Provenance

Permain

British, active late 19th century and early 20th century

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Two nude young boys and a young woman holding a standing infant are tightly grouped around a table, almost filling this vertical painting. They all have pale skin tinged with pink. The woman is shown from the knees up, and she stands at the front, right corner of the table, which spans most of the composition. Facing our left in profile, her auburn-brown hair is pulled back and wrapped with a slate-blue ribbon, and is wound around the crown of her head. She looks down with dark eyes under thin brows. She has a long nose, and her full, dusty rose-pink lips are closed. Two thin cords hang like necklaces just above the neckline of her carnation-pink gown, which is unbuttoned to reveal one bare breast. The plump infant stands at the center of the group. The woman holds him close to her body, but he turns his face away to look at the young boy on our left. That child faces our right in profile and has wavy, copper-red hair. He is nude except for a blue sash, which is tied once tightly around his waist and then wrapped so a loose hoop hangs down over his belly. His right knee, closer to us, rests on an olive-green cloth crumpled on the table beneath him. He leans back slightly, with his belly pushed forward, and looks down at the infant while pointing to us with his closest hand. A third child, with unruly honey-blond hair, stands facing us from the back of the group, so is seen between the woman and the pointing child. The child at the back of the group touches the woman’s shoulder with one hand, looking straight at us with mouth slightly open. A burgundy-red sash is visible around the waist. Near the bottom edge of the painting, the tabletop is covered with a pumpkin-orange cloth striped with plum-purple and black. A book rests near the baby’s feet and is partially covered by the green cloth to our left. A peacock-blue cloth is bunched on the right half of the table and hangs off that side, obscuring the woman’s knees. The background is painted with broad strokes and swirls of brown and flint blue, with flickers of red and gold in the upper right.
Andrea del Sarto, Charity, before 1530, oil on panel, Samuel H. Kress Collection, 1957.14.5

Charity

Andrea del Sarto · before 1530 · oil on panel ·  Accession ID  1957.14.5

Warm light coming from the left illuminates four men standing in pairs on either side of a dirt road that winds between rocky, tree-studded hills and a misty river in this almost square landscape painting. The trees have tall, gnarled, brown trunks with high canopies of sage, olive, and forest green while others have golden yellow leaves. The road curves in a C-shape along the foot of the hills that rise up the right side of the composition, their craggy faces painted in warm tones of sand, fawn, and caramel brown. Closest to us is rocky terrain covered with scrubby plants and two moss-covered trees growing next to a broken tree trunk that separates us from the men. The trees are just right of center and divide the scene vertically. The two men to the right of the tree rest among boulders next to the road. One sits and the other stands, and each holds a tall staff. A light-gray, bearded goat lies to the right of the men and closer inspection reveals another grazing nearby. On the left, one man sitting astride a donkey turns his head away from us to look at the man standing just behind him. The men are all simply dressed in knee-length breeches, shirts, and sleeveless coats in shades of brick red, ivory, and tan, or ginger brown, and wear tall, wide brimmed hats. A man driving cattle approaches them from farther back along the road. Beyond the tall trees near the center, the hills slope down to a winding river fringed with trees. The river flows into the distance, past headlands jutting into the water, and ends at a tall mountain rising from the low horizon. A thin wash of butter yellow creates a hazy glow over the river, headlands, and distant mountain. A pale robin's egg-blue sky scattered with petal-pink and dusty rose-colored clouds fills the top of the scene.
Jan Both, An Italianate Evening Landscape, c. 1650, oil on canvas, Patrons' Permanent Fund, 2000.91.1

An Italianate Evening Landscape

Jan Both · c. 1650 · oil on canvas ·  Accession ID  2000.91.1