Provenance

Joseph Daniel Böhm

Austrian, 1794 - 1865

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See all 37 works of art
This is an image depicting a group of robed figures in a room, gathered around a central point. Above them is a dove with outstretched wings, emitting rays of light. The figures are looking towards the dove.
Albrecht Dürer, Pentecost, probably c. 1509/1510, woodcut on laid paper, Rosenwald Collection, 1943.3.3667

Pentecost

Albrecht Dürer · probably c. 1509/1510 · woodcut on laid paper ·  Accession ID  1943.3.3667

This is a drawing of a figure pointing and surrounded by a group of people with palm branches. The scene captures a detailed and intricate line drawing, showcasing a central figure with a halo amidst a crowd. The architectural elements in the background include arches and curved walls, with foliage adding a naturalistic touch. The drawing style suggests a narrative or historical representation with fine linework and attention to the expressions and gestures of the figures.
Albrecht Dürer, Christ's Entry into Jerusalem, probably c. 1509/1510, woodcut on laid paper, Rosenwald Collection, 1943.3.3638

Christ's Entry into Jerusalem

Albrecht Dürer · probably c. 1509/1510 · woodcut on laid paper ·  Accession ID  1943.3.3638

This is a drawing of a group scene where one figure washes the foot of another seated figure. The illustration has detailed line work showing the folds of clothing and expressions of the figures. The setting is a dimly lit interior room with a textured ceiling and a chandelier with candles. The composition includes numerous figures around the central scene, each with distinct facial features and hair styles. The focus on fabric and human form suggests a Renaissance-inspired emphasis on anatomy and realism.
Albrecht Dürer, Christ Washing the Feet of the Disciples, probably c. 1509/1510, woodcut on laid paper, Rosenwald Collection, 1943.3.3641

Christ Washing the Feet of the Disciples

Albrecht Dürer · probably c. 1509/1510 · woodcut on laid paper ·  Accession ID  1943.3.3641

This drawing depicts a scene with a group of people gathered around a central figure wearing a crown of thorns. The central figure stands within an archway, bare-chested, in a resigned or pained stance. Surrounding the central figure are various individuals engaging in discourse or gestures. Three figures on the right are in conversation, facing the central scene, while another figure on the left also engages with the central figure. One person seated at the bottom holds a staff or pole and looks up towards the central figure. The composition utilizes shading and lines for texture and depth, emphasizing the emotional intensity of the scene. The background features architectural elements like arches and beams, setting a classical tone for the encounter.
Albrecht Dürer, Ecce Homo, probably c. 1509/1510, woodcut on laid paper, Rosenwald Collection, 1943.3.3651

Ecce Homo

Albrecht Dürer · probably c. 1509/1510 · woodcut on laid paper ·  Accession ID  1943.3.3651

This is a drawing of a figure being lowered from a cross. The image shows a group of figures around the central scene where a body is being taken down from a cross. The figure has long hair and a peaceful expression, with a ladder leaning against the cross. The other figures, wearing flowing garments, look solemn and focused on the task. The background features clouds and architectural elements, contributing to the somber atmosphere. The drawing is done in a detailed woodcut style with black lines and shading.
Albrecht Dürer, The Descent from the Cross, probably c. 1509/1510, woodcut on laid paper, Rosenwald Collection, 1943.3.3658

The Descent from the Cross

Albrecht Dürer · probably c. 1509/1510 · woodcut on laid paper ·  Accession ID  1943.3.3658

The image shows a shirtless, bearded man standing centrally, surrounded by several other figures. The man is standing slightly off-center, with one hand raised and pointing upwards, while the other hand is at his side. The surrounding figures are cloaked in long garments, except for their feet. They appear engaged with the central figure, some leaning towards him and gesturing. The background includes an architectural arch or alcove framing the group, with detailed engravings adding texture. A halo emanates from the central figure's head.
Albrecht Dürer, Doubting Thomas, probably c. 1509/1510, woodcut on laid paper, Rosenwald Collection, 1943.3.3665

Doubting Thomas

Albrecht Dürer · probably c. 1509/1510 · woodcut on laid paper ·  Accession ID  1943.3.3665

This is a detailed drawing of a biblical scene. The image depicts a group of figures in expressive gestures, with some figures mournful and others engaged in various activities around a central figure. The background features intricate trees, creating a contrast with the foreground's emotional turmoil.
Albrecht Dürer, The Lamentation, probably c. 1509/1510, woodcut on laid paper, Rosenwald Collection, 1943.3.3659

The Lamentation

Albrecht Dürer · probably c. 1509/1510 · woodcut on laid paper ·  Accession ID  1943.3.3659

The image shows two figures in a room. One figure has large, feathered wings and is standing with one hand raised, facing a seated figure with flowing hair and hands together. Above the seated figure is a dove surrounded by rays of light. In the background, an architectural frame is visible. In the upper part of the image, a small scene shows a figure on a cloud with symbols. The scene is detailed with various lines and shading, resembling a woodcut or engraving technique, suggesting an indoor setting with potential divine significance.
Albrecht Dürer, The Annunciation, probably c. 1509/1510, woodcut on laid paper, Rosenwald Collection, 1943.3.3635

The Annunciation

Albrecht Dürer · probably c. 1509/1510 · woodcut on laid paper ·  Accession ID  1943.3.3635

This is a drawing showing a group of cloaked figures gathered around an open tomb where a figure lies. The setting is detailed and textured, with a thorny crown on the ground. The scene is dramatic and shadowed, conveying tension and reverence.
Albrecht Dürer, The Deposition, probably c. 1509/1510, woodcut on laid paper, Rosenwald Collection, 1943.3.3660

The Deposition

Albrecht Dürer · probably c. 1509/1510 · woodcut on laid paper ·  Accession ID  1943.3.3660

A blue and white porcelain bowl, fruit, wine glasses, and a woven rug are gathered on a tabletop in front of a black background in this vertical still life painting. Light strongly illuminates the objects, creating a stark contrast to the dark background. At the center of the composition, the porcelain bowl is tipped so its wide brim rests on the rug bunched on the tabletop to our left. The rug is painted with a pattern in earthy beige and chocolate brown, denim blue, bronze, and cream white. A piece of roughly textured orange fruit resembling a tiny pumpkin has a stem with a small white blossom growing from its top. The fruit sits in the bowl alongside a vivid yellow lemon that has been partially peeled. The top has been cut from the lemon to form a long strip that curls onto the table, and the pulp glistens in the light. Two peaches sitting in front of the bowl are painted with tones of silvery ivory and burnt orange. The handle of a utensil juts out from between the peaches and lemon peel. Two glasses and a slender carafe are arranged in a row behind the fruit and bowl. The glass to the left has a round bowl over a thick, columnar stem, and the tall, gently flaring glass carafe behind the orange fruit are both half-filled with pale gold liquid. A drinking glass with a wide, shallow, scalloped-edged cup is mostly hidden behind the porcelain bowl, to our right.
Willem Kalf, Still Life, c. 1660, oil on canvas, Chester Dale Collection, 1943.7.8

Still Life

Willem Kalf · c. 1660 · oil on canvas ·  Accession ID  1943.7.8

Bibliography

1913

  • Frimmel, Theodor von. Lexicon der Wiener Gemaeldesammlungen. 2 vols. Munich, 1913-1914:I:189-197