Provenance

Nicolas Schwed

Explore Selected Works

See all 29 works of art
Gerrit van Honthorst, Decorative Motifs with Garlands (verso), 1620s, pen and brown ink with gray wash on brown paper, Pepita Milmore Memorial Fund, 2015.69.1.b

Decorative Motifs with Garlands (verso)

Gerrit van Honthorst · 1620s · pen and brown ink with gray wash on brown paper ·  Accession ID  2015.69.1.b

Gerrit van Honthorst, Diana and Two Nymphs Receiving Gifts from a Satyr (recto), 1620s, pen and brown ink over black chalk, heightened with white, on brown laid paper, Pepita Milmore Memorial Fund, 2015.69.1.a

Diana and Two Nymphs Receiving Gifts from a Satyr (recto)

Gerrit van Honthorst · 1620s · pen and brown ink over black chalk, heightened with white, on brown laid paper ·  Accession ID  2015.69.1.a

Carlo Antonio Tavella, The Rest on the Flight into Egypt, c. 1720, pen and brown ink and brush and brown wash, heightened with white, on laid paper, Ailsa Mellon Bruce Fund, 2012.57.1

The Rest on the Flight into Egypt

Carlo Antonio Tavella · c. 1720 · pen and brown ink and brush and brown wash, heightened with white, on laid paper ·  Accession ID  2012.57.1

Daniel Seiter, The Martyrdom of Saint Lawrence, 1685, black chalk with pen and brown ink and brush and light brown wash, heightened with white gouache, on light blue laid paper, Purchased as the Gift of Diane A. Nixon, 2009.98.1

The Martyrdom of Saint Lawrence

Daniel Seiter · 1685 · black chalk with pen and brown ink and brush and light brown wash, heightened with white gouache, on light blue laid paper ·  Accession ID  2009.98.1

Giacinto Gimignani, The Holy Family with Saint Philip Neri in Adoration, an Angel, and Putti, 1649, pen and brown ink with brown wash over black chalk, heightened with white, on laid paper; incised and the verso blackened for transfer, Ailsa Mellon Bruce Fund and Purchased as the Gift of Robert B. Loper, 2019.129.1

The Holy Family with Saint Philip Neri in Adoration, an Angel, and Putti

Giacinto Gimignani · 1649 · pen and brown ink with brown wash over black chalk, heightened with white, on laid paper; incised and the verso blackened for transfer ·  Accession ID  2019.129.1

Pierre-Philippe Choffard, A Cartouche with Theater Masks, pen and ink with gray wash on laid paper, Gift of Nicolas Schwed, 2012.120.1

A Cartouche with Theater Masks

Pierre-Philippe Choffard · · pen and ink with gray wash on laid paper ·  Accession ID  2012.120.1

Bartolomeo Pinelli, La Compagnia dei sacconi al Colosseo (Penitents Praying at Altars in the Colosseum), 1829, watercolor over black chalk and graphite on wove paper, Ailsa Mellon Bruce Fund, 2011.50.1

La Compagnia dei sacconi al Colosseo (Penitents Praying at Altars in the Colosseum)

Bartolomeo Pinelli · 1829 · watercolor over black chalk and graphite on wove paper ·  Accession ID  2011.50.1

Bernardo Castello, David Playing the Harp Before Saul, c. 1602, pen and black and brown ink with black chalk and brown wash, heightened with white gouache on blue paper, squared in black chalk, Ailsa Mellon Bruce Fund, 2019.126.1

David Playing the Harp Before Saul

Bernardo Castello · c. 1602 · pen and black and brown ink with black chalk and brown wash, heightened with white gouache on blue paper, squared in black chalk ·  Accession ID  2019.126.1

Thierry Bellange, The Madonna and Child Seated before a Ledge, c. 1630, black and red chalk with graphite and gold on vellum, Ailsa Mellon Bruce Fund, 2018.64.3

The Madonna and Child Seated before a Ledge

Thierry Bellange · c. 1630 · black and red chalk with graphite and gold on vellum ·  Accession ID  2018.64.3

Rosa Bonheur, Cattle in the Auvergne, 1867, black and white chalk with stumping and touches of pastel on brown wove paper, Ailsa Mellon Bruce Fund, 2017.40.1

Cattle in the Auvergne

Rosa Bonheur · 1867 · black and white chalk with stumping and touches of pastel on brown wove paper ·  Accession ID  2017.40.1