Provenance

Mr. and Mrs. Frank R. Eyerly

Eyerly, Frank R. and Jeannette

Explore selected works

See all 20 works of art
The image displays a collection of geometric and curvilinear shapes with solid lines outlining the composition. Abstract forms are interwoven within the fluid lines and patches of color. A figure on the left appears to hold a vertical pole, while another figure on the right rests near a brightly colored circular area. In the middle, angular lines resemble a winding path leading to water, suggesting a landscape. The blending of shapes creates ambiguity, allowing for interpretation as an abstract representation.
Wassily Kandinsky, Landscape with Figures and a Crucifix, 1911, woodcut in orange, blue, and black on laid paper, Gift of Frank R. and Jeannette H. Eyerly, 1994.63.3

Landscape with Figures and a Crucifix

Wassily Kandinsky · 1911 · woodcut in orange, blue, and black on laid paper ·  Accession ID  1994.63.3

The drawing depicts a group of figures wearing striped clothing engaged in lively interaction in a bustling setting. The art features bold, angular lines and exaggerated features, conveying movement. The scene suggests intense conversation or altercation among the figures. The setting includes architectural elements and an urban energy, possibly depicting city life or a marketplace.
Max Beckmann, Ice Skating (Eislauf), 1922, lithograph in black on light pink japan paper, Gift of Frank R. and Jeannette H. Eyerly, 1995.77.3

Ice Skating (Eislauf)

Max Beckmann · 1922 · lithograph in black on light pink japan paper ·  Accession ID  1995.77.3

The image shows the upper half of a man sitting at a table, facing the viewer directly. He is positioned slightly to the right side of the image and leans slightly forward, resting his right arm on the table. His facial features include a broad face, pronounced cheekbones, and a straight-lined mouth. He has curly hair beneath a wide-brimmed hat that shadows part of his face. The man wears a dark, long-sleeved garment with a visible collar. On the table in front of him lie some papers or a book, which he holds with his right hand. Light enters from the left, through an open window that features detailed shading and an outdoor view of trees and a building in the distance. The room behind the man is dark, with the light from the window highlighting his features and the papers.
Rembrandt van Rijn, Self-Portrait Etching at a Window, 1648, etching, drypoint, and engraving on laid paper, Gift of Frank R. and Jeannette H. Eyerly, 1994.63.1

Self-Portrait Etching at a Window

Rembrandt van Rijn · 1648 · etching, drypoint, and engraving on laid paper ·  Accession ID  1994.63.1

The image shows an array of shapes and lines in an abstract scene. In the foreground, there are dark angular shapes resembling hat silhouettes with faintly sketched faces. The background consists of a pattern of scattered green brushstrokes on a light backdrop. A rich blue border at the top hints at a sky or horizon. The composition blends familiar objects like hats, leaves, and faces with an abstract quality.
Edouard Vuillard, Four Ladies with Fancy Hats, 1892/1893, watercolor over graphite on wove paper, Gift of Mr. and Mrs. Frank Eyerly, Mr. and Mrs. Arthur G. Altschul, Malcolm Wiener, and the Samuel H. Kress Foundation, 1987.12.1

Four Ladies with Fancy Hats

Edouard Vuillard · 1892/1893 · watercolor over graphite on wove paper ·  Accession ID  1987.12.1

The image shows a line drawing of a stylized profile view of a person. The figure is facing left with a slightly downward head tilt and a hand raised to the mouth. The facial features are simple with large circular eyes, a prominent nose, and bald head. The ears are depicted as curves and the clothing as diagonal lines. The background features horizontal lines for texture.
Paul Klee, Old Man Reckoning (Rechnender Greis), 1929, etching in black on japan paper, Gift of Frank R. and Jeannette H. Eyerly, in Honor of the 50th Anniversary of the National Gallery of Art, 1991.157.1

Old Man Reckoning (Rechnender Greis)

Paul Klee · 1929 · etching in black on japan paper ·  Accession ID  1991.157.1

Created with black lines and hatching on cream-white paper, a person’s disembodied but properly placed eyes, nose, and lips float between a fedora and a three-piece suit. Short horizontal lines create a border around the perimeter of the composition. The artist numbered the print 52/100 in the lower left margin and signed it in graphite in the right corner, “Magritte.”
René Magritte, Paysage de Baucis (Landscape of Baucis), 1966, aquatint and lift-ground aquatint in black on wove paper, Gift of Frank R. and Jeannette H. Eyerly, 1994.63.5

Paysage de Baucis (Landscape of Baucis)

René Magritte · 1966 · aquatint and lift-ground aquatint in black on wove paper ·  Accession ID  1994.63.5

This is a painting of multiple nude figures in a natural setting. The scene shows the figures lounging and standing near the water's edge in a serene environment. The figures are depicted with soft lines, gentle shading, and a relaxed sense of movement and interaction. The background includes trees and foliage with brushstrokes indicating a lush atmosphere. The color palette consists of soft shades of blue, green, and earthy tones, contributing to the tranquil mood of the painting. The style is reminiscent of Paul Cézanne, known for his exploration of the human form and integration of landscape.
Paul Cezanne, The Bathers (Small Plate), 1897, color lithograph on laid paper, Gift of Frank R. and Jeannette H. Eyerly, 1995.77.2

The Bathers (Small Plate)

Paul Cezanne · 1897 · color lithograph on laid paper ·  Accession ID  1995.77.2

This drawing shows a person sitting, their torso facing the left, their head tilted backwards. Their eyes are closed, and their mouth is set in a neutral expression. Their hair is short and straight. The person's face is drawn clearly, but their body and the object they sit on are sketched in light lines, making them hard to see. The person appears unclothed. The background is plain beige paper with some small spots of darker discoloration.
Balthus, Nude Girl Stretched Out on a Chair [recto], 1948, graphite on brown wove paper, Gift of Frank R. and Jeannette H. Eyerly, in Honor of the 50th Anniversary of the National Gallery of Art, 1990.69.1.a

Nude Girl Stretched Out on a Chair [recto]

Balthus · 1948 · graphite on brown wove paper ·  Accession ID  1990.69.1.a

The image is a pencil sketch on a blank paper depicting two human figures. The figure on the left is seated with another figure, possibly a child, across their lap. The seated person has short hair. The standing figure on the right is shown from head to toe, wearing minimal clothing like shorts, and holding a circular object above their head with both hands. Facial features are not distinctly visible due to light sketching. The background is simple with some smudges, and the sketch appears unfinished.
Balthus, Figure Studies [verso], 1948, black chalk on wove paper, Gift of Frank R. and Jeannette H. Eyerly, in Honor of the 50th Anniversary of the National Gallery of Art, 1990.69.1.b

Figure Studies [verso]

Balthus · 1948 · black chalk on wove paper ·  Accession ID  1990.69.1.b

This is a drawing of an interior scene featuring multiple figures. The drawing depicts a dimly-lit room filled with people gathered around tables. The style is loose and sketchy, with the use of brown tones. The room appears to be a bar or a social gathering place, with figures wearing hats and coats. The composition is dense, with lines creating movement amidst the crowd. Details such as bottles or mugs on the tables emphasize the social setting. Light and shadow contribute to the overall mood and setting of the piece.
John Sloan, McSorley's, c. 1915, monotype in brown, Gift of Frank and Jeannette Eyerly, 1984.95.1

McSorley's

John Sloan · c. 1915 · monotype in brown ·  Accession ID  1984.95.1