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From our place on a dirt road, a row of buildings and houses extends from the right edge of this painting, into the distance and to our left in this vertical composition. People, all with light skin, come and go through doorways and hatches, work unloading goods next to a horse, and gather under a tattered awning down the road. Most of the people wear hats and dark clothing in tones of brown, black, and golden yellow, with a few touches of brick red. A jumble of objects, including a barrel, a wooden trap, and a ceramic vessel, and some chickens are gathered in the lower right corner of the panel, closest to us. A boy holding a long-necked vessel stands at an open hatch leading to an underground level of the structure nearby. That building has a large, steeply pitched, thatched dormer on a red tile roof. Green vines grow over parts of the peanut-brown stone and brick façade. A white stork with long legs and a long beak stands at a nest built on top of the chimney. A sign hangs above an open door, through which a person leans, and a birdcage hangs below the sign. In front of the open door, two men, one wearing a golden yellow vest and one wearing teal blue, unload large wooden barrels from a horse-drawn sled. The brown horse lifts one back foot off the ground, and the side of his hide is marked, perhaps with a sore. A tall tree with dark green leaves separates the building closest to us from its neighbor. A group of people and children are gathered under an awning there. One boy in the group pets a white, long-haired dog. Nearby, a man using crutches makes his way down the road toward us. A pair of dogs, one black and one brown and white, tussle over something in the lower left corner. The row of buildings extends in a line into the distance with steeply pitched, pointed rooflines. A tower, perhaps for a church, appears in the hazy distance to our left, near the left edge of the panel. Clouds with pale peach tops and lilac-gray undersides sweep across the sky above, parting to reveal on a couple slivers of blue sky beyond. The artist signed and dated the panel with black paint in the lower right corner: “Isack van Ostade 1645.”
Isack van Ostade, Workmen before an Inn, 1645, oil on panel, Gift of Richard A. and Lee G. Kirstein, in Honor of the 50th Anniversary of the National Gallery of Art, 1991.64.1

Workmen before an Inn

Isack van Ostade · 1645 · oil on panel ·  Accession ID  1991.64.1

Dirk Helmbreker, Head Study of a Young Man Looking Upward, 1660s?, red chalk on laid paper, laid down on an old mount, Gift of Dian Woodner, 2016.176.1

Head Study of a Young Man Looking Upward

Dirk Helmbreker · 1660s? · red chalk on laid paper, laid down on an old mount ·  Accession ID  2016.176.1