Provenance

William Keith Rous

Stradbroke, 5th Earl of

British, 1907 - 1983

Explore selected works

A man and woman sit above six winged angels in this vertical panel painting, which comes to a pointed arch at the top. They all have pale skin tinged with gray, rosy cheeks, blond hair, and gold halos. The woman, Mary, and man, Jesus, sit with their knees angled toward each other, and they fill the top two-thirds of the arch. The space behind them is hung with fabric that is ocean blue inside and brick red on the outside, and both sides are edged and patterned with gold. Mary and Jesus wear shell-pink robes trimmed with gold under very pale pink, almost white, mantles that drape from their heads to cover much of their bodies. The mantles are patterned with straw-yellow, delicate, leafy, geometric designs, and they are lined with moss green. Jesus wears a three-pointed gold crown and his hands are raised to place a similar crown on the woman’s head. Mary tilts her head to receive the crown with her wrists crossed over her chest. Their feet rest on a step leading down to the bottom quarter of the composition. The step has a white stone tread and is inset with green and pink stone within white molding on the riser. In front of the step, six angels are in two groups of three on a scarlet-red floor. The angels are about a quarter the height Mary and Jesus would be if they stood. The angels wear robes in shades of goldenrod yellow, fern green, azure blue, or pale pink, and their wings match their robes. One angel in each trio plays a lute-like wooden instrument. Most of the angels’ lips are parted but two look up at Mary and Jesus with lips closed.
Agnolo Gaddi, The Coronation of the Virgin with Six Angels, c. 1390, tempera on panel, Samuel H. Kress Collection, 1939.1.203

The Coronation of the Virgin with Six Angels

Agnolo Gaddi · c. 1390 · tempera on panel ·  Accession ID  1939.1.203

This print shows a bouquet of flowers, including a large sunflower and smaller flowers, leaves, and buds inside a detailed vase. The vase is placed centrally on a flat surface, with the flowers extending outwards. It is rendered in grayscale tones against a black background.
Elias Christoph Heiss, Floral Still Life with a Sunflower, c. 1690, mezzotint on laid paper, Gift of Christopher Mendez, 2007.125.1

Floral Still Life with a Sunflower

Elias Christoph Heiss · c. 1690 · mezzotint on laid paper ·  Accession ID  2007.125.1