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    A sprig of flowering rosemary lying against an ivory-white background and the twelve insects that surround it fills this horizontal painting. Stretching nearly the length of the composition with the cut end to our left, the rosemary has blunted, needle-like, gently curling teal-green leaves and small periwinkle-blue flowers along the ash-brown stem. Several insects perch on the sprig while others are seen as if looking from overhead, resting on the white background. The three largest insects perch along the top of the sprig, with an ivory-white butterfly with moss-green and black markings to the left, a black and golden, fuzzy bumblebee near the center, and a lemon-yellow butterfly with red antennae to our right. A tiny red insect, perhaps a ladybug without spots, sits on a leaf between the bee and yellow butterfly, and a small wasp-like insect rests on a leaf in at the lower left. Another mosquito-like insect alights on the surface nearby, next to a beetle with a honey-orange body with black, almost tiger-like stripes. A large cockroach sitting near the lower right corner has six spindly legs, a mahogany-colored abdomen, a black thorax, and tiny, black head. Spaced somewhat evenly across the top of the panel are a brick-red, winged insect to the left, a mint-green, beetle-like bug near a moth patterned with bone white and black, and a black, fly-like insect to our right. Lit from the upper left, the rosemary and insects cast shadows on the surface. The artist signed and dated the work with gray in the lower left corner: “J v. kessel . . f. Ao 1653.”

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    Only have an hour to spend?

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  • Exhibitions & Events

    • Exhibitions
    • Calendar
    • Kid-Friendly Events
    A sprig of flowering rosemary lying against an ivory-white background and the twelve insects that surround it fills this horizontal painting. Stretching nearly the length of the composition with the cut end to our left, the rosemary has blunted, needle-like, gently curling teal-green leaves and small periwinkle-blue flowers along the ash-brown stem. Several insects perch on the sprig while others are seen as if looking from overhead, resting on the white background. The three largest insects perch along the top of the sprig, with an ivory-white butterfly with moss-green and black markings to the left, a black and golden, fuzzy bumblebee near the center, and a lemon-yellow butterfly with red antennae to our right. A tiny red insect, perhaps a ladybug without spots, sits on a leaf between the bee and yellow butterfly, and a small wasp-like insect rests on a leaf in at the lower left. Another mosquito-like insect alights on the surface nearby, next to a beetle with a honey-orange body with black, almost tiger-like stripes. A large cockroach sitting near the lower right corner has six spindly legs, a mahogany-colored abdomen, a black thorax, and tiny, black head. Spaced somewhat evenly across the top of the panel are a brick-red, winged insect to the left, a mint-green, beetle-like bug near a moth patterned with bone white and black, and a black, fly-like insect to our right. Lit from the upper left, the rosemary and insects cast shadows on the surface. The artist signed and dated the work with gray in the lower left corner: “J v. kessel . . f. Ao 1653.”

    Featured exhibition:

    Little Beasts: Art, Wonder, and the Natural World

    Now on view

  • Art & Artists

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    Open daily from 10 a.m. to 5 p.m. 
    Admission is always free

    6th and Constitution Ave NW 
    Washington, DC 20565

    Only have an hour to spend?

    We've got you covered.

  • Exhibitions & Events

    • Exhibitions
    • Calendar
    • Kid-Friendly Events
    A sprig of flowering rosemary lying against an ivory-white background and the twelve insects that surround it fills this horizontal painting. Stretching nearly the length of the composition with the cut end to our left, the rosemary has blunted, needle-like, gently curling teal-green leaves and small periwinkle-blue flowers along the ash-brown stem. Several insects perch on the sprig while others are seen as if looking from overhead, resting on the white background. The three largest insects perch along the top of the sprig, with an ivory-white butterfly with moss-green and black markings to the left, a black and golden, fuzzy bumblebee near the center, and a lemon-yellow butterfly with red antennae to our right. A tiny red insect, perhaps a ladybug without spots, sits on a leaf between the bee and yellow butterfly, and a small wasp-like insect rests on a leaf in at the lower left. Another mosquito-like insect alights on the surface nearby, next to a beetle with a honey-orange body with black, almost tiger-like stripes. A large cockroach sitting near the lower right corner has six spindly legs, a mahogany-colored abdomen, a black thorax, and tiny, black head. Spaced somewhat evenly across the top of the panel are a brick-red, winged insect to the left, a mint-green, beetle-like bug near a moth patterned with bone white and black, and a black, fly-like insect to our right. Lit from the upper left, the rosemary and insects cast shadows on the surface. The artist signed and dated the work with gray in the lower left corner: “J v. kessel . . f. Ao 1653.”

    Featured exhibition:

    Little Beasts: Art, Wonder, and the Natural World

    Now on view

  • Art & Artists

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    • Artists
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    Artle

    A refreshed experience for our puzzle game

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    Artwork

    Paduan 16th Century, Hercules and Antaeus, c. 1525, bronze, Widener Collection, 1942.9.119

    Hercules and Antaeus

    Hercules and Antaeus

    Paduan 16th Century · c. 1525 · bronze ·  Accession ID  1942.9.119

    Artwork

    A rustic, arched, stone bridge spanning a shallow river nearly fills this horizontal landscape. From low to the ground, we look up into and through a large arch, which occupies the lower half of the picture and frames a view that opens to a wide expanse of calm, pale blue water, wooded green riverbanks, and a misty, distant view of a village and a mountain. The horizon line comes a quarter of the way up the painting, and a smoke-colored cloud formation curves like a backward C against the ice-blue sky above. The bridge structure is made from stacked, sandstone-colored stone blocks to form heavy piers. Vegetation grows on the crumbing bridge and gaps indicate other stones are missing. The bridge’s deck runs across the center of the painting, rising slightly from left to right. Atop it, occupying the top left quadrant of the painting, sits a square stone two-story tower that encloses an arched passage over the bridge’s roadway. Groups of people, small in scale, are positioned on and around the bridge. At the river level, on a platform around a bridge footing, four women do laundry. Two pull sheets from the water and two bend on their knees to wash the linens in the river. They wear long skirts of slate blue, cranberry red, and ochre yellow with pinafores and white blouses rolled up to the elbows, with their hair pinned up. A bearded man in brown trousers, white shirt, and brown hat appears to talk to them. Another woman standing nearby in a dark, slate-gray dress balances a large, dark brown ceramic ewer on her head and reaches to pick up another resting at her feet. Warm yellow light illuminates this scene and the underside of the bridge, and reflects on the river. On the bridge deck above, a brown steer is herded across the bridge by a person wearing a wide brown hat, while three people in red, slate-blue, and white clothing are about to pass through the tower passage on the left. Immediately above them, a woman in a white blouse and head scarf appears at a small balcony with what looks like a red dress draped over it and gestures with an extended arm toward a white cat crouched on a railing below. Another woman to our right, in a brown dress, white blouse, and brown hair, stands at the top of a flight of steps leading up the far side of the tower with her back toward us, and she gazes out at the view. On the water below, a small boat with several people is rowed across the river in the middle distance. In a shadowed area at the foot of the bridge, closer to us, a man stands wearing a pointed hat, blue jacket with buttons, and high boots with a sword tucked under his arm. Behind him, a woman in a dark green dress and kerchief sits on a stone step. Both look toward the scene under the bridge with the washerwomen.
    Hubert Robert, The Ponte Salario, c. 1775, oil on canvas, Samuel H. Kress Collection, 1952.5.50

    The Ponte Salario

    The Ponte Salario

    Hubert Robert · c. 1775 · oil on canvas ·  Accession ID  1952.5.50

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