Leroy de Sennéville

French

Explore Selected Works

Jean Honoré Fragonard, Love the Sentinel, c. 1773/1776, oil on canvas, In memory of Kate Seney Simpson, 1947.2.2

Love the Sentinel

Jean Honoré Fragonard · c. 1773/1776 · oil on canvas ·  Accession ID  1947.2.2

Shown from the lap up, a young woman with pale skin, wearing a goldenrod-yellow dress, sits reading a small book, facing our left in profile in this vertical painting. The deep, scooped neckline of her rich yellow gown is edged with lace and decorated with a mauve-purple bow at the bust. Her chest is covered by sheer white fabric under a ruffled, pleated collar. The ruff is tied at the back with another mauve bow, and a ribbon of the same color ties up her chestnut-brown hair. She has a delicate nose and rosebud mouth, and she tips her head down to read the book she holds in one hand. She sits against an oversize pillow streaked with pale lilac and deep rose pink. Her left arm, closer to us, is draped over a railing that extends across the width of the canvas. The background behind her is streaked with tan and muted teal blue. A vertical strip of light caramel brown along the right edge of the canvas suggests another wall against which the pillow rests. The artist’s loose, lively brushstrokes are visible throughout.
Jean Honoré Fragonard, Young Girl Reading, c. 1769, oil on canvas, Gift of Mrs. Mellon Bruce in memory of her father, Andrew W. Mellon, 1961.16.1

Young Girl Reading

Jean Honoré Fragonard · c. 1769 · oil on canvas ·  Accession ID  1961.16.1

Jean Honoré Fragonard, Love as Folly, c. 1773/1776, oil on canvas, In memory of Kate Seney Simpson, 1947.2.1

Love as Folly

Jean Honoré Fragonard · c. 1773/1776 · oil on canvas ·  Accession ID  1947.2.1

Two women, a man, and three small children gather around a baby sleeping in a wicker cradle near an open window in this horizontal painting. The people all have pale skin with rosy cheeks. The cradle is just to left of center of the composition. It has a half canopy to shade the baby, and it sits on rockers. The baby sleeps with chubby arms over the covers tucked around the body. A woman sits on a low chest next to and on our side of the crib, near the lower left corner of the canvas. She has a prominent nose and jutting chin. She wears an oatmeal-brown bonnet and apron, and a muted red dress. She holds a staff with fabric or a spindle at the top tucked in one elbow, and the other hand rests on the canopy. A white cat lies like a loaf next to her feet. On the far side of the crib, a clean-shaven man kneels on a low platform covered by a pillow at the foot of the cradle and leans into the arms of a standing young woman. The man has a pointed nose and rounded chin, and he looks with heavy-lidded eyes at the baby. His long gray hair is tied at the nape of his neck, and he wears an ice-blue and tan long-tailed coat, breeches, and stockings. He rests one cheek against the arm of the woman who stands at his far shoulder. Her body faces the man, and she rests her other hand on his shoulder as she turns to look at the baby. A round, broad-brimmed hat casts a shadow over her delicate nose and round cheeks, and she wears a white dress with elbow-length sleeves and a full skirt. Three children stand behind the man’s feet and along the right edge of the canvas. The child closest to us has carrot-orange hair tied in a bun with a blue ribbon. She wears a white, puffy-sleeved shirt, and a parchment-white apron bunched over a pale pink skirt. She faces our left in profile, looking at the man, and holds one end of a ball of yarn that has rolled away from her. The boy behind her stands with his body facing us as he looks up and to our left. He wears a yellow jacket and a broad-brimmed hat pushed back on his head. Only the forehead and eyes of an even smaller child standing behind this pair are visible. Voluminous curtains part to either side of a window at the head of the cradle, near the upper left corner of the composition. An unlit lantern sits on the sill, and the sky beyond is dusk-blue. Bright light shines into the room, especially onto the man and woman and three children. A piece of furniture, perhaps a wardrobe, is on the far wall behind the woman, and the door to the room is open behind the children.
Jean Honoré Fragonard, The Visit to the Nursery, c. 1775, oil on canvas, Samuel H. Kress Collection, 1946.7.7

The Visit to the Nursery

Jean Honoré Fragonard · c. 1775 · oil on canvas ·  Accession ID  1946.7.7

Clodion, Model for "Poetry and Music", 1774, terracotta, Loula D. Lasker Fund, 1976.10.1

Model for "Poetry and Music"

Clodion · 1774 · terracotta ·  Accession ID  1976.10.1