Provenance

Rock J. Walker

Walker, R. Jerome
Walker Fine Art

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The image shows a view of buildings with domes from a slightly elevated angle. The horizon is not distinctly visible, as the buildings dominate the upper part of the image. The domes stand out against the sky, showcasing a mix of curved and angular lines. The brushstrokes are smooth and soft, likely done with charcoal or a similar medium, creating depth through shading and texture. The color palette is monochromatic in gray scale, giving the image a calm and structured aesthetic. In the foreground, there is a detailed solid wall with a door that guides the eye towards the larger structures. The sky is subtly textured, contrasting with the architecture.
M.C. Escher, Mosque, c. 1927, charcoal on wove paper, Gift of Barry and Gigi Fitzmorris, 2004.159.9

Mosque

M.C. Escher · c. 1927 · charcoal on wove paper ·  Accession ID  2004.159.9

The image shows pencil-drawn pentagons intersecting to create intricate star-like patterns on a plain background. The central cluster of pentagons resembles a tightly packed group radiating outward. To the left, a structured pattern resembling a snowflake or geometric puzzle piece is visible, with symmetry and alignment. Faint, overlapping strokes and small colored swatches in shades of brown and teal are scattered across the image.
M.C. Escher, Study for Regular Division of the Plane, n.d, graphite and watercolor on wove paper, Gift of Michael Schiffman in honor of Rock J. Walker/Walker Fine Art, 2021.98.12

Study for Regular Division of the Plane

M.C. Escher · n.d · graphite and watercolor on wove paper ·  Accession ID  2021.98.12

The image shows a pencil drawing of a female figure depicted twice in a side view. Both figures are drawn in a minimalist style with simple, flowing lines. They are seated on the ground with their legs extended forward and slightly apart, one figure with more bent knees than the other. The first figure has her arms parallel to her body, while the second figure supports herself with her right hand on the ground and the left arm resting on her left bent knee. Neither figure shows detailed facial features, but an outline of the nose and lips is visible. The hair is styled in a single, smooth wave behind the head. The figures are not clothed, and their form is shown in a stylized manner with emphasis on the curvature of the body. There is no background detail, and the focus is on the sketched figures against a plain paper surface.
M.C. Escher, a) Nude Woman [recto]; b) Nude [verso], 1920, a) black pencil on wove paper; b) black pencil on wove paper, Gift of Michael Schiffman in honor of Rock J. Walker/Walker Fine Art, 2021.98.1.a-b

a) Nude Woman [recto]; b) Nude [verso]

M.C. Escher · 1920 · a) black pencil on wove paper; b) black pencil on wove paper ·  Accession ID  2021.98.1.a-b

The image shows a plant with large, elongated leaves tapering down a central stem and delicate blossoms at the top. The color palette is primarily muted grays and blacks on a pale, blue-gray paper background. The largest leaves fan out symmetrically from the stem, while smaller blossoms form an arrangement at the top. The stem curves from bottom left to upper right, with the blossoms off-center to the right. Faint inscriptions in pencil in the lower left provide context to the illustration.
M.C. Escher, Latticuno [Euphorbia dendroides] (recto), 1930, graphite on blue laid paper, Gift of Barry and Gigi Fitzmorris, 2004.159.4.a

Latticuno [Euphorbia dendroides] (recto)

M.C. Escher · 1930 · graphite on blue laid paper ·  Accession ID  2004.159.4.a

The image depicts a landscape from a high vantage point. The lack of a visible horizon directs attention to the forms and patterns of the terrain, suggesting depth and motion. The brushstrokes feature linear and crosshatch patterns that create a textured, topographical effect. The color scheme is mainly deep blues and greys, contributing to a subdued atmosphere and highlighting the texture and shading details.
M.C. Escher, Green Sea, conte crayon and white chalk on dark grayish-green laid Fabriano laid paper, Gift of Barry and Gigi Fitzmorris, 2004.159.5

Green Sea

M.C. Escher · · conte crayon and white chalk on dark grayish-green laid Fabriano laid paper ·  Accession ID  2004.159.5

The image displays a pencil drawing of a trullo, viewed from a slightly elevated angle. The focus is on the architectural structure, with the conical roof, decorative finial, adjoining structures on the left, a staircase on the right, and rectangular windows. The drawing is detailed with shading to depict rough stone textures. It is monochromatic, emphasizing the architectural features. The annotation "1-5-36 Alberobello Trullo" is visible in the top left corner. Additional architectural details are sketched in the upper right corner.
M.C. Escher, Alberobello: Trullo, 1936, black crayon and graphite on wove paper, Gift of Barry and Gigi Fitzmorris, 2004.159.2

Alberobello: Trullo

M.C. Escher · 1936 · black crayon and graphite on wove paper ·  Accession ID  2004.159.2

The image depicts a drawing of a person's head and partial neck in profile, facing left. The face has soft, rounded contours with a slightly downturned gaze. The hair is shoulder-length and straight, covering parts of the neck and ears. No clothing is shown, and the background is textured with charcoal or pencil shading.
M.C. Escher, Portrait, black crayon on wove paper, Gift of Barry and Gigi Fitzmorris, 2004.159.11

Portrait

M.C. Escher · · black crayon on wove paper ·  Accession ID  2004.159.11

The image shows a group of buildings, with one featuring a dome. The drawing is in a light pencil sketch style with minimal detail. The color palette is mainly blue-gray. Rocks or a cliffside are depicted in the foreground, leading to the buildings in the distance.
M.C. Escher, City with Rocks (verso), graphite on blue laid paper, Gift of Barry and Gigi Fitzmorris, 2004.159.4.b

City with Rocks (verso)

M.C. Escher · · graphite on blue laid paper ·  Accession ID  2004.159.4.b

There is a faint pencil sketch of a young child's full body. The child is seated with their head tilted back and slightly upwards. The facial features are minimally rendered with a small nose and closed eyes. The child seems bald or with very fine hair. The clothing is suggested with light outlines, possibly a long-sleeved garment. The left hand rests on the lap with curled fingers, and the right hand is beside it. The background is plain.
M.C. Escher, Baby, 1927, graphite, Gift of Barry and Gigi Fitzmorris, 2004.159.3

Baby

M.C. Escher · 1927 · graphite ·  Accession ID  2004.159.3

This painting features a spider web with surrounding floral and leafy decorations. The composition includes a central spider web with a spider at its center, and blue and green floral and leaf motifs with blue flowers. The outer design has brown branches with green leaves, bordered by a double blue ring. The color palette is minimal and naturalistic.
M.C. Escher, Spider in the Garden (design for a ceramic plate), 1920, watercolor and graphite on light brown handmade paper, Gift of Michael Schiffman in honor of Rock J. Walker/Walker Fine Art, 2021.98.2

Spider in the Garden (design for a ceramic plate)

M.C. Escher · 1920 · watercolor and graphite on light brown handmade paper ·  Accession ID  2021.98.2