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    A sprig of flowering rosemary lying against an ivory-white background and the twelve insects that surround it fills this horizontal painting. Stretching nearly the length of the composition with the cut end to our left, the rosemary has blunted, needle-like, gently curling teal-green leaves and small periwinkle-blue flowers along the ash-brown stem. Several insects perch on the sprig while others are seen as if looking from overhead, resting on the white background. The three largest insects perch along the top of the sprig, with an ivory-white butterfly with moss-green and black markings to the left, a black and golden, fuzzy bumblebee near the center, and a lemon-yellow butterfly with red antennae to our right. A tiny red insect, perhaps a ladybug without spots, sits on a leaf between the bee and yellow butterfly, and a small wasp-like insect rests on a leaf in at the lower left. Another mosquito-like insect alights on the surface nearby, next to a beetle with a honey-orange body with black, almost tiger-like stripes. A large cockroach sitting near the lower right corner has six spindly legs, a mahogany-colored abdomen, a black thorax, and tiny, black head. Spaced somewhat evenly across the top of the panel are a brick-red, winged insect to the left, a mint-green, beetle-like bug near a moth patterned with bone white and black, and a black, fly-like insect to our right. Lit from the upper left, the rosemary and insects cast shadows on the surface. The artist signed and dated the work with gray in the lower left corner: “J v. kessel . . f. Ao 1653.”

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    6th and Constitution Ave NW 
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    Only have an hour to spend?

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  • Exhibitions & Events

    • Exhibitions
    • Calendar
    • Kid-Friendly Events
    A sprig of flowering rosemary lying against an ivory-white background and the twelve insects that surround it fills this horizontal painting. Stretching nearly the length of the composition with the cut end to our left, the rosemary has blunted, needle-like, gently curling teal-green leaves and small periwinkle-blue flowers along the ash-brown stem. Several insects perch on the sprig while others are seen as if looking from overhead, resting on the white background. The three largest insects perch along the top of the sprig, with an ivory-white butterfly with moss-green and black markings to the left, a black and golden, fuzzy bumblebee near the center, and a lemon-yellow butterfly with red antennae to our right. A tiny red insect, perhaps a ladybug without spots, sits on a leaf between the bee and yellow butterfly, and a small wasp-like insect rests on a leaf in at the lower left. Another mosquito-like insect alights on the surface nearby, next to a beetle with a honey-orange body with black, almost tiger-like stripes. A large cockroach sitting near the lower right corner has six spindly legs, a mahogany-colored abdomen, a black thorax, and tiny, black head. Spaced somewhat evenly across the top of the panel are a brick-red, winged insect to the left, a mint-green, beetle-like bug near a moth patterned with bone white and black, and a black, fly-like insect to our right. Lit from the upper left, the rosemary and insects cast shadows on the surface. The artist signed and dated the work with gray in the lower left corner: “J v. kessel . . f. Ao 1653.”

    Featured exhibition:

    Little Beasts: Art, Wonder, and the Natural World

    Now on view

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    6th and Constitution Ave NW 
    Washington, DC 20565

    Only have an hour to spend?

    We've got you covered.

  • Exhibitions & Events

    • Exhibitions
    • Calendar
    • Kid-Friendly Events
    A sprig of flowering rosemary lying against an ivory-white background and the twelve insects that surround it fills this horizontal painting. Stretching nearly the length of the composition with the cut end to our left, the rosemary has blunted, needle-like, gently curling teal-green leaves and small periwinkle-blue flowers along the ash-brown stem. Several insects perch on the sprig while others are seen as if looking from overhead, resting on the white background. The three largest insects perch along the top of the sprig, with an ivory-white butterfly with moss-green and black markings to the left, a black and golden, fuzzy bumblebee near the center, and a lemon-yellow butterfly with red antennae to our right. A tiny red insect, perhaps a ladybug without spots, sits on a leaf between the bee and yellow butterfly, and a small wasp-like insect rests on a leaf in at the lower left. Another mosquito-like insect alights on the surface nearby, next to a beetle with a honey-orange body with black, almost tiger-like stripes. A large cockroach sitting near the lower right corner has six spindly legs, a mahogany-colored abdomen, a black thorax, and tiny, black head. Spaced somewhat evenly across the top of the panel are a brick-red, winged insect to the left, a mint-green, beetle-like bug near a moth patterned with bone white and black, and a black, fly-like insect to our right. Lit from the upper left, the rosemary and insects cast shadows on the surface. The artist signed and dated the work with gray in the lower left corner: “J v. kessel . . f. Ao 1653.”

    Featured exhibition:

    Little Beasts: Art, Wonder, and the Natural World

    Now on view

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    Alberto Ginoulhiac

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    Three women, two men, and a baby sit on or stand near a throne with a curved top in this vertical painting. All the people have light, peachy skin. A younger woman, Mary, holds a nude baby as she sits on the lap of a second woman, Saint Anne, on the throne. The edges of Saint Anne’s white habit are visible along her forehead and across her neck, and she wears a raspberry-pink robe covering her head, shoulders, and arms. She holds both hands out, with her right hand, to our left, palm down. She looks off to our left, and her lips are parted. On her lap, Mary’s blond hair is pulled back, and she wears a ruby-red dress under a lapis-blue robe. She looks down at the baby who sits on her right knee, to our left. The baby also has blond hair, and he reaches for the hand of a third woman kneeling next to him, to our left. That woman’s reddish-blond hair is pulled back, and she wears a golden yellow wrap over a spruce-green dress. A red cloth hangs down her back and pools over the back of her bent knees and legs. She looks down at her right hand as the baby holds the third finger. The two men stand to either side of the throne. Both have bald heads, each with a ring of hair, and they are cleanshaven. The one to our left stands just behind the kneeling woman, and wears a moss-green, hooded robe with loose sleeves. He holds one hand to his chest, and a faint wound is visible on the back of his palm. The man on the other side faces the throne in profile facing our left. He wears a black cape wrapped around a white robe. He holds a book in one hand and a long stem of white flowers in the other. The throne sits in front of a shadowed, rounded niche. It is lined with a garland dotted with fruit, possibly oranges and lemons. Behind Saint Anne’s head, a gold circle is held up by two winged angels. Along the base of the throne, an oval medallion sits against a design of scrolls and flowers. The medallion shows a person kneeling on a box and another with a sword raised. The throne sits on two steps. On the steps near the kneeling woman are a gold crown, a sword with a gold hilt, and a bit of a broken, wooden wheel.
    Correggio, The Mystic Marriage of Saint Catherine, 1510/1515, oil on panel, Samuel H. Kress Collection, 1939.1.83

    The Mystic Marriage of Saint Catherine

    The Mystic Marriage of Saint Catherine

    Correggio · 1510/1515 · oil on panel ·  Accession ID  1939.1.83

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