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Swann Galleries

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The image depicts a person seated at a table. The individual has strong facial features including a prominent jawline and a straight nose. They have dark, sleek hair styled in a slicked-back manner, and are wearing a red collared shirt tucked into brown pants. The table in front of them is covered with a vibrant blue cloth featuring an intricate design, with a patterned jug and a small bowl on top. The background consists of a divided wall with a green upper section and a wood-textured lower section, alongside a pink and green checkered floor.
Hartwell Yeargans, Untitled (Seated Woman with Pitcher), 1953, oil on canvas, Gift of Larry D. and Brenda A. Thompson, 2023.145.9

Untitled (Seated Woman with Pitcher)

Hartwell Yeargans · 1953 · oil on canvas ·  Accession ID  2023.145.9

The image shows intersecting lines and shapes. Black lines crisscross the scene, overlaid on broader, lightly shaded strokes that form an X-like structure in the background. There are curved elements that could resemble petals or sails, and linear patterns that could remind one of stringed instruments' cords. The juxtaposition of fluid curves and sharp angles evokes a dynamic interplay between motion and structure.
Stanley William Hayter, Pavane, 1935, engraving, softground etching, and drypoint in black, Gift of Ruth Cole Kainen, 2012.92.79

Pavane

Stanley William Hayter · 1935 · engraving, softground etching, and drypoint in black ·  Accession ID  2012.92.79

The image is a print showing two figures, with their upper bodies and heads prominently featured. The primary figure, a woman, is positioned in an embrace with another smaller figure, possibly a child, in front of her. Both of their faces feature stylized, exaggerated features such as large eyes and prominent noses. The woman has long, flowing hair, and the child has a simpler hairstyle. The clothing depicted is simple and stylized, with flowing lines suggesting drapery. The surrounding area includes elements that might represent fabric patterns or abstract designs. In the background, patterns and shading create a contrast that adds depth to the overall design. There is an abstract pattern on the lower section of the print, which includes geometric elements that may resemble a decorative surface. The print is monochromatic.
Max Weber, Mother Love, 1920, woodcut in black on laid paper, Gift of Jack and Margrit Vanderryn, 2015.114.57

Mother Love

Max Weber · 1920 · woodcut in black on laid paper ·  Accession ID  2015.114.57

The image shows bold, angular shapes and lines within a rectangular frame, creating an abstract composition. The interplay of triangles and curved forms is present, while certain elements such as semi-circular curves, dot-like shapes, and stepped patterns are included.
Max Weber, Cubist Head, 1919-1920, color woodcut on laid paper mounted to paperboard, Gift of Jack and Margrit Vanderryn, 2015.114.30

Cubist Head

Max Weber · 1919-1920 · color woodcut on laid paper mounted to paperboard ·  Accession ID  2015.114.30

The image shows bold, angular lines and rounded shapes enclosed within a rectangular border. The design could imply a stylized figure with an elongated oval forming its head. The lines suggest a body adorned with patterned clothing, and there are dotted vertical lines on one side. The work has an earthy tone, giving it an ancient artifact-like appearance.
Max Weber, Seated Figure, 1919-1920, woodcut in brown on wove paper, Gift of Jack and Margrit Vanderryn, 2015.114.39

Seated Figure

Max Weber · 1919-1920 · woodcut in brown on wove paper ·  Accession ID  2015.114.39

The image shows abstract shapes and lines forming a face-like figure with bold strokes. It includes elongated, semicircular lines for hair, two rounded wide shapes for eyes, a triangular shape for a nose, and a red, curved line for lips. The design uses different colors and patterns to create an abstract representation of a human face, framed by a rough border.
Max Weber, Head, 1920, color linocut on laid paper, Gift of Jack and Margrit Vanderryn, 2015.114.60

Head

Max Weber · 1920 · color linocut on laid paper ·  Accession ID  2015.114.60

The image is a pencil sketch showing studies of a male figure from various angles, focusing on anatomy. One figure shows a back view with arms by the sides and head slightly inclined forward. Another figure is shown upside down in a reclining position. Several smaller sketches of heads and torso sections are also present, focusing on form and structure. The background is plain, with no clothing or accessories visible.
Pavel Tchelitchew, Sheet of Studies of Standing Male Nudes, Seen from Behind, c. 1930s, metalpoint (probably silverpoint) on commercially prepared paper, Gift of David H. McDonnell, 2022.14.11

Sheet of Studies of Standing Male Nudes, Seen from Behind

Pavel Tchelitchew · c. 1930s · metalpoint (probably silverpoint) on commercially prepared paper ·  Accession ID  2022.14.11

The image shows a person holding a long-handled tool, likely a rake, with both hands. They are leaning slightly forward, face down and partially covered by a hat. The person is wearing a long-sleeved shirt, rolled-up sleeves, and dark trousers. The background is heavily shaded, creating depth around the figure in the foreground.
Lesser Ury, On the Floor of the Barn, 1923, drypoint on laid buff paper, Gift of Ruth Cole Kainen, 2012.92.492

On the Floor of the Barn

Lesser Ury · 1923 · drypoint on laid buff paper ·  Accession ID  2012.92.492

The image consists of bold, angular shapes and curved lines within a rectangular frame, creating an abstract figure-like form. The central figure is outlined with thick black lines and softened with green and orange accents, resembling a person with exaggerated features. The piece has an abstract art style, inviting viewers to perceive it as a stylized human form caught in motion or a glass mosaic with interlocking segments.
Max Weber, Figure Composition, 1919-1920, color woodcut on laid paper, Gift of Jack and Margrit Vanderryn, 2015.114.28

Figure Composition

Max Weber · 1919-1920 · color woodcut on laid paper ·  Accession ID  2015.114.28

The image shows a winter landscape with a snow-covered riverbank. The view is from a slightly elevated angle, looking down at the riverbank covered in snow. The horizon is high in the image, with leafless trees blending into the sky. The river's surface is mostly frozen, with visible cracks. Rocks and patches of dry vegetation can be seen poking through the snow. Snow-covered trees line the riverbank as it curves into the distance. The color palette is subdued, with sepia tones highlighting the light and shadow on the snow-covered landscape.
John Moran, On the Brandywine, c. 1866, albumen silver print, Robert B. Menschel and the Vital Projects Fund and the Randi and Bob Fisher Fund, 2013.187.1.b

On the Brandywine

John Moran · c. 1866 · albumen silver print ·  Accession ID  2013.187.1.b