Provenance

Kicken Gallery Berlin, OHC

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See all 22 works of art
The image shows several large, overlapping leaves with a single flower head on a curved stem. The color palette is monochromatic in shades of sepia and black. The flower head is in the upper right corner, while the leaves stretch diagonally across the lower half of the image, some overlapping each other against a dark background.
Aenne Biermann, Ohne Titel (Anthurium) (Untitled [Anthurium]), 1927, gelatin silver print, Alfred H. Moses and Fern M. Schad Fund, 2018.84.1

Ohne Titel (Anthurium) (Untitled [Anthurium])

Aenne Biermann · 1927 · gelatin silver print ·  Accession ID  2018.84.1

The image shows a hand with fingers spread apart, positioned against a dark background. The skin tone of the hand appears light in contrast with the dark area. A small dark spot is visible on the middle part of the hand. No jewelry or objects are present on the hand.
Erno Berda, Kéz (My Hand), c. 1928, gelatin silver print, Patrons' Permanent Fund, 2004.72.1

Kéz (My Hand)

Erno Berda · c. 1928 · gelatin silver print ·  Accession ID  2004.72.1

The image shows a man in dark attire standing confidently with one arm leaning on a cane. He wears a wide-brimmed hat and has a mustache, with his face partially in shadow. He holds a pipe in his mouth. In the background are distant figures, trees, and a clear sky.
Francis Haar, The Landlord, 1935, gelatin silver print, Patrons' Permanent Fund, 2004.72.2

The Landlord

Francis Haar · 1935 · gelatin silver print ·  Accession ID  2004.72.2

This is an image of a Ferris wheel and a sign. The Ferris wheel is shown with multiple cabins on its circular frame, taken from a low angle to emphasize its height and metal structure against the sky. In the foreground, a sign with bold letters and an arrow pointing left is partially visible. The image is in black and white, highlighting the composition and contrast of the elements.
Franz Weiser, Riesenrad (Ferris Wheel), 1929, gelatin silver print, The Marvin Breckinridge Patterson Fund for Photography, 2005.11.4

Riesenrad (Ferris Wheel)

Franz Weiser · 1929 · gelatin silver print ·  Accession ID  2005.11.4

This image features a variety of overlapping shapes and figures, including cloud-like formations, linear architecture, skyscraper shapes, a blimp, a portrait of a girl, a man wrapped in chains, a woman, and a man with a pipe. The elements blend to create a complex collage.
Marianne Brandt, Untitled, 1930, photomontage on paper, Gift of Pepita Milmore Memorial Fund, R. K. Mellon Family Foundation, and Thomas Walther, 2005.21.1

Untitled

Marianne Brandt · 1930 · photomontage on paper ·  Accession ID  2005.21.1

The image shows intertwining curvilinear light trails against a dark background, creating an abstract visual composition. The light lines are erratic, resembling tangled threads or glowing spaghetti. Some areas are brighter, resembling stars or distant city lights seen from a plane at night, suggesting dynamic movement and energy.
Cami Stone, Ohne Titel (Nachtaufnahme, Berlin) (Untitled [Night shot, Berlin]), c. 1929, gelatin silver print, Alfred H. Moses and Fern M. Schad Fund, 2017.106.1

Ohne Titel (Nachtaufnahme, Berlin) (Untitled [Night shot, Berlin])

Cami Stone · c. 1929 · gelatin silver print ·  Accession ID  2017.106.1

This is a photograph of a shadow cast on a paved surface. The image captures the shadow of a figure holding a long object against a flat, textured ground. The light source seems strong and positioned at an angle, creating a clear shadow on the grey surface. In the background, there is a grassy verge bordered by a curb, with poles or trees casting shadows on the grass.
Franz Weiser, Shattenspiel (Shadow play), 1928, gelatin silver print, Richard and Judith Smooke Fund, 2005.11.2

Shattenspiel (Shadow play)

Franz Weiser · 1928 · gelatin silver print ·  Accession ID  2005.11.2

A table covered with a white tablecloth and two chairs is positioned in front of a lattice wall, creating a pattern of shadows. The color palette is black, white, and various shades of gray. The table is centered in the image, with one chair on the left and another slightly to the right, partially tucked under the table. The lattice pattern is visible across the floor and surfaces, providing a textured backdrop.
Imre Kinszki, Karierte Welt (Checkered World), before 1933, gelatin silver print, Patrons' Permanent Fund, 2004.72.5

Karierte Welt (Checkered World)

Imre Kinszki · before 1933 · gelatin silver print ·  Accession ID  2004.72.5

The image shows a boat navigating through water. The boat is angled diagonally across the image, with its bow pointing toward the top left corner. The hull is mostly dark with some lighter sections, while the smokestack stands out with its black and white stripes. A small wake follows the boat, creating ripples on the water. The photo is in black and white, with various shades of gray.
László Káldor, Hajò (Boat), c. 1930, gelatin silver print, Patrons' Permanent Fund, 2004.72.3

Hajò (Boat)

László Káldor · c. 1930 · gelatin silver print ·  Accession ID  2004.72.3

The image shows a bridge structure on the right side, casting shadows into the water below. The perspective is slightly elevated, offering a view across the bridge and water to the opposite bank with buildings. The horizon is set beyond the bridge with rooftops and fluffy clouds in the sky. In the distance, trees and buildings add texture to the landscape. The color palette consists of sepia tones for an antiquated effect.
Jaromír Funke, Untitled (Bridge in Kolin), 1922, gelatin silver print, Patrons' Permanent Fund, 2005.119.1

Untitled (Bridge in Kolin)

Jaromír Funke · 1922 · gelatin silver print ·  Accession ID  2005.119.1