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    A sprig of flowering rosemary lying against an ivory-white background and the twelve insects that surround it fills this horizontal painting. Stretching nearly the length of the composition with the cut end to our left, the rosemary has blunted, needle-like, gently curling teal-green leaves and small periwinkle-blue flowers along the ash-brown stem. Several insects perch on the sprig while others are seen as if looking from overhead, resting on the white background. The three largest insects perch along the top of the sprig, with an ivory-white butterfly with moss-green and black markings to the left, a black and golden, fuzzy bumblebee near the center, and a lemon-yellow butterfly with red antennae to our right. A tiny red insect, perhaps a ladybug without spots, sits on a leaf between the bee and yellow butterfly, and a small wasp-like insect rests on a leaf in at the lower left. Another mosquito-like insect alights on the surface nearby, next to a beetle with a honey-orange body with black, almost tiger-like stripes. A large cockroach sitting near the lower right corner has six spindly legs, a mahogany-colored abdomen, a black thorax, and tiny, black head. Spaced somewhat evenly across the top of the panel are a brick-red, winged insect to the left, a mint-green, beetle-like bug near a moth patterned with bone white and black, and a black, fly-like insect to our right. Lit from the upper left, the rosemary and insects cast shadows on the surface. The artist signed and dated the work with gray in the lower left corner: “J v. kessel . . f. Ao 1653.”

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    6th and Constitution Ave NW 
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    Only have an hour to spend?

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  • Exhibitions & Events

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    • Calendar
    • Kid-Friendly Events
    A sprig of flowering rosemary lying against an ivory-white background and the twelve insects that surround it fills this horizontal painting. Stretching nearly the length of the composition with the cut end to our left, the rosemary has blunted, needle-like, gently curling teal-green leaves and small periwinkle-blue flowers along the ash-brown stem. Several insects perch on the sprig while others are seen as if looking from overhead, resting on the white background. The three largest insects perch along the top of the sprig, with an ivory-white butterfly with moss-green and black markings to the left, a black and golden, fuzzy bumblebee near the center, and a lemon-yellow butterfly with red antennae to our right. A tiny red insect, perhaps a ladybug without spots, sits on a leaf between the bee and yellow butterfly, and a small wasp-like insect rests on a leaf in at the lower left. Another mosquito-like insect alights on the surface nearby, next to a beetle with a honey-orange body with black, almost tiger-like stripes. A large cockroach sitting near the lower right corner has six spindly legs, a mahogany-colored abdomen, a black thorax, and tiny, black head. Spaced somewhat evenly across the top of the panel are a brick-red, winged insect to the left, a mint-green, beetle-like bug near a moth patterned with bone white and black, and a black, fly-like insect to our right. Lit from the upper left, the rosemary and insects cast shadows on the surface. The artist signed and dated the work with gray in the lower left corner: “J v. kessel . . f. Ao 1653.”

    Featured exhibition:

    Little Beasts: Art, Wonder, and the Natural World

    Now on view

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    6th and Constitution Ave NW 
    Washington, DC 20565

    Only have an hour to spend?

    We've got you covered.

  • Exhibitions & Events

    • Exhibitions
    • Calendar
    • Kid-Friendly Events
    A sprig of flowering rosemary lying against an ivory-white background and the twelve insects that surround it fills this horizontal painting. Stretching nearly the length of the composition with the cut end to our left, the rosemary has blunted, needle-like, gently curling teal-green leaves and small periwinkle-blue flowers along the ash-brown stem. Several insects perch on the sprig while others are seen as if looking from overhead, resting on the white background. The three largest insects perch along the top of the sprig, with an ivory-white butterfly with moss-green and black markings to the left, a black and golden, fuzzy bumblebee near the center, and a lemon-yellow butterfly with red antennae to our right. A tiny red insect, perhaps a ladybug without spots, sits on a leaf between the bee and yellow butterfly, and a small wasp-like insect rests on a leaf in at the lower left. Another mosquito-like insect alights on the surface nearby, next to a beetle with a honey-orange body with black, almost tiger-like stripes. A large cockroach sitting near the lower right corner has six spindly legs, a mahogany-colored abdomen, a black thorax, and tiny, black head. Spaced somewhat evenly across the top of the panel are a brick-red, winged insect to the left, a mint-green, beetle-like bug near a moth patterned with bone white and black, and a black, fly-like insect to our right. Lit from the upper left, the rosemary and insects cast shadows on the surface. The artist signed and dated the work with gray in the lower left corner: “J v. kessel . . f. Ao 1653.”

    Featured exhibition:

    Little Beasts: Art, Wonder, and the Natural World

    Now on view

  • Art & Artists

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    • Artists
    • Stories
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    Artle

    A refreshed experience for our puzzle game

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    3. Charles-Ferdinand de Bourbon, duc de Berry
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    Charles-Ferdinand de Bourbon, duc de Berry

    Berry Duc de

    1778 - 1820

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    We look across a dirt road or path at a tall, brick wall flanking an ornamented, stone gateway with a white, marble manor house in the distance in this horizontal landscape painting. Atop a low hill, the sunlit manor is outlined against a vivid, light blue sky with silvery-gray, fluffy clouds, which fills the top two-thirds of the composition. Statues line the gray, tiled roofline along the central section of the house, and more statues stand in the grassy lawn to either side. Closer to us, the gateway and people around it are cast into shadow. The arched gate is flanked by flat columns and is topped with a triangular pediment filled with relief sculpture of people and ornamental scrolls. A ramp leads up to the opening of the gate. Two men passing under the arch have long, brown hair and wear brimmed hats, long coats, breeches tied at the knee, and stockings. The man in front carries a walking stick. A woman wearing a white head covering and long, dark dress, carries a baby tied to her back and holds her hand out toward the men. Near the men, three brown dogs walk as one raises a leg against the gate, and a fourth sniffs at the side of the ramp where it meets the ground. The red brick wall is topped with a balustrade. To our left of the gate and on the far side of the wall, two men lean on the balustrade, angled in toward each other as if in conversation, near a fountain with a sculpted woman on an ornamental urn. Below them, at the foot of the brick wall, a man sits on a cracked piece of marble sculpted with ornamental designs in low relief. The man wears a royal-blue suit with golden yellow stockings and a tan, brimmed hat. He leans forward to touch the collar of a long-legged, slender dog while four other dogs stand, sit, and lie down nearby. To our right, the roofline of a large, red brick building is seen over the tops of a grove of trees on the far side of the wall. The painting style throughout is detailed and precise, so one could conceivably count the individual bricks in the wall, for instance.
    Jan van der Heyden, An Architectural Fantasy, c. 1670, oil on oak panel, Ailsa Mellon Bruce Fund, 1968.13.1

    An Architectural Fantasy

    An Architectural Fantasy

    Jan van der Heyden · c. 1670 · oil on oak panel ·  Accession ID  1968.13.1

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