Provenance

Mr. and Mrs. Leo E. Zickler

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See all 22 works of art
This is a drawing of an early 20th-century urban scene with a classic automobile and elegantly dressed individuals. The sketch captures a dynamic street moment, showing an automobile with intricate lines. One can note the figures with swirling, textured clothing patterns, emphasized by pencil strokes. The artist's shading and line work creates depth, particularly in the background architecture and automobile's details, offering a glimpse into urban life during the era. The figures and vehicle appear to be situated on a cobblestone street.
Jean-Émile Laboureur, Après-Midi, Cinquième Avenue, New York (Afternoon, Fifth Avenue, New York), 1908, graphite on wove paper, Gift (Partial and Promised) of Judy and Leo Zickler, 2008.84.3

Après-Midi, Cinquième Avenue, New York (Afternoon, Fifth Avenue, New York)

Jean-Émile Laboureur · 1908 · graphite on wove paper ·  Accession ID  2008.84.3

The image shows a person standing on a balcony facing the sea. The person is leaning on an ornate railing with intricate scrollwork patterns. They have neatly styled hair and wear a long-sleeved gown. There is an open window with billowing curtains, and several sailboats can be seen on the water in the background.
Jean-Émile Laboureur, La Fenêtre sur la Mer (The Window onto the Sea), 1923, graphite on wove paper, Gift (Partial and Promised) of Judy and Leo Zickler, 2008.84.6

La Fenêtre sur la Mer (The Window onto the Sea)

Jean-Émile Laboureur · 1923 · graphite on wove paper ·  Accession ID  2008.84.6

The image shows a detailed view through one of the towers of the Brooklyn Bridge. The point of view is centered, looking directly along the bridge, capturing the network of suspension cables that radiate outward, converging at the top of the tower and extending towards the sky. The horizon is subtly suggested by buildings in the distance seen between the arches of the tower. The architectural details of the bridge are rendered with precise, linear brushstrokes, emphasizing the texture and form of the stone structure. The color palette is soft and muted, dominated by shades of brown and beige, accentuated by the pale blue of the sky. The path of the bridge leads the gaze deeper into the scene, where buildings and faint plumes of steam can be discerned beyond the bridge's tower. The background is filled with a light, atmospheric haze, adding depth and context to the urban setting.
John Taylor Arms, The Gates of the City, 1922, etching and aquatint in brown and blue on laid paper, Gift (Partial and Promised) of Judy and Leo Zickler, 2004.68.1

The Gates of the City

John Taylor Arms · 1922 · etching and aquatint in brown and blue on laid paper ·  Accession ID  2004.68.1

This is a drawing of an architectural facade featuring intricate details. The facade shows a multi-storied building with ornate stonework, pointed arch windows, decorative patterns, moldings, circular and pointed arches, and window tracery. The image includes gondolas, implying the presence of a canal underneath.
John Taylor Arms, Venetian Filigree (Ca’ d'Oro Venetia), 1931, graphite on tracing paper, Gift (partial and promised) of Judy and Leo Zickler, 2005.2.1

Venetian Filigree (Ca’ d'Oro Venetia)

John Taylor Arms · 1931 · graphite on tracing paper ·  Accession ID  2005.2.1

The image shows an architectural sketch of a row of grand buildings along a waterway. The sketch features intricate structures with arched windows, elaborate facades, and small boats in the water. It is drawn with fine pencil lines on off-white paper in a graphite palette, creating a monochromatic depiction. The buildings stretch into the distance, emphasizing depth and scale.
John Taylor Arms, Venetian Mirror, 1935, graphite on tracing paper, Gift (Partial and Promised) of Judy and Leo Zickler, 2005.117.11

Venetian Mirror

John Taylor Arms · 1935 · graphite on tracing paper ·  Accession ID  2005.117.11

The image shows a Venetian canal scene with historic buildings lining the water. Gondolas are seen both docked and moving along the canal. The artwork appears to be a detailed etching or engraving with precise lines and shading. The color palette is muted and monochromatic, with soft sepia tones. Steps lead down to the water, with striped posts for mooring gondolas. The canal winds between the grand buildings, with a bell tower in the distance. The water reflects the architecture and gondolas, creating a serene atmosphere.
John Taylor Arms, Venetian Mirror, 1935, etching in black on wove paper, Gift (Partial and Promised) of Judy and Leo Zickler, 2005.117.10

Venetian Mirror

John Taylor Arms · 1935 · etching in black on wove paper ·  Accession ID  2005.117.10

This is a drawing of an interior space, potentially a market or deli. The image is created with loose lines and brown ink, depicting a scene with counters, tables, signs displaying items like "Sliced Ham," "Soup," and "Fish," and various background objects. The drawing includes figures engaged in tasks or activities.
Jean-Émile Laboureur, Marché à la Viande, New York (Meat Market, New York), 1908, graphite and brown ink on wove paper, Gift (Partial and Promised) of Judy and Leo Zickler, 2008.84.2

Marché à la Viande, New York (Meat Market, New York)

Jean-Émile Laboureur · 1908 · graphite and brown ink on wove paper ·  Accession ID  2008.84.2

The image shows a woman standing on a balcony facing away from the viewer, looking towards the sea. She has her hair styled into a bun with flowers and is wearing a long, lightweight dress with a checked pattern. The balcony features ornate wrought iron railings, and there are sailboats in the water visible through the open balcony doors and window above the railing.
Jean-Émile Laboureur, Le Balcon sur la Mer (The Balcony onto the Sea), 1925, engraving in black on laid paper, Gift (Partial and Promised) of Judy and Leo Zickler, 2008.84.5

Le Balcon sur la Mer (The Balcony onto the Sea)

Jean-Émile Laboureur · 1925 · engraving in black on laid paper ·  Accession ID  2008.84.5

The artwork features a full-body view of a central figure standing upright. The person wears a tall hat, a coat with a fur collar, and knee-high boots. Their facial features are depicted with a composed expression. The scene is set in a bustling street environment with various figures dressed in elaborate attire. A carriage and a large wheel are visible on the left side. Faint outlines of individuals walking can be seen in the background. A small dog is also present in the foreground.
Jean-Émile Laboureur, Après-Midi, Cinquième Avenue, New York (Afternoon, Fifth Avenue, New York), 1910, etching in black on laid paper, Gift (Partial and Promised) of Judy and Leo Zickler, 2008.84.4

Après-Midi, Cinquième Avenue, New York (Afternoon, Fifth Avenue, New York)

Jean-Émile Laboureur · 1910 · etching in black on laid paper ·  Accession ID  2008.84.4

The image features an architectural drawing of a grand, arched structure resembling a suspension bridge. The view is from an observer's perspective on a pathway, with a low horizon line emphasizing the towering vertical elements. Intricate patterns made by cables converging towards the top showcase the structure's scale and engineering. The drawing is created with precise, linear pencil strokes highlighting structural details. The color palette is monochromatic, focusing on form and geometry. Buildings in the background contribute depth to the cityscape without overshadowing the bridge.
John Taylor Arms, The Gates of the City, c. 1922, graphite on tracing paper, Gift (Partial and Promised) of Judy and Leo Zickler, 2004.68.2

The Gates of the City

John Taylor Arms · c. 1922 · graphite on tracing paper ·  Accession ID  2004.68.2