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    A sprig of flowering rosemary lying against an ivory-white background and the twelve insects that surround it fills this horizontal painting. Stretching nearly the length of the composition with the cut end to our left, the rosemary has blunted, needle-like, gently curling teal-green leaves and small periwinkle-blue flowers along the ash-brown stem. Several insects perch on the sprig while others are seen as if looking from overhead, resting on the white background. The three largest insects perch along the top of the sprig, with an ivory-white butterfly with moss-green and black markings to the left, a black and golden, fuzzy bumblebee near the center, and a lemon-yellow butterfly with red antennae to our right. A tiny red insect, perhaps a ladybug without spots, sits on a leaf between the bee and yellow butterfly, and a small wasp-like insect rests on a leaf in at the lower left. Another mosquito-like insect alights on the surface nearby, next to a beetle with a honey-orange body with black, almost tiger-like stripes. A large cockroach sitting near the lower right corner has six spindly legs, a mahogany-colored abdomen, a black thorax, and tiny, black head. Spaced somewhat evenly across the top of the panel are a brick-red, winged insect to the left, a mint-green, beetle-like bug near a moth patterned with bone white and black, and a black, fly-like insect to our right. Lit from the upper left, the rosemary and insects cast shadows on the surface. The artist signed and dated the work with gray in the lower left corner: “J v. kessel . . f. Ao 1653.”

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Open today 10:00 a.m. to 5:00 p.m. ⸱ Always free

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    Open daily from 10 a.m. to 5 p.m. 
    Admission is always free

    6th and Constitution Ave NW 
    Washington, DC 20565

    Only have an hour to spend?

    We've got you covered.

  • Exhibitions & Events

    • Exhibitions
    • Calendar
    • Kid-Friendly Events
    A sprig of flowering rosemary lying against an ivory-white background and the twelve insects that surround it fills this horizontal painting. Stretching nearly the length of the composition with the cut end to our left, the rosemary has blunted, needle-like, gently curling teal-green leaves and small periwinkle-blue flowers along the ash-brown stem. Several insects perch on the sprig while others are seen as if looking from overhead, resting on the white background. The three largest insects perch along the top of the sprig, with an ivory-white butterfly with moss-green and black markings to the left, a black and golden, fuzzy bumblebee near the center, and a lemon-yellow butterfly with red antennae to our right. A tiny red insect, perhaps a ladybug without spots, sits on a leaf between the bee and yellow butterfly, and a small wasp-like insect rests on a leaf in at the lower left. Another mosquito-like insect alights on the surface nearby, next to a beetle with a honey-orange body with black, almost tiger-like stripes. A large cockroach sitting near the lower right corner has six spindly legs, a mahogany-colored abdomen, a black thorax, and tiny, black head. Spaced somewhat evenly across the top of the panel are a brick-red, winged insect to the left, a mint-green, beetle-like bug near a moth patterned with bone white and black, and a black, fly-like insect to our right. Lit from the upper left, the rosemary and insects cast shadows on the surface. The artist signed and dated the work with gray in the lower left corner: “J v. kessel . . f. Ao 1653.”

    Featured exhibition:

    Little Beasts: Art, Wonder, and the Natural World

    Now on view

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    • Must Sees

    Open daily from 10 a.m. to 5 p.m. 
    Admission is always free

    6th and Constitution Ave NW 
    Washington, DC 20565

    Only have an hour to spend?

    We've got you covered.

  • Exhibitions & Events

    • Exhibitions
    • Calendar
    • Kid-Friendly Events
    A sprig of flowering rosemary lying against an ivory-white background and the twelve insects that surround it fills this horizontal painting. Stretching nearly the length of the composition with the cut end to our left, the rosemary has blunted, needle-like, gently curling teal-green leaves and small periwinkle-blue flowers along the ash-brown stem. Several insects perch on the sprig while others are seen as if looking from overhead, resting on the white background. The three largest insects perch along the top of the sprig, with an ivory-white butterfly with moss-green and black markings to the left, a black and golden, fuzzy bumblebee near the center, and a lemon-yellow butterfly with red antennae to our right. A tiny red insect, perhaps a ladybug without spots, sits on a leaf between the bee and yellow butterfly, and a small wasp-like insect rests on a leaf in at the lower left. Another mosquito-like insect alights on the surface nearby, next to a beetle with a honey-orange body with black, almost tiger-like stripes. A large cockroach sitting near the lower right corner has six spindly legs, a mahogany-colored abdomen, a black thorax, and tiny, black head. Spaced somewhat evenly across the top of the panel are a brick-red, winged insect to the left, a mint-green, beetle-like bug near a moth patterned with bone white and black, and a black, fly-like insect to our right. Lit from the upper left, the rosemary and insects cast shadows on the surface. The artist signed and dated the work with gray in the lower left corner: “J v. kessel . . f. Ao 1653.”

    Featured exhibition:

    Little Beasts: Art, Wonder, and the Natural World

    Now on view

  • Art & Artists

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    • Artists
    • Stories
    • Games and Interactives
    • Educational Resources
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    Artle

    A refreshed experience for our puzzle game

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    British, 1746 - 1808

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    A woman with pale skin, wearing a shimmering, azure-blue gown, stands next to a child with a pale pink complexion, wearing a flame-red suit in this vertical portrait painting. The woman stands at the center of the composition with her body angled to our left, but she looks at us from the corners of her brown eyes. She has a straight nose, softly arched brows, and her full, coral-pink lips are closed. A hint of a shiny silver earring pokes through brown ringlets, and one curl falls over one shoulder. Two long, white feathers droop off the side of her wide brimmed, black hat. The bodice and full skirt of her blue dress are trimmed with bands of gold along the hems, down the sleeves, and down the front of the skirt. The blue fabric is covered with short, diagonal strokes of lighter blue. White fabric covers the front of her bodice under a tall, wide, stiff, lacy white collar that extends from her chin to her shoulders. Two rose-pink bows are tied on the white fabric on her chest. The cuffs of her elbow-length sleeves have layers of white ruffles. She touches her skirt with her left hand, to our right, and with the other touches a monkey on the boy’s shoulder. To our left, the boy’s body faces us but he looks up at the woman with dark eyes. He has rounded cheeks, and his lips are parted in a slight smile. His shoulder-length blond hair reaches to his wide, lacy collar. His red suit has long sleeves, and the coat is buttoned down the front. Ivory-white gloves reach back over his forearms, and the tops of his knee-high, fawn-brown boots are folded over. He raises his left arm, closer to the woman, to hold a monkey on a tether. The monkey stands with its feet on the boy’s forearm and its front paws on the boy’s shoulder. The woman and boy stand on a wide, curved, peanut-brown stone step. A fluted column rises to our right of the woman, and a gold, brocade curtain hangs down the right edge of the canvas, partially in front of the column. A pearl-encrusted crown is tucked into the folds of the curtain. On a ledge to our left of the woman, a miniature orange tree grows in a pot. The landscape beyond has soft green trees against a blue sky mostly screened with parchment-brown clouds.
    Sir Anthony van Dyck, Queen Henrietta Maria with Sir Jeffrey Hudson, 1633, oil on canvas, Samuel H. Kress Collection, 1952.5.39

    Queen Henrietta Maria with Sir Jeffrey Hudson

    Queen Henrietta Maria with Sir Jeffrey Hudson

    Sir Anthony van Dyck · 1633 · oil on canvas ·  Accession ID  1952.5.39

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