Skip to main content
National Gallery of Art National Gallery of Art

Directions

  • Open today 10:00 a.m. to 5:00 p.m. ⸱ Always free
  • Directions

  • Visit

    • Plan Your Visit
    • Accessibility
    • Visiting with Kids
    • Food and Drink
    • Shops
    • Tours, Guides, and Maps

    Open daily from 10 a.m. to 5 p.m. 
    Admission is always free

    6th and Constitution Ave NW 
    Washington, DC 20565

    Only have an hour to spend?

    We've got you covered.

  • Exhibitions & Events

    • Exhibitions
    • Calendar
    • Kid-Friendly Events
    A sprig of flowering rosemary lying against an ivory-white background and the twelve insects that surround it fills this horizontal painting. Stretching nearly the length of the composition with the cut end to our left, the rosemary has blunted, needle-like, gently curling teal-green leaves and small periwinkle-blue flowers along the ash-brown stem. Several insects perch on the sprig while others are seen as if looking from overhead, resting on the white background. The three largest insects perch along the top of the sprig, with an ivory-white butterfly with moss-green and black markings to the left, a black and golden, fuzzy bumblebee near the center, and a lemon-yellow butterfly with red antennae to our right. A tiny red insect, perhaps a ladybug without spots, sits on a leaf between the bee and yellow butterfly, and a small wasp-like insect rests on a leaf in at the lower left. Another mosquito-like insect alights on the surface nearby, next to a beetle with a honey-orange body with black, almost tiger-like stripes. A large cockroach sitting near the lower right corner has six spindly legs, a mahogany-colored abdomen, a black thorax, and tiny, black head. Spaced somewhat evenly across the top of the panel are a brick-red, winged insect to the left, a mint-green, beetle-like bug near a moth patterned with bone white and black, and a black, fly-like insect to our right. Lit from the upper left, the rosemary and insects cast shadows on the surface. The artist signed and dated the work with gray in the lower left corner: “J v. kessel . . f. Ao 1653.”

    Featured exhibition:

    Little Beasts: Art, Wonder, and the Natural World

    Now on view

  • Art & Artists

    • Artworks
    • Artists
    • Stories
    • Games and Interactives
    • Educational Resources
    • Research

    Artle

    A refreshed experience for our puzzle game

    Today's puzzle

Utility

  • Shop
  • Support

Open today 10:00 a.m. to 5:00 p.m. ⸱ Always free

National Gallery of Art

  • Visit

    • Plan Your Visit
    • Accessibility
    • Visiting with Kids
    • Food and Drink
    • Shops
    • Tours, Guides, and Maps

    Open daily from 10 a.m. to 5 p.m. 
    Admission is always free

    6th and Constitution Ave NW 
    Washington, DC 20565

    Only have an hour to spend?

    We've got you covered.

  • Exhibitions & Events

    • Exhibitions
    • Calendar
    • Kid-Friendly Events
    A sprig of flowering rosemary lying against an ivory-white background and the twelve insects that surround it fills this horizontal painting. Stretching nearly the length of the composition with the cut end to our left, the rosemary has blunted, needle-like, gently curling teal-green leaves and small periwinkle-blue flowers along the ash-brown stem. Several insects perch on the sprig while others are seen as if looking from overhead, resting on the white background. The three largest insects perch along the top of the sprig, with an ivory-white butterfly with moss-green and black markings to the left, a black and golden, fuzzy bumblebee near the center, and a lemon-yellow butterfly with red antennae to our right. A tiny red insect, perhaps a ladybug without spots, sits on a leaf between the bee and yellow butterfly, and a small wasp-like insect rests on a leaf in at the lower left. Another mosquito-like insect alights on the surface nearby, next to a beetle with a honey-orange body with black, almost tiger-like stripes. A large cockroach sitting near the lower right corner has six spindly legs, a mahogany-colored abdomen, a black thorax, and tiny, black head. Spaced somewhat evenly across the top of the panel are a brick-red, winged insect to the left, a mint-green, beetle-like bug near a moth patterned with bone white and black, and a black, fly-like insect to our right. Lit from the upper left, the rosemary and insects cast shadows on the surface. The artist signed and dated the work with gray in the lower left corner: “J v. kessel . . f. Ao 1653.”

    Featured exhibition:

    Little Beasts: Art, Wonder, and the Natural World

    Now on view

  • Art & Artists

    • Artworks
    • Artists
    • Stories
    • Games and Interactives
    • Educational Resources
    • Research

    Artle

    A refreshed experience for our puzzle game

    Today's puzzle

Utility

  • Shop
  • Support

  • Visit

    • Plan Your Visit
    • Accessibility
    • Visiting with Kids
    • Food and Drink
    • Shops
    • Tours, Guides, and Maps

    Open daily from 10 a.m. to 5 p.m. 
    Admission is always free

    6th and Constitution Ave NW 
    Washington, DC 20565

    Only have an hour to spend?

    We've got you covered.

  • Exhibitions & Events

    • Exhibitions
    • Calendar
    • Kid-Friendly Events
    A sprig of flowering rosemary lying against an ivory-white background and the twelve insects that surround it fills this horizontal painting. Stretching nearly the length of the composition with the cut end to our left, the rosemary has blunted, needle-like, gently curling teal-green leaves and small periwinkle-blue flowers along the ash-brown stem. Several insects perch on the sprig while others are seen as if looking from overhead, resting on the white background. The three largest insects perch along the top of the sprig, with an ivory-white butterfly with moss-green and black markings to the left, a black and golden, fuzzy bumblebee near the center, and a lemon-yellow butterfly with red antennae to our right. A tiny red insect, perhaps a ladybug without spots, sits on a leaf between the bee and yellow butterfly, and a small wasp-like insect rests on a leaf in at the lower left. Another mosquito-like insect alights on the surface nearby, next to a beetle with a honey-orange body with black, almost tiger-like stripes. A large cockroach sitting near the lower right corner has six spindly legs, a mahogany-colored abdomen, a black thorax, and tiny, black head. Spaced somewhat evenly across the top of the panel are a brick-red, winged insect to the left, a mint-green, beetle-like bug near a moth patterned with bone white and black, and a black, fly-like insect to our right. Lit from the upper left, the rosemary and insects cast shadows on the surface. The artist signed and dated the work with gray in the lower left corner: “J v. kessel . . f. Ao 1653.”

    Featured exhibition:

    Little Beasts: Art, Wonder, and the Natural World

    Now on view

  • Art & Artists

    • Artworks
    • Artists
    • Stories
    • Games and Interactives
    • Educational Resources
    • Research

    Artle

    A refreshed experience for our puzzle game

    Today's puzzle

Utility

  • Shop
  • Support

Directions

  • Open today 10:00 a.m. to 5:00 p.m. ⸱ Always free
  • Directions

Global Search

Autocomplete Suggestions
    No Results
    Keep typing to get suggestions
    Loading Results

    Top Searches:

    • Free images
    • Van Gogh
    • Landscape
    • National Gallery Nights
    • Matisse
    Advanced Artwork Search

    Breadcrumb

    1. Home
    3. Artworks
    4. Provenance
    5. Mme. G. Brière
    Provenance

    Mme. G. Brière

    Explore Selected Works

    Artwork

    The limp, dead bodies of a swan, rabbit, and three birds along with a live bird and a small dog are arranged on and near a low stone step in the bottom left corner of this horizontal painting. To our left and close to us, the white swan lies on its back on the step with its wings partly extended. Its long neck drapes toward us over the rabbit’s body, the bird’s head turned to our left. The rabbit has tawny-brown fur and lies stretched out on its side, its belly facing away from us. Tucked in the lower left corner of the painting, a fowl has a round body with cream-white and chestnut-brown feathers. The beaks of two more dead birds peek out from the shadows beyond the rabbit’s body. Behind the dead animals and taking up the left third of the painting, the square base of a fawn-brown stone column nearly reaches the top edge of the canvas. The front face is carved with a relief showing a woman and man huddled together as they look down in front of them, seemingly toward the swan. A yellow flower with narrow, tapered petals hangs over the upper left corner of the base and lavender-purple flowers, perhaps roses, peek around the base from our right. To our right of the dead animals, a bird with black, smoke-gray, and white feathers stands facing away from us with its wings flared back. Its emerald-green and gold head gleams in the stark light illuminating the scene from the lower left. It turns its head toward a small dog in the lower right corner. The dog has white and pale, honey-brown fur, a round face, blunt nose, and sable-brown floppy ears. The dog’s back half is cut off by the edge of the painting, and it seems to lean back as it looks toward the bird. A grapevine with broad, curling leaves winds into the painting behind and above the dog, ending with scrolling tendrils at the center of the composition. The leaves are fern green, some fading to a pale sage green or tan, and edged in brown. One leaf over the dog’s head is crimson red and tan, and a glistening cluster of green grapes lies on the ground near the dog’s front paws, to our left. Beyond the live bird and dog, a deep landscape opens up with statues lining a stepped walkway that leads to a rectangular reflecting pool. Several black and white birds the size of ducks stand in the shadowed background near the pool and more birds fly overhead. Backlit by the amber-gold sunset, tall trees with thin black trunks and caramel-brown leaves line the path leading to a tall narrow structure at the water’s edge. The golden sunset fades to a pale blue sky with drifting clouds over low mountains in the deep distance.
    Jan Weenix, Still Life with Goose and Game before a Country Estate, c. 1685, oil on canvas, Patrons' Permanent Fund, 2004.39.1

    Still Life with Goose and Game before a Country Estate

    Still Life with Goose and Game before a Country Estate

    Jan Weenix · c. 1685 · oil on canvas ·  Accession ID  2004.39.1

    Site Footer

    Home National Gallery of Art

    Hours

    Admission is always free.
    Open today 10:00 a.m. to 5:00 p.m.

    Locations

    • West Building

      6th St and Constitution Ave NW
      Washington, 20565 DC

    • East Building

      4th St and Constitution Ave NW
      Washington, 20565 DC

    • Sculpture Garden

      7th St and Constitution Ave NW
      Washington, 20565 DC

    Newsletter Sign Up Form

    Art news every week

    Subscribe

    * indicates required

    Follow us

    Social Media

    • Facebook
    • Instagram
    • Pinterest
    • Twitter
    • YouTube

    Footer Primary Menu

    • About
      • About Us
      • Press
      • Contact Us
    • Visit
      • Plan Your Visit
      • Calendar
      • Today's Tours
      • Accessibility
      • Exhibitions
    • Get Involved
      • Donate
      • Membership
      • Opportunities
    • Research
      • Free Images for Download
      • Artwork Search
      • The Center
      • Conservation
      • Library
      • Archives
      • Publications
    © 2025 National Gallery of Art

    Legal Links

    • Notices
    • Privacy Policy