Provenance

David Zwirner

Private Collection c/o David Zwirner Gallery

Explore selected works

A tall, rectangular, highly polished black panel leans against a white wall. The shiny surface reflects the room, including the gray carpet.
John McCracken, Black Plank, 1967, polyester resin, fiberglass, and plywood, Gift of the Collectors Committee, 2010.18.1

Black Plank

John McCracken · 1967 · polyester resin, fiberglass, and plywood ·  Accession ID  2010.18.1

Three horizontal paintings with raspberry-pink backgrounds and white text hang spaced out in a row against a white background. The central panel is slightly larger than those hanging to the sides. The white text on the left panel reads, “ONE THING.” In the center is “1965,” and the panel to our right has, “VIET-NAM.”
On Kawara, Title, 1965, acrylic and collage on three separate canvases, Patrons' Permanent Fund, 2006.40.1.1

Title

On Kawara · 1965 · acrylic and collage on three separate canvases ·  Accession ID  2006.40.1.1

The image shows a person standing in a frontal position. The individual has a serious expression, with deeply set eyes, a well-defined nose, and slightly pursed lips. They are wearing a black durag, a dark blue or black oversized t-shirt, and a gold chain with a cross pendant. The background is blurred, with hints of an industrial or dimly lit room.
Philip-Lorca diCorcia, Head #22, 2001, chromogenic print, Charina Endowment Fund, 2011.48.1

Head #22

Philip-Lorca diCorcia · 2001 · chromogenic print ·  Accession ID  2011.48.1

The image shows thick, vertical black lines with a watery texture intersected by thin white lines in a grid-like pattern. Alphabet letters are arranged horizontally at the top and bottom edges, along with words like "FAIRLY" and "MEAN."
Al Taylor, Fairly Mean/Mean Fairly, 1995, black ink and graphite on wove paper, Gift of the Collectors Committee, 2011.8.1

Fairly Mean/Mean Fairly

Al Taylor · 1995 · black ink and graphite on wove paper ·  Accession ID  2011.8.1

There are two cylindrical objects stacked closely together in the image. The larger object is brown and orange, while the smaller one is black and silver. The color palette is neutral with some colorful accents. Three long, thin lines extend upwards from each cylinder towards the top corners of the image against a beige background.
Al Taylor, Untitled (Can Study), 1994, gouache and graphite on Rives BFK wove paper, Gift of the Collectors Committee and Luhring Augustine Gallery, 2010.51.1

Untitled (Can Study)

Al Taylor · 1994 · gouache and graphite on Rives BFK wove paper ·  Accession ID  2010.51.1

The image shows intersecting lines and shapes of varying thickness, creating a sense of movement. The composition resembles a tangle of lines, with a mix of light and dark tones adding depth.
Al Taylor, Untitled (Floaters), 1998, gouache, ink, and graphite with correction fluid on Winsor & Newton wove paper, Gift of the Collectors Committee and Luhring Augustine Gallery, 2010.51.2

Untitled (Floaters)

Al Taylor · 1998 · gouache, ink, and graphite with correction fluid on Winsor & Newton wove paper ·  Accession ID  2010.51.2

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Title [center panel]

On Kawara · 1965 · acrylic and collage on three separate canvases ·  Accession ID  2006.40.1.2

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Title [right panel]

On Kawara · 1965 · acrylic and collage on three separate canvases ·  Accession ID  2006.40.1.3