Provenance

Adrian John Hope

1811 - 1863

Explore Selected Works

A smiling young child holds the latch of an open wooden door as she looks toward a woman to our right in this almost square painting. The woman and child both have pale skin and stand in a bedroom. To our left, the child is the same height as the door handle, and she faces us. Her blond, upswept hair is backlit, and light falls on her from windows to our left. She turns to look at the woman with dark eyes, a slight smile on her pink lips. She wears a garment with a mauve-gray bodice and sleeves, a sage-green apron over a honey-yellow, ankle-length skirt, and dark shoes. She holds the ring of the door latch with her right hand, to our left, and holds a ball by her side in her other hand. The room has white walls with thick wood beams above, wood molding around the door and window, and a clay-red tiled floor. On the wall to either side of the girl and about the same height as she is, white tiles painted with scenes in azure blue line the walls. Wooden chairs to either side of the door have lion-shaped finials and a diamond pattern on the cloth-covered backs. A landscape painting in a black frame hangs over the door, and a wood table covered with a red cloth, holding a ceramic jug, sits to our left, along the wall coming toward us. The rightmost third of the composition is spanned by a bed set within a ceiling-high, cabinet-like enclosure. The woman stands in front of the bed, her body facing our left in profile. A white kerchief covers her hair and is tied under her chin. She wears a red shirt with white at the chest and cuffs, which are rolled back. A marine-blue skirt falls to her ankles. She holds a brown cloth in front of her, and another cloth is draped over a chair. A gleaming, squat, brown jug sits on floor nearby. A forest-green curtain lines the squared opening to the bed, and another green curtain is pulled to one side of a window next to the open door. Through the door and window, we see a second door across a shallow entryway, which leads outside. Both halves of the outer, Dutch door are open, though the top half swings in a little more than the bottom half. The space beyond has a fence or trellis, green plants, and the edge of a red roof.
Pieter de Hooch, The Bedroom, 1658/1660, oil on canvas, Widener Collection, 1942.9.33

The Bedroom

Pieter de Hooch · 1658/1660 · oil on canvas ·  Accession ID  1942.9.33

An elegantly dressed man and woman ride horses toward us and to our right in a landscape with low, rolling hills, stone buildings, and trees in this horizontal painting. The two horses and riders take up the right half of the composition. Both people have pale skin and look at us. The woman has a high forehead, a straight nose, a round face, and curly blond hair falling to her shoulders. She wears a sapphire-blue dress with slashed sleeves to reveal a white garment beneath. Her hat is adorned with blue and white feathers, and she wears a string of pearls around her neck. The legs of her white horse darken to black below the knees, and the bridle is tied with blue bows near the horse’s ears. The sidesaddle sits on a woven, rug-like blanket. Next to her, to our right, the man rides a larger chestnut-brown horse with a white triangle between its eyes. The man looks at us out of the corners of his dark eyes under gathered brows. He has a long, straight nose and is cleanshaven, though a hint of a five o’clock shadow slightly darkens his cleft chin. His light brown hair falls in curls down past his shoulders, and he wears a dark brown coat with voluminous white fabric rippling out above tan-colored gloves. He holds a riding crop in his right hand, on our left, resting against his hip. Near the white horse’s feet, to our left, a dark brown dog with a white nose sniffs at a plant. Behind it, another reddish-brown dog sniffs the ground near the horse’s back hoof. A third dog stands beyond, partially obscured by bushes and plants growing in the lower left corner of the canvas. A man wearing a tall black, wide-brimmed hat and carrying a long staff leads two slender dogs resembling grayhounds on leashes along the path, a little behind the riders. Two more elegantly dressed men ride horses toward us father back on the path. Sand-colored stone buildings, hazy in the distance, are clustered around a squared tower, possibly a bell tower, to our left. The land dips gently to the horizon line in the deep distance. The riders are silhouetted against a swirling slate-blue cloud that fills most of the sky in the top two-thirds of the painting. The sky clears to pale blue to our left and then warms to golden yellow along the horizon, beyond the buildings. The artist signed the painting near the lower left corner: “A. Cuijp.”
Aelbert Cuyp, Lady and Gentleman on Horseback, c. 1655, reworked 1660/1665, oil on canvas, Widener Collection, 1942.9.15

Lady and Gentleman on Horseback

Aelbert Cuyp · c. 1655, reworked 1660/1665 · oil on canvas ·  Accession ID  1942.9.15