Provenance

Dr. Carlos Gaa

German, 1871 - c. 1925

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See all 19 works of art
The image displays a pastoral landscape from an elevated viewpoint. The horizon is towards the upper third of the image, revealing distant hills and a faintly sketched structure. The drawing is made with fine pencil strokes capturing the details of trees, figures, and other elements. The color palette consists of soft sepia tones. In the foreground, there is a gathering of people and animals. Large trees create depth, while faint architectural and natural elements appear in the background. Birds fly in the sky, adding to the scene's tranquility and motion.
Nicolaes Pietersz Berchem, Northern Landscape Fantasy Evoking Tivoli, c. 1664, red chalk on laid paper, Ailsa Mellon Bruce Fund, 2004.139.1

Northern Landscape Fantasy Evoking Tivoli

Nicolaes Pietersz Berchem · c. 1664 · red chalk on laid paper ·  Accession ID  2004.139.1

This is a drawing of an interior scene featuring various activities. The image shows a rustic setting, possibly an inn or communal living space, with a large group of figures engaged in different actions. The room is detailed with wooden beams, a slanted ceiling, household objects like baskets and pots, and a hanging chair. The central focus is on a group of figures sharing drinks, talking, or gesturing. A fireplace and hearth add warmth to the scene. The overall atmosphere is lively and bustling with communal activity.
Adriaen van Ostade, Peasants Feasting at an Inn, c. 1652, etching, with touches of drypoint, on laid paper, Rosenwald Collection, 1943.3.8320

Peasants Feasting at an Inn

Adriaen van Ostade · c. 1652 · etching, with touches of drypoint, on laid paper ·  Accession ID  1943.3.8320

This is a detailed drawing of a celestial scene with symbolic imagery. The upper section shows angels and celestial figures around a central altar. Below, there are cascading stars or comets. Two large celestial bodies, a sun with a face on the left and a moon with a face on the right, frame the scene. The lower part contains figures amidst rocky terrain, possibly reacting to the event above, with some shielding their eyes or appearing distressed.
Albrecht Dürer, The Opening of the Fifth and Sixth Seal, 1498, woodcut on laid paper, Patrons' Permanent Fund and Print Purchase Fund (Horace Gallatin and Lessing J. Rosenwald), 2008.109.6

The Opening of the Fifth and Sixth Seal

Albrecht Dürer · 1498 · woodcut on laid paper ·  Accession ID  2008.109.6

This is an image of an ornate calligraphic title. The drawing features text that reads "Apocalipsis cum Figuris" in a gothic and elaborate calligraphic style. The letters are adorned with intricate flourishes and decorative elements. The background is a plain, slightly textured, off-white paper that serves as a backdrop to the detailed black ink calligraphy. The overall presentation appears historical and possibly influenced by medieval manuscript titles, emphasizing the decorative nature of early book typography.
Albrecht Dürer, Title Page, 1498, woodcut on laid paper, Patrons' Permanent Fund and Print Purchase Fund (Horace Gallatin and Lessing J. Rosenwald), 2008.109.1

Title Page

Albrecht Dürer · 1498 · woodcut on laid paper ·  Accession ID  2008.109.1

This is a drawing featuring a central lamb surrounded by various figures and symbolic imagery. The lamb stands within a radiant circle in the sky, holding a flag, and is surrounded by beams of light. The figures below are holding palm leaves, and the scene includes other animals, winged creatures, and elements suggestive of a celestial gathering. The drawing is detailed and intricate, with fine line work emphasizing the costumes and expressions of each figure.
Albrecht Dürer, The Adoration of the Lamb, 1498, woodcut on laid paper, Patrons' Permanent Fund and Print Purchase Fund (Horace Gallatin and Lessing J. Rosenwald), 2008.109.14

The Adoration of the Lamb

Albrecht Dürer · 1498 · woodcut on laid paper ·  Accession ID  2008.109.14

This is a drawing portraying angels in a landscape. It shows angelic figures beneath a fruit tree, with mountains in the background and a crowd of people. An angel in the sky holds a cross, while others on the ground hold swords and banners. The style features detailed lines and textures representing the clothing and wings of the angels. The background includes clouds and a hill, suggesting a religious or mythological setting. The artwork is inscribed with letters that may indicate it was created by Albrecht Dürer.
Albrecht Dürer, The Four Angels Holding the Winds, 1498, woodcut on laid paper, Patrons' Permanent Fund and Print Purchase Fund (Horace Gallatin and Lessing J. Rosenwald), 2008.109.7

The Four Angels Holding the Winds

Albrecht Dürer · 1498 · woodcut on laid paper ·  Accession ID  2008.109.7

The image shows two full-body figures in a detailed black and white illustration. One figure is seated on a crescent shape surrounded by clouds, with long, curly hair, a beard, and a crown or halo. They wear elaborate robes, hold an open book and a thin object. The second figure kneels before the seated one in homage, with long hair and flowing robes. Surrounding them are ornate candlesticks with lit candles, against a background of stylized clouds.
Albrecht Dürer, The Vision of the Seven Candlesticks, 1498, woodcut on laid paper, Patrons' Permanent Fund and Print Purchase Fund (Horace Gallatin and Lessing J. Rosenwald), 2008.109.3

The Vision of the Seven Candlesticks

Albrecht Dürer · 1498 · woodcut on laid paper ·  Accession ID  2008.109.3

Albrecht Dürer, The Apocalyptic Woman, 1498, woodcut on laid paper, Patrons' Permanent Fund and Print Purchase Fund (Horace Gallatin and Lessing J. Rosenwald), 2008.109.11

The Apocalyptic Woman

Albrecht Dürer · 1498 · woodcut on laid paper ·  Accession ID  2008.109.11

This is a drawing of a scene with various figures surrounding a character in a cauldron. The black and white line drawing shows multiple figures in detailed clothing gathered around the central character seated in the cauldron being heated by wood. The characters are dressed in period attire with different expressions, creating a sense of drama and tension. The background includes intricate architectural details, resembling a medieval cityscape. The drawing showcases technical skill in rendering fabric folds, facial expressions, and architectural details, with a style reminiscent of classical or Renaissance art.
Albrecht Dürer, The Martyrdom of Saint John, 1498, woodcut on laid paper, Patrons' Permanent Fund and Print Purchase Fund (Horace Gallatin and Lessing J. Rosenwald), 2008.109.2

The Martyrdom of Saint John

Albrecht Dürer · 1498 · woodcut on laid paper ·  Accession ID  2008.109.2

This is a drawing of a medieval scene featuring angels, a demon-like creature, and an elaborate city in the background. Two winged figures are working together to subdue a dragon-like beast. The angels are wearing long robes, with one holding keys. The creature has scaled legs and a fierce expression. The background shows a detailed cityscape with towers and walls among mountains. A barren tree and small houses complete the scene.
Albrecht Dürer, The Angel with the Key to the Bottomless Pit, 1498, woodcut on laid paper, Patrons' Permanent Fund and Print Purchase Fund (Horace Gallatin and Lessing J. Rosenwald), 2008.109.16

The Angel with the Key to the Bottomless Pit

Albrecht Dürer · 1498 · woodcut on laid paper ·  Accession ID  2008.109.16