt · 1890-1891 · drypoint on Japanese paper ·  Accession ID  1943.3.2751