Provenance

Weyhe Gallery

Erhard Weyhe Gallery
E. Weyhe Inc.
The Weyhe Gallery

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See all 15 works of art
Fields of elephant gray, coral orange, and turquoise surround a fan-like, abstracted palm frond near the center of this vertical, abstract painting. The fronds of the palm radiate like a starburst against unpainted, cream-white canvas. Three black, vertical bands spaced behind the palm suggest tree trunks, with the rightmost trunk dotted with spring green, perhaps representing moss or the leaves of a vine. The fields of gray to either side of the frond, the turquoise areas below the gray, and the coral at the bottom center are painted with visible brushstrokes, creating a mottled effect. Rounded turquoise forms above the gray are silhouetted against a field of pale blue, perhaps representing the sky along the top edge. A few pointed, oval leaves painted spring green with black outlines dip into the scene from the top of the composition. The artist signed the work in dark green paint in the lower right: “Henri-Matisse.”
Henri Matisse, Palm Leaf, Tangier, 1912, oil on canvas, Chester Dale Fund, 1978.73.1

Palm Leaf, Tangier

Henri Matisse · 1912 · oil on canvas ·  Accession ID  1978.73.1

The image consists of a series of bold, curved lines and forms arranged within a rectangular frame, creating an abstract composition. The design vaguely suggests the shape of a vase or a stylized human figure. The dark lines contrast with the light background.
Max Weber, Seated Figure, 1951-1952, woodcut in black on laid paper, Gift of Jack and Margrit Vanderryn, 2015.114.64

Seated Figure

Max Weber · 1951-1952 · woodcut in black on laid paper ·  Accession ID  2015.114.64

The image shows a rectangular block with bold, angular lines and shapes forming an abstract figure. The composition suggests a silhouette of a person-like form, with a round shape at the top resembling a head and blocky shapes below hinting at a body and limbs. Contrasting light and dark areas within the rectangle create depth, and the geometric forms evoke familiar objects such as a figure in a suit or armor in a static pose.
Max Weber, Standing Female Figure, 1951-1952, woodcut in black on laid paper, Gift of Jack and Margrit Vanderryn, 2015.114.66

Standing Female Figure

Max Weber · 1951-1952 · woodcut in black on laid paper ·  Accession ID  2015.114.66

This print is an abstract, close-up sketch of a person's upper body, focusing primarily on their face and hands. The person's face has exaggerated features, including large eyes and a sharp nose. Their hair is depicted in swirling strokes that extend outward. The person's hand is raised, showing long, thin fingers. The portrait is rendered in dynamic, sweeping black lines. The background is plain, off-white paper.
Walter Gramatté, unidentified, Gustav Kiepenheuer, The Great Anxiety (Self-Portrait, in Three-Quarter Profile to the Right) (Die große Angst [Selbstportrat, Kopf im Halbprofil nach rechts]), 1918, drypoint on wove paper, Ruth and Jacob Kainen Collection, 1989.80.3

The Great Anxiety (Self-Portrait, in Three-Quarter Profile to the Right) (Die große Angst [Selbstportrat, Kopf im Halbprofil nach rechts])

Walter Gramatté, unidentified, Gustav Kiepenheuer · 1918 · drypoint on wove paper ·  Accession ID  1989.80.3

The image features three separate panels of detailed pencil drawings, each depicting multiple figures in various poses and settings. In the left panel, a group of individuals, mainly women, are shown in dynamic positions; one is seated while the others stand, with a prominent figure holding a large basket above their head. A winged horse is in the background. The middle panel features a central seated figure with a staff, flanked by others who are standing or seated around them, potentially on a boat as three figures are rowing with oars. The right panel contains two central figures draped in flowing garments; one of them appears to have a large, circular object behind their head reminiscent of a halo. Below them are cherub-like figures, some of which are in water, with visible wings. The background includes detailed architectural and nature elements like columns, fabric drapes, and foliage.
John La Farge, Study for "Commerce", c. 1885, pen and black ink over graphite on wove paper mounted to paperboard, Corcoran Collection (Museum Purchase, Membership Association Fund, 1951), 2015.19.743

Study for "Commerce"

John La Farge · c. 1885 · pen and black ink over graphite on wove paper mounted to paperboard ·  Accession ID  2015.19.743

The image shows a series of bold, elongated shapes and lines enclosed within a rectangular frame, creating an abstract composition. At the center, there is an oval shape with a pointed bottom. Surrounding this central form are angular lines and geometric patterns. The artwork invites comparisons to familiar objects while maintaining an enigmatic quality.
Max Weber, Figure, 1951-1952, woodcut in black on laid paper, Gift of Jack and Margrit Vanderryn, 2015.114.65

Figure

Max Weber · 1951-1952 · woodcut in black on laid paper ·  Accession ID  2015.114.65

The image shows a group of figures on interconnected staircases within a setting of archways and walls. The style is loose with expressive strokes conveying movement and atmosphere. The figures are elongated and abstract, set against a dark and textured background.
Eva Marie Schlenzig, Staircase Alley in Fiesole, c. 1930, lithograph on wove cream paper, Gift of Ruth Cole Kainen, 2012.92.458

Staircase Alley in Fiesole

Eva Marie Schlenzig · c. 1930 · lithograph on wove cream paper ·  Accession ID  2012.92.458

The image shows two figures. One is a crouching figure in profile, kneeling with their hands extended forward. They wear flowing robes and have no visible facial features. The second figure stands upright on the right side, also wearing draped clothing and facing away with unclear facial features. The background is plain, highlighting the interaction between the figures. The artwork is sketched with soft, linear techniques on a parchment-like background.
John La Farge, Study for "Christ Appearing to Mary", 1877-1878, graphite on tracing paper mounted to board, Corcoran Collection (Museum Purchase, Membership Association Fund, 1951), 2015.19.742

Study for "Christ Appearing to Mary"

John La Farge · 1877-1878 · graphite on tracing paper mounted to board ·  Accession ID  2015.19.742

The image displays a rocky ledge by a river, where a person is fishing. The horizon is visible with distant hills and wooded areas. A rugged cliff covered with trees lines the river, showcasing the water's movement. The brushstroke style offers detailed texture to the surfaces and water. The color palette includes earth tones like browns and greens for the terrain, contrasting with cool blues and whites in the river. The sky is a muted gray, indicating an overcast day.
John Hill, Henry J. Megarey, Rapids Above Hadley's Falls, 1822-1823, hand-colored engraving and aquatint on wove paper, Corcoran Collection (Museum Purchase, Mary E. Maxwell Fund, 1955), 2015.19.817

Rapids Above Hadley's Falls

John Hill, Henry J. Megarey · 1822-1823 · hand-colored engraving and aquatint on wove paper ·  Accession ID  2015.19.817

The image depicts an abstract illustration showing multiple stylized figures, some full bodies and others partially visible. The figures have minimalistic facial features and hair indicated with bold lines or shapes. They are depicted in clothing that suggests long dresses or robes, with some wearing cross-shaped necklaces. Sketch-like marks surround the figures, along with what appears to be a small animal on the ground nearby. In the background, there are vertical elements that could represent trees or poles against a textured backdrop.
Eva Marie Schlenzig, School Outing, c. 1930, lithograph on wove cream paper, Gift of Ruth Cole Kainen, 2012.92.459

School Outing

Eva Marie Schlenzig · c. 1930 · lithograph on wove cream paper ·  Accession ID  2012.92.459

Bibliography

1996

  • Wiliams, Reba White. The Weyhe Gallery Between the Wars, 1920-1939. Ph.D. diss., The City University of New York, 1996.

2009

  • Williams, Reba White. The Weyhe Gallery Between the Wars, 1919-1940. Ph.D. diss., The City University of New York, 1996.