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Nicolas Schwed

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The image depicts a sketch of a person seated, with the head tilted back and facing upwards. The facial features are lightly drawn, with an open mouth and a nose. The hair is subtly shown, appearing short. The person is wearing a draped garment with visible folds and textures, resembling a robe or cloak. One arm is extended outward with an open hand, while the other arm is less visible. The background is textured, without distinct elements. The sketch is done in pencil on medium-tone paper, creating contrast through shading. No jewelry or objects are included in the drawing.
Pietro Bernardi, Bishop Saint in Supplication, 1610s, black and white chalk on blue laid paper, Gift of Nicolas Schwed, 2017.129.1

Bishop Saint in Supplication

Pietro Bernardi · 1610s · black and white chalk on blue laid paper ·  Accession ID  2017.129.1

This is a drawing of six figures interacting in an outdoor setting. One figure is seated wearing a crown and holding a staff, while the others are gathered around in a semicircle. One figure is kneeling over a pile of objects. The figures are dressed in classical-style robes. The drawing is in shades of grey, creating depth and shading. The figures' clothing and postures suggest movement and interaction.
Gerrit van Honthorst, Diana and Four Nymphs Receiving Gifts from a Satyr, c. 1630, pen and black ink with gray wash over black chalk, heightened with white gouache, on brown laid paper, Pepita Milmore Memorial Fund, 2015.69.2

Diana and Four Nymphs Receiving Gifts from a Satyr

Gerrit van Honthorst · c. 1630 · pen and black ink with gray wash over black chalk, heightened with white gouache, on brown laid paper ·  Accession ID  2015.69.2

The image is a drawing of a person positioned off-center in an indoor setting. The person is standing with their left arm raised and bent at the elbow and their right arm outstretched with an open palm. They have a youthful face, long hair tucked under a broad-brimmed hat, and are dressed in a textured jacket, voluminous trousers, boots, and a belt. There is no apparent jewelry or objects in their hands. The background features a simple, geometric architectural structure with walls meeting at a corner and a tiled floor. The scene is bordered by a rectangular frame integrated into the paper.
Carlo Marchionni, Caricature of a Peasant with a Broad Hat, c. 1750/1770, pen and brown ink with gray and brown washes on laid paper, Ailsa Mellon Bruce Fund, 2017.52.2

Caricature of a Peasant with a Broad Hat

Carlo Marchionni · c. 1750/1770 · pen and brown ink with gray and brown washes on laid paper ·  Accession ID  2017.52.2

This is a drawing of a scene featuring multiple cherubic figures and a central seated figure with outstretched arms. The image is characterized by the use of a blue-grey paper with white highlights and red chalk line work. A key element is the central figure seated on what appears to be a cloud or rocky surface, reaching upwards. Surrounding this figure are several cherub-like entities. The lower portion is adorned with fruits and flora. The use of contrasting lines and soft shading creates depth in the ethereal setting.
Dutch 18th Century, Design for a Ceiling: Aeolus Seated on Clouds Surrounded by Putti, 18th century, black, white, and red chalk on blue laid paper, Ailsa Mellon Bruce Fund, 2019.139.1

Design for a Ceiling: Aeolus Seated on Clouds Surrounded by Putti

Dutch 18th Century · 18th century · black, white, and red chalk on blue laid paper ·  Accession ID  2019.139.1

The image depicts a caravan of people and animals traveling along a winding path. The horizon shows distant hills and a line of trees. The brushstrokes are detailed, capturing motion and patterns. The color palette includes soft grays, browns, and light tints. Large trees bend in the wind on the sides. Figures on horseback and foot lead the way with dogs. Wagons and more figures extend into the distance, showing continuous movement.
Jean-Baptiste Le Paon, Soldiers in a Windy Landscape, 1770s?, black chalk and pen and brown ink with brown and gray wash on laid paper, Ailsa Mellon Bruce Fund, 2018.64.1

Soldiers in a Windy Landscape

Jean-Baptiste Le Paon · 1770s? · black chalk and pen and brown ink with brown and gray wash on laid paper ·  Accession ID  2018.64.1

This is a drawing of an encounter between two figures. One figure is gesturing upwards and the other is leaning back in surprise. The drawing is composed of loose, expressive lines that depict a dynamic interaction between the two figures. The figure on the left has an outstretched arm and is surrounded by flowing lines. The figure on the right appears to be seated or leaning back, showing surprise or contemplation. The style is sketchy and captures a moment of interaction and emotion.
Alessandro Maganza, The Annunciation, early 17th century, leadpoint or graphite and pen and brown ink on laid paper, Ailsa Mellon Bruce Fund, 2018.64.2

The Annunciation

Alessandro Maganza · early 17th century · leadpoint or graphite and pen and brown ink on laid paper ·  Accession ID  2018.64.2

The image displays a drawing of several figures. Three full-length figures are prominently featured in the foreground. On the left, a bearded man is shown wearing a headband and garment, raising his arms and holding a crown of thorns in his right hand. The central figure is hooded and cloaked, facing away from the viewer with a slightly bowed head. To the right, another figure with indistinct facial features holds an object near their head, dressed in flowing, layered fabrics. The figures are depicted in various positions suggesting motion or interaction, without facing the viewer directly. The drawing is sketched with detailed yet slightly rough lines on a light blue background, focusing on the figures with minimal detail in the background.
Victor-François-Eloi Biennourry, Thierry de Maigret, The Mocking of Christ, 1852, black chalk with white heightening on two joined pieces of blue paper, laid down, Ailsa Mellon Bruce Fund, 2015.81.1

The Mocking of Christ

Victor-François-Eloi Biennourry, Thierry de Maigret · 1852 · black chalk with white heightening on two joined pieces of blue paper, laid down ·  Accession ID  2015.81.1

The image shows a seated male figure holding an oar and a rope in a boat. He is muscular with distinct facial features, short tousled hair, and is minimally clothed. In the background is a sail and the word "NAVIGATION."
Jules-Elie Delaunay, Navigation (Allegory of the Navy), 1876, black and white chalk with graphite on light brown wove paper, Joseph F. McCrindle Endowment Fund, 2019.29.1

Navigation (Allegory of the Navy)

Jules-Elie Delaunay · 1876 · black and white chalk with graphite on light brown wove paper ·  Accession ID  2019.29.1

Jean-Pierre Norblin, Fête Champêtre with Game of Hot Cockles (La Main Chaude), before 1774, graphite with pen and gray and brown ink with gray wash on laid paper, Ailsa Mellon Bruce Fund, 2018.174.2

Fête Champêtre with Game of Hot Cockles (La Main Chaude)

Jean-Pierre Norblin · before 1774 · graphite with pen and gray and brown ink with gray wash on laid paper ·  Accession ID  2018.174.2

The image depicts a classical artwork with various figures. In the foreground, a seated woman is reaching towards a small child standing before her, while a kneeling man is beside them. Surrounding them are winged cherubs floating on clouds. In the background, faint outlines of architectural elements are visible.
Giacinto Gimignani, The Holy Family with Saint Philip Neri in Adoration, an Angel, and Putti, 1649, etching on laid paper, Ailsa Mellon Bruce Fund and Purchased as the Gift of Robert B. Loper, 2019.129.2

The Holy Family with Saint Philip Neri in Adoration, an Angel, and Putti

Giacinto Gimignani · 1649 · etching on laid paper ·  Accession ID  2019.129.2