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Harris T. Schrank Fine Prints

Harris T. Schrank Fine Prints

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Daniel Hopfer, Three German Soldiers Armed with Halberds, c. 1510, etched iron plate, Ruth and Jacob Kainen Memorial Fund, 2012.85.1

Three German Soldiers Armed with Halberds

Daniel Hopfer · c. 1510 · etched iron plate ·  Accession ID  2012.85.1

The image shows a landscape with a horizon on the upper third. A large ancient structure or rock formation is in the center. The structure has detailed textures created with fine lines and crosshatching. The color palette is monochromatic with black, gray, and white. Two figures are near a tree on the right, and two other smaller figures are in the distance near the structure. A cursive note is in the bottom right corner.
Giovanni Battista Piranesi, Sepolcro delle trè fratelli Curiati in Albano, 1748, etching on laid paper, Edward E. MacCrone Fund and the Eugene L. and Marie-Louise Garbáty Fund, 2002.66.1.28

Sepolcro delle trè fratelli Curiati in Albano

Giovanni Battista Piranesi · 1748 · etching on laid paper ·  Accession ID  2002.66.1.28

The image shows ancient architectural ruins, likely an archway, viewed from a slightly elevated perspective. The horizon is low, with the arch at the center, surrounded by overgrown foliage and weathered stone surfaces. The artwork features fine lines and cross-hatching to depict texture on the stonework and vegetation, using black and white for contrast and shadow. The arch's detailed relief work is visible up close, while small human figures offer scale, leading the eye to distant structures or trees. The color palette is monochromatic, emphasizing textures with black ink against a lighter background.
Giovanni Battista Piranesi, Arco di Druso, 1748, etching on laid paper, Edward E. MacCrone Fund and the Eugene L. and Marie-Louise Garbáty Fund, 2002.66.1.8

Arco di Druso

Giovanni Battista Piranesi · 1748 · etching on laid paper ·  Accession ID  2002.66.1.8

The image shows an ancient architectural ruin with a dominating arch and intricate details. More structures are visible in the background, continuing the historic setting. The artistic style features detailed etching lines and a monochromatic palette. Small figures and sections of the ruin suggest scale and add life to the scene. The overall visual impact is dramatic and atmospheric, capturing the beauty of the ancient monument against the urban environment.
Giovanni Battista Piranesi, Arco di Rimino fabbricato da Augusto, 1748, etching on laid paper, Edward E. MacCrone Fund and the Eugene L. and Marie-Louise Garbáty Fund, 2002.66.1.18

Arco di Rimino fabbricato da Augusto

Giovanni Battista Piranesi · 1748 · etching on laid paper ·  Accession ID  2002.66.1.18

The image shows an expansive scene of ancient ruins and natural surroundings, viewed from a slightly elevated perspective. The horizon is in the upper third of the image, featuring distant structures and a line of trees outlining the skyline. The etching style is defined by intricate lines and hatching that detail the architecture and foliage. The color palette consists of shades of black and gray to create contrast and depth. Closest to us are ancient ruins and a landscape leading to a winding path, with more ruins and vegetation extending into the distance. In the background, more ruins are partially obscured by trees, blending into the sky.
Giovanni Battista Piranesi, Parte dell'antica Via Appia fuori de Porta S. Sebastiano, 1748, etching on laid paper, Edward E. MacCrone Fund and the Eugene L. and Marie-Louise Garbáty Fund, 2002.66.1.20

Parte dell'antica Via Appia fuori de Porta S. Sebastiano

Giovanni Battista Piranesi · 1748 · etching on laid paper ·  Accession ID  2002.66.1.20

This is a drawing of an ornate decorative document. The drawing features a central block of text, meticulously handwritten in a calligraphic style. Surrounding the text are elaborate decorative elements, including floral motifs and swirling waves at the top. To the left, there is an oval cartouche containing a portrait of a face in profile framed with foliage. On the right, there are bundles of sticks depicted. The overall composition is balanced and harmonious, showcasing intricate detailing and a sense of classical artistry reminiscent of 18th-century European documents.
Giovanni Battista Piranesi, Dedication, 1748, etching on laid paper, Edward E. MacCrone Fund and the Eugene L. and Marie-Louise Garbáty Fund, 2002.66.1.2

Dedication

Giovanni Battista Piranesi · 1748 · etching on laid paper ·  Accession ID  2002.66.1.2

The image shows a bird's-eye view of a rural scene with ruins and distant landscape. The intricate 18th-century style with black and white color palette emphasizes textural detail and contrast. Remnants of architectural elements and figures can be seen among scattered ruins. A wall with foliage is in the foreground, while the background shows a rugged terrain with more ruins and vegetation.
Giovanni Battista Piranesi, Sepulcro de famiglia de' Scipioni, 1748, etching on laid paper, Edward E. MacCrone Fund and the Eugene L. and Marie-Louise Garbáty Fund, 2002.66.1.19

Sepulcro de famiglia de' Scipioni

Giovanni Battista Piranesi · 1748 · etching on laid paper ·  Accession ID  2002.66.1.19

This is a drawing of an elaborately decorated title page. The drawing features an ornate border surrounding a block of Italian text. The title page is dedicated to Giovanni Bottari and mentions Giambattista Piranesi. The border includes classical elements such as floral patterns, architectural details, and an emblem with a profile that resembles a cameo. Additionally, there is a pair of sculptural hands grasping onto a leafy garland at the right. The artistry of the detailed frame draws attention to the central text, emphasizing its significance.
Giovanni Battista Piranesi, Frontispiece, 1748, etching on laid paper, Edward E. MacCrone Fund and the Eugene L. and Marie-Louise Garbáty Fund, 2002.66.1.1

Frontispiece

Giovanni Battista Piranesi · 1748 · etching on laid paper ·  Accession ID  2002.66.1.1

The image is an etching of a classic architectural scene with an elevated perspective, offering a broad view of the structures. The horizon is visible along the distant architectural lines and beyond the archway. The etching features precise linework detailing the textures and forms of ancient stone structures. The color palette is monochromatic, using black and white for depth and detail. The grand arch of Settimio Severo is prominent in the foreground, with intricate carvings and deteriorating stones. Various ancient buildings with Roman architectural features like columns and arched windows are visible in the distance. The sky has a few clouds, creating a sense of openness, and people are scattered throughout the scene for scale.
Giovanni Battista Piranesi, Arco di Settimio Severo, 1748, etching on laid paper, Edward E. MacCrone Fund and the Eugene L. and Marie-Louise Garbáty Fund, 2002.66.1.13

Arco di Settimio Severo

Giovanni Battista Piranesi · 1748 · etching on laid paper ·  Accession ID  2002.66.1.13

This is a drawing of a page with various inscriptions. The central area is filled with text in an elegant script. The border has intricate flourishes, floral motifs, and a coat of arms with a profile portrait. The bottom part includes a list titled "Indice delle Tavole contenute in quest’Opera" with numbered items in a decorative font.
Giovanni Battista Piranesi, Text Plate, 1748, etching on laid paper, Edward E. MacCrone Fund and the Eugene L. and Marie-Louise Garbáty Fund, 2002.66.1.4

Text Plate

Giovanni Battista Piranesi · 1748 · etching on laid paper ·  Accession ID  2002.66.1.4