Provenance

Dr. Erwin Rosenthal

Swiss, 1889 - 1981

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See all 20 works of art
This is a painting of a crucifixion scene. The painting depicts a central figure on a cross, flanked by figures on either side, set against a rich gilded background with a star pattern around the border. The central figure is draped in a blue cloth around the waist and is suspended with arms outstretched. The figures on either side appear to be in various states of mourning or reverence, some dressed in robes, with two armored figures present as well. Below, two kneeling figures hold a scroll with inscriptions. The use of blue and gold colors, as well as the intricate pattern, lends the work a sense of opulence and solemnity. This is in the style of medieval manuscript illumination.
French 13th Century, The Crucifixion, c. 1290/1295, miniature on vellum, Rosenwald Collection, 1949.5.84

The Crucifixion

French 13th Century · c. 1290/1295 · miniature on vellum ·  Accession ID  1949.5.84

This is a photograph of a medieval manuscript page. The image shows an illuminated manuscript spread across two pages, featuring text in dark brown ink written in a formal, gothic script, with red and blue embellishments and paragraph markers. The left page contains a large, ornate initial 'I' in gold, detailed with intricate geometric patterns and spirals that extend into the margins. Below the large initial is a historiated letter, containing a small illustration of two figures in medieval attire conversing, surrounded by a golden background within the letter. The manuscript appears to be made on vellum or parchment, evident from the translucency and texture of the pages. The composition demonstrates the precision and artistry of medieval calligraphy and illumination, reflecting the labor and aesthetic sensitivity of scribes from that period.
French 13th Century, Joshua before the Lord, c. 1270, tempera and gold leaf on vellum, Rosenwald Collection, 1946.21.6

Joshua before the Lord

French 13th Century · c. 1270 · tempera and gold leaf on vellum ·  Accession ID  1946.21.6

This print shows a woman standing and holding a child by her hip. Her body is slightly turned to the left, but her head is turned towards us. She has pale skin and brown hair covered by a blue hooded shawl that she wears, which features long fringe at the sleeves. Below the shawl she appears to wear a green-and-red garment with long sleeves. The child also has pale skin and curly brown hair. They are wearing a red tunic and holding a small scroll in their left hand. The woman has a large red halo around her head, filled with thin green lines that radiate from her. The child also has a halo of red lines radiating from their head. Surrounding the pair is an ornate architectural frame with colorful decorative elements and an inscription at the bottom. The background is off-white.
Albrecht Altdorfer, The Beautiful Virgin of Regensburg, c. 1519/1520, woodcut printed from six blocks in red, green, blue, light orange, brown, and black, Rosenwald Collection, 1962.5.1

The Beautiful Virgin of Regensburg

Albrecht Altdorfer · c. 1519/1520 · woodcut printed from six blocks in red, green, blue, light orange, brown, and black ·  Accession ID  1962.5.1

This is a painting of three figures in a confrontation, with two figures seemingly in the act of throwing stones. This is in the style of European medieval manuscript illumination. The painting depicts two standing figures, dressed in period medieval attire, engaged in throwing stones at a third figure. The figures are set against a simple background with some greenery. The use of color is limited but vivid, with emphasis on earthy tones and traditional pigments typical of the medieval era.
Austrian 15th Century, The Stoning of Naboth, c. 1420/1430, pen and ink with watercolor; fragment from Bible MS (German text on image verso), Rosenwald Collection, 1980.45.23

The Stoning of Naboth

Austrian 15th Century · c. 1420/1430 · pen and ink with watercolor; fragment from Bible MS (German text on image verso) ·  Accession ID  1980.45.23

This is a painting featuring a divine figure, a supplicant on a hill, and two figures by a stream. The painting shows a robed figure on a green hill, a divine figure emerging from a cloud-like formation, and two individuals interacting with a flowing stream at the base of the hill. The landscape is stylized with earthy tones and a distinct separation between the grassy area and the stream. The artwork is done in the style of medieval manuscript art.
Austrian 15th Century, Gideon and the Fleece, with the Selection of Gideon's Army, c. 1420/1430, pen and ink with watercolor; fragment from Bible MS (German text on image verso), Rosenwald Collection, 1980.45.21

Gideon and the Fleece, with the Selection of Gideon's Army

Austrian 15th Century · c. 1420/1430 · pen and ink with watercolor; fragment from Bible MS (German text on image verso) ·  Accession ID  1980.45.21

This is a painting of a medieval illuminated manuscript page. The artwork depicts a central figure seated on a throne under a grand arch, holding a book and gesturing towards a group of standing figures. The background is decorated with floral patterns and roundels, showcasing colors including blue, red, yellow, and green. Surrounding the scene are architectural elements, such as arches and columns. The attire of the figures and decoration reflect the artistic style associated with illuminated manuscripts. This is in the style of an anonymous medieval illuminator.
British 19th Century, Saint Augustine, 19th century, miniature, Rosenwald Collection, 1949.5.83

Saint Augustine

British 19th Century · 19th century · miniature ·  Accession ID  1949.5.83

The image shows a man standing in a frontal position. He has a halo around his head, short, straight hair, a beard and mustache. He wears a long robe and holds a long cross with a figure of Christ on it and a small church structure. The background has two sections: the man in front of pillars with draped fabric, and an upper scene with figures in a domestic setting near a bed. The image is rendered in a style resembling a medieval or early religious art illustration on aged paper.
Italian 15th Century, Saint Dominic, c. 1450, woodcut, hand-colored in brown, vermilion, orange, blue, olive, and ochre, Rosenwald Collection, 1963.11.7

Saint Dominic

Italian 15th Century · c. 1450 · woodcut, hand-colored in brown, vermilion, orange, blue, olive, and ochre ·  Accession ID  1963.11.7

Hans Lützelburger, Der Rychman (The Rich Man), c. 1526, woodcut on laid paper, Rosenwald Collection, 1948.11.128

Der Rychman (The Rich Man)

Hans Lützelburger · c. 1526 · woodcut on laid paper ·  Accession ID  1948.11.128

This is a drawing showing a religious scene. A central figure is holding a book with both hands, surrounded by radiating lines. Above them, a crucifixion scene is depicted with red accent lines symbolizing blood, and figures on either side of the cross. The background has decorative elements like arches and columns with simple line work and shading. The border is irregular.
Italian 15th Century, Saint Thomas Aquinas, c. 1450, woodcut, hand-colored in dark brown, orange, and yellow; with inscription in pen and ink, Rosenwald Collection, 1964.8.33

Saint Thomas Aquinas

Italian 15th Century · c. 1450 · woodcut, hand-colored in dark brown, orange, and yellow; with inscription in pen and ink ·  Accession ID  1964.8.33

The image depicts three men standing in a room. The man in the middle is bending forward slightly, as if touching a staff held by the man on the right. The man on the left stands slightly behind them. All three men have beards and different hair types. They wear red, blue, and brown robes and hold staffs. The room has a stone or tiled floor, a green ceiling, and a light-colored wall.
Austrian 15th Century, The Passover Lamb, c. 1420/1430, pen and ink with watercolor; fragment from Bible MS (German text on image verso), Rosenwald Collection, 1980.45.22

The Passover Lamb

Austrian 15th Century · c. 1420/1430 · pen and ink with watercolor; fragment from Bible MS (German text on image verso) ·  Accession ID  1980.45.22