William Alleyne Cecil, 3rd marquess of Exeter

British, 1825 - 1895

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Shown from the hips up against a landscape, a woman with pale skin, wearing a burgundy-red dress with marigold-orange sleeves and a sheer veil, sits facing our left in profile as she reads a small book in this vertical painting. She has a straight nose and peach-colored lips. Her blond hair is covered by a bone-white headdress tied over her forehead. The veil drapes over the headdress, and her head is encircled with a faint gold ring, creating a halo. Her dress has full sleeves and is cinched into pleats at the high waist. The neckline is edged with a band of nickel gray decorated with a pattern of circles and leafy forms. The book has a red cover with a red ribbon, and she holds one index finger between the pages. A low chalk-white stone wall beyond the woman suggests she sits on a porch or balcony. A swath of powder-blue fabric drapes over the ledge on which she sits near one knee. To our left, a sliver of a shoulder, elbow, and toes of one foot suggest a person with pale skin draped in midnight blue, leaning back against a maroon-red pillow with tassels at the corners, in front of the woman and to our left. Behind that second person, in the landscape beyond the balcony, barren branches of a tree twist against the sky while a second tree, to our right, has a leafy, green canopy. A mustard-yellow meadow lined with bushes leads to the water’s edge, where ice-blue water leads back to rolling hills along the horizon. A few white buildings and a tower are clustered on the opposite shore. White and gray clouds float against the pale blue sky.
Vittore Carpaccio, The Virgin Reading, c. 1505, oil on panel transferred to canvas, Samuel H. Kress Collection, 1939.1.354

The Virgin Reading

Vittore Carpaccio · c. 1505 · oil on panel transferred to canvas ·  Accession ID  1939.1.354

A woman floats among billowing clouds over a rectangular stone coffin in this vertical painting. Ten nude, baby-like putti support her body, float alongside her, or scatter flowers, while more winged baby heads are tucked among the parchment-brown clouds. The woman and all the babies have pale, peachy skin. The woman rises with her body facing our left, almost in profile. She looks up with dark eyes so we see the underside of her straight nose, and her coral-pink lips are parted. Her chestnut-brown hair is pulled back, and a scarf of the same color wraps across her shoulders. Her rose-pink dress is belted under her bust. It has puffy long sleeves, and the bottom hem flutters around her bare feet. Her lower torso and legs are wrapped with a voluminous, azure-blue cloak. She reaches her hands slightly forward, palms facing up. All the babyish putti have short blond or light brown hair, chubby bodies, and rosy cheeks. Four hold up or support the woman's legs, and many of them reach, point, or look upward. Another floats near her right arm, farther from us. Below, a white cloth is bunched and draped over the side of the stone coffin closer to us. Three child-like putti scatter white flowers into the coffin, and more are on the ground around it. Two of those putti have wings, one in golden yellow and the other slate blue. The clouds around the woman seem to emanate from behind the coffin to swirl up and around her. Two more putti hold up the clouds along the top edge of the composition. The scene is flanked to either side by peanut-brown, fluted stone columns, which extend off the top edge of the composition. The sky beyond is streaked with apricot peach near the horizon and shifts to topaz blue above.
Nicolas Poussin, The Assumption of the Virgin, c. 1630/1632, oil on canvas, Ailsa Mellon Bruce Fund, 1963.5.1

The Assumption of the Virgin

Nicolas Poussin · c. 1630/1632 · oil on canvas ·  Accession ID  1963.5.1