Provenance

Sir Kenneth Augustus Muir-Mackenzie, 1st baron Muir-Mackenzie

1845 - 1930

Explore Selected Works

Benedetto Diana, The Presentation and Marriage of the Virgin, and the Annunciation, 1520/1525, oil on panel, Samuel H. Kress Collection, 1961.9.70

The Presentation and Marriage of the Virgin, and the Annunciation

Benedetto Diana · 1520/1525 · oil on panel ·  Accession ID  1961.9.70

Shown from the chest up against a dark, teal-blue background, a light-skinned woman looks off to our left left in this vertical portrait painting. Her arms extend slightly in front of her, as if they rest on her knee. Her face turns almost in profile to our left as she gazes in that direction with hooded light brown eyes under curved brows. She has a sloping nose, a pointed chin, and her thin, light pink lips are closed. A white covering over her hair, which has been pulled back and up, is layered under a translucent ivory-white veil that covers her forehead and the sides of her face. A charcoal-gray stripe on the veil creates a line from her cheek to the back of her head. Her dress has a black bodice and sleeves, and the chest and the tops of her shoulders are covered with another veil. A patch of burgundy red shows through where the dress is laced up over the chest.
Domenico Ghirlandaio, Lucrezia Tornabuoni, c. 1475, tempera and oil on poplar panel, Samuel H. Kress Collection, 1952.5.62

Lucrezia Tornabuoni

Domenico Ghirlandaio · c. 1475 · tempera and oil on poplar panel ·  Accession ID  1952.5.62

John William North, The Hayloft, 1867, watercolor with gouache and scratching out on wove paper, laid down on board, William B. O'Neal Fund, 2016.65.3

The Hayloft

John William North · 1867 · watercolor with gouache and scratching out on wove paper, laid down on board ·  Accession ID  2016.65.3