David Zwirner

Explore Selected Works

Al Taylor, Untitled (Floaters), 1998, gouache, ink, and graphite with correction fluid on Winsor & Newton wove paper, Gift of the Collectors Committee and Luhring Augustine Gallery, 2010.51.2

Untitled (Floaters)

Al Taylor · 1998 · gouache, ink, and graphite with correction fluid on Winsor & Newton wove paper ·  Accession ID  2010.51.2

Al Taylor, Untitled (Can Study), 1994, gouache and graphite on Rives BFK wove paper, Gift of the Collectors Committee and Luhring Augustine Gallery, 2010.51.1

Untitled (Can Study)

Al Taylor · 1994 · gouache and graphite on Rives BFK wove paper ·  Accession ID  2010.51.1

Al Taylor, Fairly Mean/Mean Fairly, 1995, black ink and graphite on wove paper, Gift of the Collectors Committee, 2011.8.1

Fairly Mean/Mean Fairly

Al Taylor · 1995 · black ink and graphite on wove paper ·  Accession ID  2011.8.1

Philip-Lorca diCorcia, Head #22, 2001, chromogenic print, Charina Endowment Fund, 2011.48.1

Head #22

Philip-Lorca diCorcia · 2001 · chromogenic print ·  Accession ID  2011.48.1

Three horizontal paintings with raspberry-pink backgrounds and white text hang spaced out in a row against a white background. The central panel is slightly larger than those hanging to the sides. The white text on the left panel reads, “ONE THING.” In the center is “1965,” and the panel to our right has, “VIET-NAM.”
On Kawara, Title, 1965, acrylic and collage on three separate canvases, Patrons' Permanent Fund, 2006.40.1.1

Title

On Kawara · 1965 · acrylic and collage on three separate canvases ·  Accession ID  2006.40.1.1

A tall, rectangular, highly polished black panel leans against a white wall. The shiny surface reflects the room, including the gray carpet.
John McCracken, Black Plank, 1967, polyester resin, fiberglass, and plywood, Gift of the Collectors Committee, 2010.18.1

Black Plank

John McCracken · 1967 · polyester resin, fiberglass, and plywood ·  Accession ID  2010.18.1