Provenance

Hugo Helbing

German

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A bearded man with copper-blond hair and flushed, peachy skin stands on a stone-gray pedestal and gestures toward a group of five more men gathered before him in this square painting. Some of the men are light-skinned, others are tan. The man on the platform, Decius Mus, stands with his ruddy face turned to our right in profile, his muscular right arm raised and right foot extended. He wears a knee-length toga, and form-fitting armor covers his torso. A sword hangs from his waist, and a scarlet-red cape flaps behind him. Piled against the pedestal in the lower left are spears, battle axes, a silvery-gray shield covered with gold lightning bolts, and an ornate crested helmet. In the upper left corner, an eagle with one wing extended hovers behind Decius Mus’s head, clutching long peach and straw-colored strands in its talons. The other five men stand clustered together on the ground to our right, facing Decius Mus. They are also bearded and muscular, and each holds a golden staff topped with a different symbol. They wear knee-length tunics and cloaks in brick red, olive green, black, or tan, and three wear armor protecting their upper bodies. Calf-high, brown boots cover their feet but leave their toes exposed. The man closest to us has gray hair and stands with his back to us. A parchment-brown animal skin speckled with brown spots covers the back of his head and wraps around his armor and tunic. The man just beyond him, to our left, faces us and holds a gold staff topped with an eagle set within a round laurel wreath. The rest of the men stand in profile, filling the right side of the composition, and they lean in toward Decius Mus. Two of them wear crested helmets, one olive green, the other charcoal gray, both with gold ornamentation on the front. The man in the gray helmet holds aloft a flag painted with vertical swipes of scarlet red and ginger brown. A sketchily painted landscape beyond the group has trees with dark brown trunks and sage-green leaves along the left edge, leading back to a line of trees in the distance. Rolling, teal-blue land along the horizon could be hazy mountains. The powder-blue sky above is scattered with butter-yellow and light gray clouds. The scene is loosely painted, especially in the costumes and background.
Sir Peter Paul Rubens, Decius Mus Addressing the Legions, probably 1616, oil on hardboard, transferred from wood and canvas, Samuel H. Kress Collection, 1957.14.2

Decius Mus Addressing the Legions

Sir Peter Paul Rubens · probably 1616 · oil on hardboard, transferred from wood and canvas ·  Accession ID  1957.14.2

Anton Krüger, Aussicht aus meinem Fenster, via valfonda in Florenz (Gardens in Florence Seen from the Artist's Window), 1821, graphite on wove paper, Ailsa Mellon Bruce Fund, 2011.53.1

Aussicht aus meinem Fenster, via valfonda in Florenz (Gardens in Florence Seen from the Artist's Window)

Anton Krüger · 1821 · graphite on wove paper ·  Accession ID  2011.53.1

Federico Barocci, Half-Length of Mary Magdalene [verso], c. 1565/1567, black chalk heightened with white on blue paper, Ailsa Mellon Bruce Fund, 1983.17.1.b

Half-Length of Mary Magdalene [verso]

Federico Barocci · c. 1565/1567 · black chalk heightened with white on blue paper ·  Accession ID  1983.17.1.b

Federico Barocci, Two Nude Youths [recto], c. 1565/1567, black chalk heightened with white, contours (of standing figure) incised, on blue paper, Ailsa Mellon Bruce Fund, 1983.17.1.a

Two Nude Youths [recto]

Federico Barocci · c. 1565/1567 · black chalk heightened with white, contours (of standing figure) incised, on blue paper ·  Accession ID  1983.17.1.a