Provenance

DC Moore Gallery

Mr. Darius Driskell c/o DC Moore Gallery

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Jacob Lawrence, Still Life With Masks, 1959, brush and black ink over graphite on wove paper, Corcoran Collection (Museum Purchase with funds from the Women's Committee of the Corcoran Gallery of Art), 2015.19.3250

Still Life With Masks

Jacob Lawrence · 1959 · brush and black ink over graphite on wove paper ·  Accession ID  2015.19.3250

This painting displays a large circular shape filled with swirling lines and vibrant color. Shapes within the circle suggest facial features, including eyes, a nose, a row of teeth, and two asymmetrical ears. Most of these shapes are in shades of white and tan, with some spots of red and green. Below the circle is a rectangular shape that looks like a T.V. or alarm clock. Within it, intricate white lines weave together in a complex pattern that is reminiscent of a human body, with the arms outstretched to either side. Parts of these shapes also suggest a face located on the lower part of the torso. The background of the painting is in bright shades of pink and purple, with some highlights of orange and dark blue.
David C. Driskell, Current Forms: Yoruba Circle, 1969, acrylic on canvas, Purchased with support from the Ford Foundation, 2022.1.1

Current Forms: Yoruba Circle

David C. Driskell · 1969 · acrylic on canvas ·  Accession ID  2022.1.1

The image shows a series of swirling, interconnecting lines and shapes filling the page. The arrangement of lines appears to suggest clusters of figures seated at tables or in chairs. The interconnected shapes flow together in a way that might evoke a crowded and dynamic scene, such as a busy café or social setting.
Isabel Bishop, Isabel Bishop Early Sketchbook, c. 1928-1936, 23 drawings in various media on 18 leaves of wove paper, Gift of the Collectors Committee, 2002.41.1.c

Isabel Bishop Early Sketchbook

Isabel Bishop · c. 1928-1936 · 23 drawings in various media on 18 leaves of wove paper ·  Accession ID  2002.41.1.c

This is a drawing of abstract forms and shapes on cream-colored paper. The black ink linework suggests figures or objects in a loose and spontaneous manner. The central mass of lines converges towards the top of the paper, with additional forms sketched below. Each form is abstracted with intricate lines conveying motion or partially recognizable figures. The drawing feels expressive and unfinished, with an essence of preliminary sketches or doodles.
Isabel Bishop, Isabel Bishop Early Sketchbook, c. 1928-1936, 23 drawings in various media on 18 leaves of wove paper, Gift of the Collectors Committee, 2002.41.1.b

Isabel Bishop Early Sketchbook

Isabel Bishop · c. 1928-1936 · 23 drawings in various media on 18 leaves of wove paper ·  Accession ID  2002.41.1.b

This is a drawing of various abstract figures and scenes. The page contains multiple quick sketches, each depicting groups of figures and possibly architectural elements in a loose, impressionistic style. The forms are sketched with minimal detail, focusing more on the fluidity of lines and the overall composition than on precision. In the lower left corner, a group appears to be depicted sitting, with a background suggesting an urban setting. The drawing captures a sense of movement and social interaction with simple yet expressive strokes.
Isabel Bishop, Isabel Bishop Early Sketchbook, c. 1928-1936, 23 drawings in various media on 18 leaves of wove paper, Gift of the Collectors Committee, 2002.41.1.t

Isabel Bishop Early Sketchbook

Isabel Bishop · c. 1928-1936 · 23 drawings in various media on 18 leaves of wove paper ·  Accession ID  2002.41.1.t

The image is a sketchbook page featuring several sketches of figures, mostly men in seated positions. The sketches depict full-body representations of individuals sitting on benches with relaxed postures. The figures are drawn in a loose, flowing style, lacking detailed facial features, and outlined with heads and arms in various positions. One figure has a hat, and clothing is suggested with sketchy lines showing bulky forms, possibly coats or jackets. A man with short hair is depicted. The setting hints at a park or open area, with benches and loosely sketched greenery in the background, maintaining focus on the seated figures.
Isabel Bishop, Isabel Bishop Early Sketchbook, c. 1928-1936, 23 drawings in various media on 18 leaves of wove paper, Gift of the Collectors Committee, 2002.41.1.m

Isabel Bishop Early Sketchbook

Isabel Bishop · c. 1928-1936 · 23 drawings in various media on 18 leaves of wove paper ·  Accession ID  2002.41.1.m

The image depicts a sketch of two individuals from the knees up, standing closely together. Both are slightly inclined towards one another, with roughly outlined facial features and short hair suggested by quick strokes. The person on the left appears to be wearing a jacket with a collared shirt, while the individual on the right is wearing similar attire with a hat. The sketch is done in dark ink or pencil, with a loosely drawn rectangular border framing the figures. It is placed on a blank, slightly stained page in a sketchbook, with some yellowing, smudges, and age marks.
Isabel Bishop, Isabel Bishop Early Sketchbook, c. 1928-1936, 23 drawings in various media on 18 leaves of wove paper, Gift of the Collectors Committee, 2002.41.1.u

Isabel Bishop Early Sketchbook

Isabel Bishop · c. 1928-1936 · 23 drawings in various media on 18 leaves of wove paper ·  Accession ID  2002.41.1.u

This is a drawing of various seated and standing figures on a page. The drawing features multiple sketches of figures in a loose, expressive style. The figures are roughly sketched with black ink, conveying a sense of casual observation or quick study. Some figures are standing, others are seated in various postures, and one appears to be lying down. The artist uses bold, quick strokes to capture the essence of each pose, resulting in a dynamic composition that suggests interaction, rest, or contemplation. The use of line creates a sense of motion, as if the figures are sketched in the moment, adding a lively and energetic quality to the drawing.
Isabel Bishop, Isabel Bishop Early Sketchbook, c. 1928-1936, 23 drawings in various media on 18 leaves of wove paper, Gift of the Collectors Committee, 2002.41.1.o

Isabel Bishop Early Sketchbook

Isabel Bishop · c. 1928-1936 · 23 drawings in various media on 18 leaves of wove paper ·  Accession ID  2002.41.1.o

This is a drawing of a figure standing next to a tall structure or pillar with a small statue on top. There are abstract shapes and forms on the right, along with preliminary lines for other figures and objects. The lines are drawn loosely and quickly. The composition is simplistic with empty space on the page.
Isabel Bishop, Isabel Bishop Early Sketchbook, c. 1928-1936, 23 drawings in various media on 18 leaves of wove paper, Gift of the Collectors Committee, 2002.41.1.p

Isabel Bishop Early Sketchbook

Isabel Bishop · c. 1928-1936 · 23 drawings in various media on 18 leaves of wove paper ·  Accession ID  2002.41.1.p

This is a drawing of abstract sketches and rough figures. The drawing is a collection of various doodles or preliminary sketches drawn in a casual, spontaneous manner across a sheet of paper. In the upper-left corner, there are outlines of a bottle and a bowl, along with ink blots. Below, the outline of a person in a standing pose can be seen. In the center and right sections, there are rough, overlapping lines and shapes resembling human figures grouped together. These forms are sketched loosely. The drawing seems to explore human figures in space, contemplating composition or form. The drawing is likely a study or a practice sheet, showcasing artistic exploration.
Isabel Bishop, Isabel Bishop Early Sketchbook, c. 1928-1936, 23 drawings in various media on 18 leaves of wove paper, Gift of the Collectors Committee, 2002.41.1.g

Isabel Bishop Early Sketchbook

Isabel Bishop · c. 1928-1936 · 23 drawings in various media on 18 leaves of wove paper ·  Accession ID  2002.41.1.g