Provenance

Madoka Takagi

American, born Japan, 1956 - 2015

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See all 22 works of art
The image shows a large wooden cabinet against the right wall, a smaller wooden table to the left, and several chairs scattered throughout the room. The color scheme is mostly gray and beige, emphasizing the textures of the wood and worn surfaces.
Madoka Takagi, Ellis Island 21, 1988, platinum/palladium print on lightweight wove paper, Gift of Mitchell and Nancy Steir, 2004.163.16

Ellis Island 21

Madoka Takagi · 1988 · platinum/palladium print on lightweight wove paper ·  Accession ID  2004.163.16

The image shows a large photograph of a woman wearing a fur coat on an old newspaper or magazine page, with the headline "Magnificent" visible. The color scheme is mainly grayscale. The newspaper is slightly askew in the center right of the image, surrounded by torn paper, paint chips, and debris. A patterned fabric drapes along the top and left side, while a dried leaf is to the left of the newspaper. Surrounding text and images suggest other sections of the torn newspaper or magazine.
Madoka Takagi, Ellis Island 16, 1988, platinum/palladium print on lightweight wove paper, Gift of Mitchell and Nancy Steir, 2004.163.15

Ellis Island 16

Madoka Takagi · 1988 · platinum/palladium print on lightweight wove paper ·  Accession ID  2004.163.15

This is a photograph of the interior roof of a greenhouse. It shows the structural elements of a greenhouse roof, including metal frames and beams supporting a transparent or translucent covering. A large, circular fan is mounted on the roof. In the foreground, there are leaves of a plant visible. The orientation of the photograph is at an angle, emphasizing the geometric lines and textures of the roofing material, illuminated by soft light.
Madoka Takagi, Wave Hill, 1989, platinum/palladium print on lightweight wove paper, Gift of Mitchell and Nancy Steir, 2004.163.25

Wave Hill

Madoka Takagi · 1989 · platinum/palladium print on lightweight wove paper ·  Accession ID  2004.163.25

This is a photograph of a cracked and peeling wall with a small window. The image captures a close-up view of a deteriorating surface, where layers of paint are visibly flaking off, revealing multiple textures and tones of decay. The wall features complex patterns formed by the peeling and cracking. A small window is situated at the upper section of the image, its surface equally cracked and worn, allowing for minimal visibility beyond. The photograph's monochromatic scheme emphasizes the tactile quality of the peeling layers.
Madoka Takagi, Ellis Island 50, 1988, platinum/palladium print on lightweight wove paper, Gift of Mitchell and Nancy Steir, 2004.163.20

Ellis Island 50

Madoka Takagi · 1988 · platinum/palladium print on lightweight wove paper ·  Accession ID  2004.163.20

The image shows a closed, weathered wooden door with peeling paint, accompanied by two pieces of draped and tattered fabric attached to the adjacent walls. The color palette consists mainly of shades of gray, giving the image a monochromatic and aged appearance. The door is centered in the image, with one piece of fabric hanging from the wall beside the door frame and resting on the floor, while the other fabric is draped over a hook, descending toward the floor.
Madoka Takagi, Ellis Island 31, 1988, platinum/palladium print on lightweight wove paper, Gift of Mitchell and Nancy Steir, 2004.163.18

Ellis Island 31

Madoka Takagi · 1988 · platinum/palladium print on lightweight wove paper ·  Accession ID  2004.163.18

This is a photograph of a city street scene. The image captures a bustling urban environment with tall buildings on either side of a street that stretches into the distance. In the foreground, there is a striped cylindrical structure emitting steam or smoke, surrounded by barricades and signs. The street is lined with various architectural styles, showcasing a mix of older and more contemporary buildings. In the background, a prominent skyscraper is visible. The photograph is in black and white.
Madoka Takagi, Fifth Avenue and 17th Street, 1990, platinum/palladium print on lightweight wove paper, Gift of Mitchell and Nancy Steir, 2004.163.24

Fifth Avenue and 17th Street

Madoka Takagi · 1990 · platinum/palladium print on lightweight wove paper ·  Accession ID  2004.163.24

The image shows a snow-covered urban scene from a top-down perspective. Several cars are parked next to a vertical structure that seems to be the edge of a flight of steps. The steps create a repetitive pattern on the right side. The ground and cars are covered in undisturbed snow, with some tracks and footprints visible. The color palette is monochromatic, with shades of gray creating a wintry atmosphere. In the lower-left corner, a group of tires is placed on the snowy surface.
Madoka Takagi, 135th Street and Riverside Drive, 1989, printed 1990, platinum/palladium print on lightweight wove paper, Gift of Mitchell and Nancy Steir, 2004.163.32

135th Street and Riverside Drive

Madoka Takagi · 1989, printed 1990 · platinum/palladium print on lightweight wove paper ·  Accession ID  2004.163.32

The image shows a desolate railway yard with old train tracks running diagonally from the bottom left corner into the distance. A muddy path with vehicle tracks runs parallel to the tracks. To the right, there is a sprawling area of dry grass and debris leading to tall poles supporting overhead walkways or railway bridges. In the distance, industrial buildings, a factory with a chimney, and an expansive, cloudy sky are visible. The horizon line is low, highlighting the details against the sky. The color palette is a monochromatic sepia tone, making the image appear aged.
Madoka Takagi, South View from 72nd Street and Riverside Drive, 1990, platinum/palladium print on lightweight wove paper, Gift of Mitchell and Nancy Steir, 2004.163.27

South View from 72nd Street and Riverside Drive

Madoka Takagi · 1990 · platinum/palladium print on lightweight wove paper ·  Accession ID  2004.163.27

The image shows a ground-level view of an empty, desolate, and somewhat industrial street. There is a wide expanse of muddy ground with scattered debris and large puddles reflecting the surrounding structures. In the distance, several cranes with long, angular booms rise up, forming a faint horizon line. The scene extends toward a vanishing point where the road narrows. On either side, the street is flanked by chain-link fences and ramshackle buildings or storage units with sporadically placed street lights and utility poles. The color palette is monochromatic, in shades of gray.
Madoka Takagi, Corona Queens, 1990, platinum/palladium print on lightweight wove paper, Gift of Mitchell and Nancy Steir, 2004.163.13

Corona Queens

Madoka Takagi · 1990 · platinum/palladium print on lightweight wove paper ·  Accession ID  2004.163.13

This is a photograph of a miniature architectural model in a cluttered room. The image shows a detailed scale model of a building on a makeshift table made of cardboard. Various household items surround the model, including boxes, crumpled paper, a can, and a biscuit tin labeled "Sunshine Biscuits." A mirror leans against the wall, reflecting part of the model. The floor is scattered with debris and broken glass. The image is in black and white.
Madoka Takagi, Ellis Island 58, 1988, platinum/palladium print on lightweight wove paper, Gift of Mitchell and Nancy Steir, 2004.163.23

Ellis Island 58

Madoka Takagi · 1988 · platinum/palladium print on lightweight wove paper ·  Accession ID  2004.163.23