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David Maxwell

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The image depicts a coastal scene with the sun either rising or setting, casting a golden hue across the sky and water. The horizon shows a silhouette of land. Near the viewer are several vessels, including a boat with figures, possibly working with fishing nets. Other sailboats are visible in the distance, and birds fly above. The brushstrokes are delicate, emphasizing water movement and color transitions. The color palette is warm with soft yellows, browns, and blues.
Félix Ziem, Tuna Fishing at Sunrise off the Coast near Marseilles, 1860s, watercolor with pen and brown ink and touches of gum arabic over graphite, on wove paper, Purchased as the Gift of Joan and David Maxwell, 2013.81.1

Tuna Fishing at Sunrise off the Coast near Marseilles

Félix Ziem · 1860s · watercolor with pen and brown ink and touches of gum arabic over graphite, on wove paper ·  Accession ID  2013.81.1

This image is a pencil sketch on paper with a monochrome palette of graphite gray. The viewer sees various scenes without a defined horizon line. The upper section shows figures in period clothing, possibly mid-19th century women's fashion. The middle area has abstract architectural forms. In the lower right corner, a sailing ship or boat is sketched with more detail than the rest. The drawing style consists of quick, expressive strokes. The image conveys multiple narrative or compositional ideas on a single sheet.
Eugène Isabey, Seaside Studies, 1830s, charcoal with traces of pen and brown ink and brown wash on laid paper, Joan and David Maxwell Fund, 2009.74.3

Seaside Studies

Eugène Isabey · 1830s · charcoal with traces of pen and brown ink and brown wash on laid paper ·  Accession ID  2009.74.3

This is a photograph of a closed old album. The cover of the album is textured in a muted blue hue with the word "ALBUM" embossed in gold letters centrally positioned. The edges of the album show signs of wear, with some fraying and discoloration, particularly near the spine. There are ornate gold corner decorations. The album's fabric appears aged, yet the gold text and details retain a subtle sheen.
Antonio Senape, Souvenir Album with Views of Naples, Southern Italy, and Sicily, 1848, album of sixty-five drawings in pen and black ink on tracing paper, Purchased as the Gift of Joan and David Maxwell, 2015.86.1

Souvenir Album with Views of Naples, Southern Italy, and Sicily

Antonio Senape · 1848 · album of sixty-five drawings in pen and black ink on tracing paper ·  Accession ID  2015.86.1

The image features two large pipes with red valves emerging from a wall, accompanied by an orange rectangular panel above. The color palette includes muted tones of orange, grey, brown, and green from small plants nearby. The pipes extend horizontally and vertically from the lower center of the image, with the orange panel in the upper portion.
Robert Rauschenberg, Corinne Kaz, Richard Kaz, Gemini G.E.L., Tap, 2004, color screenprint on Rives BFK wove paper, Gift of Joan and David Maxwell, 2005.97.7

Tap

Robert Rauschenberg, Corinne Kaz, Richard Kaz, Gemini G.E.L. · 2004 · color screenprint on Rives BFK wove paper ·  Accession ID  2005.97.7

Richard Serra, Xavier Fumat, Gemini G.E.L., Abu Ghraib, 2004, lithograph in black on Rives BFK wove paper, Gift of Joan and David Maxwell, 2005.97.10

Abu Ghraib

Richard Serra, Xavier Fumat, Gemini G.E.L. · 2004 · lithograph in black on Rives BFK wove paper ·  Accession ID  2005.97.10

The image depicts bold, sweeping lines forming an abstract representation of a horse in motion. The abstraction conveys speed and fluidity, with elongated lines indicating galloping legs and a flowing tail. In the center of the image is a large letter 'K' within the outline. The background features a textured pattern resembling a woodblock print, enhancing the sense of movement.
Susan Rothenberg, Scott Bisacchi, Gemini G.E.L., K, 2004, lithograph in red on Gampi Torinoko wove paper, Gift of Joan and David Maxwell, 2005.97.8

K

Susan Rothenberg, Scott Bisacchi, Gemini G.E.L. · 2004 · lithograph in red on Gampi Torinoko wove paper ·  Accession ID  2005.97.8

The image shows a large, orange shape with a straight vertical line on the left and a smooth, curved line forming the top. It creates the appearance of a tilted half-circle that is part of an abstract composition. The simplicity of the form and the monochrome background emphasize its bold presence on the canvas.
Ellsworth Kelly, Beaumont Buck, Gemini G.E.L., Orange, 2004, lithograph in orange on Rives BFK wove paper, Gift of Joan and David Maxwell, 2005.97.5

Orange

Ellsworth Kelly, Beaumont Buck, Gemini G.E.L. · 2004 · lithograph in orange on Rives BFK wove paper ·  Accession ID  2005.97.5

The image displays geometric shapes and vertical lines, with a rectangle dividing the composition. One side features a large black triangle pointing upwards on a pale background, while the other has a rectangular area filled with layered, textured strokes resembling a brushed wall. Below these figures is a pattern of alternating black and white triangles creating a diamond effect. The composition suggests familiar objects like doors or architectural panels while remaining abstract.
Jasper Johns, Michael Erickson, James Reid, Gemini G.E.L., Pyre 2, 2004, color lithograph on Rives BFK wove paper, Gift of Joan and David Maxwell, 2005.97.4

Pyre 2

Jasper Johns, Michael Erickson, James Reid, Gemini G.E.L. · 2004 · color lithograph on Rives BFK wove paper ·  Accession ID  2005.97.4

The image consists of swirling lines and irregular shapes in black and earthy red tones. Among the forms, there are outlines of figures and faces. The interplay of dark and light areas gives the impression of a dynamic scene.
Cecily Brown, Carmen Schilaci, Gemini G.E.L., Study, after An Election by William Hogarth, 2004, color lithograph on gray Rives BFK wove paper, Gift of Joan and David Maxwell, 2005.97.2

Study, after An Election by William Hogarth

Cecily Brown, Carmen Schilaci, Gemini G.E.L. · 2004 · color lithograph on gray Rives BFK wove paper ·  Accession ID  2005.97.2

The image displays intersecting black lines and shapes on a white background in an abstract composition. Some elements resemble rectangles or squares, stacked and overlapping in a complex pattern. The lines are both curved and angular, with some looping freely, creating a structured appearance that hints at buildings or machinery.
Frank Gehry, Dale Dolejsi, Tracee Lee, Gemini G.E.L., Study for New Frank Gehry House, 2004, lithograph in black on wove paper, Gift of Joan and David Maxwell, 2005.97.3

Study for New Frank Gehry House

Frank Gehry, Dale Dolejsi, Tracee Lee, Gemini G.E.L. · 2004 · lithograph in black on wove paper ·  Accession ID  2005.97.3