Provenance

Christopher Lennox-Boyd

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The image shows a portrait of a person standing with one arm resting on a ledge and the other holding a lit candle. They have a serene expression and full, curly hair. The person is wearing an elegant robe and a high-collared shirt, with decorative elements. The background includes architectural elements like a column and classical sculptures.
John Smith, Godfried Schalcken, c. 1694, mezzotint on laid paper, Paul Mellon Fund, 2001.118.45

Godfried Schalcken

John Smith · c. 1694 · mezzotint on laid paper ·  Accession ID  2001.118.45

The image displays a portrait of a person from the chest up, facing forward with a slight turn to the right. The individual has distinct facial features and long, curly, white hair. They wear a dark coat with a vest, a white neck scarf, and the clothing has visible buttons. The background is a shaded oval shape. Below the portrait, there is text in a decorative script that includes the name "Edmundus Halley."
George White, Edmund Halley, 1735, mezzotint on laid paper, Paul Mellon Fund, 2001.118.79

Edmund Halley

George White · 1735 · mezzotint on laid paper ·  Accession ID  2001.118.79

The woman depicted in the artwork is shown from the knees up, seated with her body slightly turned to the left. Her head is turned toward the viewer, with a direct gaze. She has curly, voluminous hair framing her face, with softly rendered facial features. She is dressed in a lavish dress with a low neckline, decorated with buttons along the front, and puffed sleeves gathering at her shoulders. The dress appears to be made of a luxurious fabric, with folds and drapes. She rests her right hand in her lap, while her left arm is positioned on the armrest beside her. On both wrists, she wears a pearl bracelet. The background features a drapery cascading from above, with a window or opening showing a garden landscape to the right. The garden includes trees and a distant view of a fountain surrounded by shrubbery.
Jan Verkolje I, Madam Parson, 1683, mezzotint on laid paper, Paul Mellon Fund, 2001.118.66

Madam Parson

Jan Verkolje I · 1683 · mezzotint on laid paper ·  Accession ID  2001.118.66

The image shows a woman seated with her body slightly turned to the left, gazing at the viewer. She has soft facial features, arched eyebrows, and a calm expression. Her hair is styled in loose curls framing her face and falling to her shoulders. She wears a sumptuous dress with voluminous sleeves and draped fabric. The dress has a sheen, detailed folds, and a rich texture. One hand rests on her lap, and the other grips the folds of her dress. The background features trees and a softly lit sky, hinting at dusk or dawn.
Alexander Browne, The Lady Essex Finch, c. 1680, mezzotint on laid paper, Paul Mellon Fund, 2001.118.3

The Lady Essex Finch

Alexander Browne · c. 1680 · mezzotint on laid paper ·  Accession ID  2001.118.3

The image features a man standing confidently in a natural setting. He is posed with one hand on his hip and the other resting on a rifle or musket standing upright beside him. The man has a stoic expression with high cheekbones and a strong jawline. His hair is styled pulled back with loose strands framing his face. He is dressed in a loincloth and draped cloak with decorative edges, and fabric tied around his feet. The man has intricate body paint or tattoos on his face and torso, fur or pom-pom-like ornaments at each side of his head, and a pouch hanging from his belt. A wolf-like creature is shown beside him, appearing to growl. The background is a dense forest with trees, bushes, and a small figure in the distance.
John Simon, Sa Ga Yeath Qua Pieth Tow, King of the Maquas, after 1710, mezzotint on laid paper, Paul Mellon Fund, 2001.118.43

Sa Ga Yeath Qua Pieth Tow, King of the Maquas

John Simon · after 1710 · mezzotint on laid paper ·  Accession ID  2001.118.43

The image shows a person standing in a forest setting. The individual has a confident stance, holding a bow. They have distinct facial features with markings, tied hair, and wear a cloak, belt, and laced footwear. A canine companion stands by their feet. The background includes dense foliage, trees, and another human figure engaging in an activity.
John Simon, Ho Nee Yeath Taw No Row, King of the Generethgarick, after 1710, mezzotint on laid paper, Paul Mellon Fund, 2001.118.41

Ho Nee Yeath Taw No Row, King of the Generethgarick

John Simon · after 1710 · mezzotint on laid paper ·  Accession ID  2001.118.41

The image depicts a person with curly hair, standing facing the viewer. The individual is wearing a cloak with ermine fur, and the background is a dark oval within a rectangular frame.
John Smith, John Hay, Earl of Tweeddale, c. 1710, mezzotint on laid paper [proof], Paul Mellon Fund, 2001.118.49

John Hay, Earl of Tweeddale

John Smith · c. 1710 · mezzotint on laid paper [proof] ·  Accession ID  2001.118.49

The image shows an upper-body portrait of a seated woman. She is positioned facing slightly to her right, with her head tilted gently towards her left shoulder while looking at the viewer. The woman has soft facial features, with a gentle smile and prominent eyes. Her hair is styled in loose curls that frame her face and is adorned with an elaborate hat that features decorative elements like ribbons and possibly feathers. She is wearing a sheer, flowing fabric draped over her shoulders and upper body, and a dress with visible buttons down the front. Around her wrist, she wears a string of beads or pearls. The background is a dark, textured curtain or drape that contrasts with the lighter tones of her attire and skin.
John Raphael Smith, Love in Her Eyes Sits Playing, 1778, mezzotint on laid paper, Gaillard F. Ravenel and Frances P. Smyth-Ravenel Fund, 2002.65.8

Love in Her Eyes Sits Playing

John Raphael Smith · 1778 · mezzotint on laid paper ·  Accession ID  2002.65.8

The image shows a torso-length portrait of a man seated with his body facing slightly to the side, but his head turned towards the viewer. He has a serene expression with distinguished facial features including prominent cheekbones and an aquiline nose. His hair is light, shoulder-length, and wavy, framing his face gently. The man is dressed in a robe or loose-fitting garment that drapes over his shoulder, giving the impression of formality. The clothing beneath appears to be a high-collared shirt. There is no visible jewelry or objects in his hands. The background is plain with an oval shape encircling the subject. At the bottom of the image is a dedication that reads: “Johannes Locke Ob. A. D. 1704. Ætat. 72.”
John Smith, John Locke, 1721, mezzotint on laid paper, Paul Mellon Fund, 2001.118.50

John Locke

John Smith · 1721 · mezzotint on laid paper ·  Accession ID  2001.118.50

The image shows a scene with a group of figures under a canopy of trees. The perspective is slightly elevated and frontal, with no distinct horizon line due to the dense foliage. The artwork features intricate, fine lines and cross-hatching for detailed textures. The color palette is monochromatic with shades of brown. There are figures reclining and seated on the left and more figures under a tree on the right. In the center, two figures are engaged in a dance, with one holding a tambourine. The background is filled with trees and branches, creating a textured natural setting.
Willem Basse, Bacchanal with a Dancing Couple in the Center, etching with engraving on laid paper, Ailsa Mellon Bruce Fund, 2004.97.1

Bacchanal with a Dancing Couple in the Center

Willem Basse · · etching with engraving on laid paper ·  Accession ID  2004.97.1